Almost all beginning violinists generate the sound of a small woodshop when practicing low notes. Almost no professional musicians cultivate that scratchy rumble to produce definite tones of lower frequency than the violin is normally capable of. Yet such tones can be generated, and several investigators are trying to make sense of them.
This content is only available via PDF.
© 1995 American Institute of Physics.
1995
American Institute of Physics
You do not currently have access to this content.