Artists and artisans in all eras and civilizations have produced color images for aesthetic and informational purposes. The desire to produce images that record visual experiences and to share those images with others seems intrinsic to human nature. Color is an important aspect of the visual experience. It is only natural that we attempt to understand it so that we may have control over the way we use it in drawings, paintings, photographs and electronic images.
REFERENCES
1.
W. D. Wright, The Measurement of Color, 3rd ed., Hilger & Watts, London (1964).
For background reading, see R. M. Evans, An Introduction to Color, Wiley, New York (1948);
R. M. Evans, Eye, Film, and Camera in Color Photography, Wiley, New York (1959);
R. W. G. Hunt, The Reproduction of Colour in Photography, Printing, and Television, 4th ed., Fountain P., Tolworth, England (1987).
2.
R. W. G. Hunt, Measuring Color, Ellis Harwood, Chichester, England (1987).
3.
D. B. Judd, G. Wyszcecki, Color in Business, Science, and Industry, Wiley, New York (1975).
4.
W. S. Stiles, G. Wyszcecki, Color Science, Wiley, New York (1967).
5.
Colorimetry, 2nd ed., CIE publication 15.2, Commission Internationale de l'Eclairage, Vienna (1986).
6.
F. W. Billmeyer Jr., M. Saltzman, Principles of Color Technology, Wiley, New York (1981).
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© 1989 American Institute of Physics.
1989
American Institute of Physics
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