FOR THREE OR FOUR centuries string quartets as well as orchestras both large and small, have used violins, violas, cellos and contrabasses of classical design. These wooden instruments were brought to near perfection by violin makers of the 17th and 18th centuries. Only recently, though, has testing equipment been good enough to find out just how they work, and only recently have scientific methods of manufacture been good enough to produce consistently instruments with the qualities one wants to design into them. Now, for the first time, we have eight instruments of the violin family constructed on principles of proper resonance for desired tone quality. They represent the first successful application of a consistent acoustical theory to a whole family of musical instruments.
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February 1967
February 01 1967
Foundíng a famíly of fíddles
New measurement techniques combined with recent acoustics research enable us to make violin‐type instruments in all frequency ranges with the properties built into the violin itself by the masters of three centuries ago. Thus for the first time we have a whole family of instruments made according to a consistent acoustical theory. Beyond a doubt they are musically successful.
Physics Today 20 (2), 23–37 (1967);