According to guidelines for the evaluation of church bell chimes, the timbre of a well-sounding bell is characterized by a soft, full, bright and clear tone with a salient fundamental pitch in a low-noise sound spectrum, where a luminous, clearly pronounced striking tone can be heard with as little percussive noise as possible. In a pilot experiment, 11 bell experts and 26 laypersons evaluated the ringing of 40 loudness-matched bell recordings in terms of tonal quality, pleasantness, salience of the fundamental pitch, clarity and softness of the attack. Via signal analysis, the bell sounds were analyzed in regards to 127 audio features. Correlation and regression analyses were used to determine relationships between the bells' timbre ratings and the calculated audio features. Timbral changes resulting from an optimization of the bell clapper turned out to be particularly noticeable in respect to timbral brightness, the pronouncedness of the tonal components in the spectrum (harmonic energy) and the noise components (spectral flux above 1000 Hz). Specifically, by modifying the clapper, subjective pleasantness of the bells' timbre can be improved. With increasing clapper weight and decreasing ringing angle, the fundamental pitch of bells becomes more pronounced, with stronger harmonic components and less background noise.
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11 September 2022
Fourth Vienna Talk on Music Acoustics
11–14 September 2022
University of Music and Performing Arts, Vienna, Austria
Musical Acoustics: Poster Session 5
December 22 2022
The Sound of Bells in Data Cells – Perceived Quality and Pleasantness of Church Bell Chimes
Christoph Reuter
;
Christoph Reuter
1
Musicological Department (Systematic Musicology), University of Vienna Faculty of Philological and Cultural Studies: Universitat Wien Philologisch-Kulturwissenschaftliche Fakultat
, Vienna, Vienna, 1090, AUSTRIA
; [email protected]
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Michael Plitzner;
Michael Plitzner
2
European Competence Center for Bells, ECC-ProBell, University of Kempten
, Kempten, Bavaria, 87435, GERMANY
; [email protected]; [email protected]
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Marik Roos;
Marik Roos
3
Musicological Department (Systematic Musicology), University of Vienna Faculty of Philological and Cultural Studies
, Vienna, 1090, AUSTRIA
; [email protected]; [email protected]
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Isabella Czedik-Eysenberg;
Isabella Czedik-Eysenberg
4
Musicological Department (Systematic Musicology), University of Osnabruck
, Osnabrück, Niedersachsen, 49074 GERMANY
; [email protected]; [email protected]
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Veronika Weber;
Veronika Weber
5
MediaLab, University of Vienna Faculty of Philological and Cultural Studies
, Vienna, 1090, AUSTRIA
; [email protected]
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Saleh Siddiq;
Saleh Siddiq
3
Musicological Department (Systematic Musicology), University of Vienna Faculty of Philological and Cultural Studies
, Vienna, 1090, AUSTRIA
; [email protected]; [email protected]
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Michael Oehler;
Michael Oehler
4
Musicological Department (Systematic Musicology), University of Osnabruck
, Osnabrück, Niedersachsen, 49074 GERMANY
; [email protected]; [email protected]
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Andreas Rupp
Andreas Rupp
2
European Competence Center for Bells, ECC-ProBell, University of Kempten
, Kempten, Bavaria, 87435, GERMANY
; [email protected]; [email protected]
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Proc. Mtgs. Acoust. 49, 035006 (2022)
Article history
Received:
October 22 2022
Accepted:
November 08 2022
Citation
Christoph Reuter, Michael Plitzner, Marik Roos, Isabella Czedik-Eysenberg, Veronika Weber, Saleh Siddiq, Michael Oehler, Andreas Rupp; The Sound of Bells in Data Cells – Perceived Quality and Pleasantness of Church Bell Chimes. Proc. Mtgs. Acoust. 11 September 2022; 49 (1): 035006. https://doi.org/10.1121/2.0001661
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