Soundscape patterns result from sounds radiated by several sources governed by diverse processes acting at different scales. Acoustic measurements are sampling this multi-scale variability pattern at particular locations and times. To facilitate soundscape analysis, the identification and separation of the different contributors, and soundscape comparisons, an approach, called soundscape cube, is introduced. For any acoustic measurement time-series, a probability of occurrence is estimated for all time-frequency samples of sound pressure levels (SPL) from the cumulative density functions (cdfs) of the sound spectra computed for consecutive time-windows. These spectral cdfs are then stacked along the time axis to generate a 3D block that piles up the time-frequency surfaces of the spectral SPL quantiles. This soundscape cube can then be explored by various mathematical operators to characterize and separate intra-soundscape SPL patterns emerging across the cube. The soundscape cube can also be split into its ambient-noise and structured-signal components, which respond to different forcing and timespace scales. Inter-soundscape cube operators can highlight the differences and similarities among sites, years,and their scales of autocorrelation, recurrence, etc. Application examples of this approach are given for acoustic measurements from the Canadian Arctic, the St. Lawrence Estuary, and the Mediterranean Sea.
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10 July 2016
Fourth International Conference on the Effects of Noise on Aquatic Life
10–16 July 2016
Dublin, Ireland
December 08 2016
Soundscape cube: A holistic approach to explore and compare acoustic environments Free
Yvan Simard
;
Yvan Simard
1
Maurice Lamontagne Institute
, Fisheries and Oceans Canada, Mont-Joli, Qc, Canada
; [email protected]2Fisheries and Oceans Canada Chair in underwater acoustics applied to ecosystem and marine mammals, Marine Sciences Institute,
University of Québec at Rimouski
, Rimouski, Qc, Canada
; [email protected]; [email protected]; [email protected]; [email protected]
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Marion Bandet;
Marion Bandet
2Fisheries and Oceans Canada Chair in underwater acoustics applied to ecosystem and marine mammals, Marine Sciences Institute,
University of Québec at Rimouski
, Rimouski, Qc, Canada
; [email protected]; [email protected]; [email protected]; [email protected]
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Cédric Gervaise;
Cédric Gervaise
3Chair CHORUS and GIPSA-Lab, Grenoble Institute of Technology,
Grenoble-Alpes University
, Grenoble, France
; [email protected]
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Nathalie Roy;
Nathalie Roy
1
Maurice Lamontagne Institute
, Fisheries and Oceans Canada, Mont-Joli, Qc, Canada
; [email protected]
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Florian Aulanier
Florian Aulanier
1
Maurice Lamontagne Institute
, Fisheries and Oceans Canada, Mont-Joli, Qc, Canada
; [email protected]2Fisheries and Oceans Canada Chair in underwater acoustics applied to ecosystem and marine mammals, Marine Sciences Institute,
University of Québec at Rimouski
, Rimouski, Qc, Canada
; [email protected]; [email protected]; [email protected]; [email protected]
Search for other works by this author on:
Yvan Simard
1,2
Marion Bandet
2
Cédric Gervaise
3
Nathalie Roy
1
Florian Aulanier
1,2
1
Maurice Lamontagne Institute
, Fisheries and Oceans Canada, Mont-Joli, Qc, Canada
; [email protected]
2
Fisheries and Oceans Canada Chair in underwater acoustics applied to ecosystem and marine mammals, Marine Sciences Institute,
University of Québec at Rimouski
, Rimouski, Qc, Canada
; [email protected]; [email protected]; [email protected]; [email protected]
3
Chair CHORUS and GIPSA-Lab, Grenoble Institute of Technology,
Grenoble-Alpes University
, Grenoble, France
; [email protected]Proc. Mtgs. Acoust. 27, 070012 (2016)
Article history
Received:
August 14 2016
Accepted:
October 27 2016
Citation
Yvan Simard, Marion Bandet, Cédric Gervaise, Nathalie Roy, Florian Aulanier; Soundscape cube: A holistic approach to explore and compare acoustic environments. Proc. Mtgs. Acoust. 10 July 2016; 27 (1): 070012. https://doi.org/10.1121/2.0000319
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