Automatic music accompaniment is particularly useful for exercises, rehearsals and personal enjoyment of ensemble music and one-hand piano performances. As musicians may make errors and want to correct them, or they may want to skip hard parts in the score, the system should allow errors as well as arbitrary repeats and skips. Detecting such repeats/skips, however, involves a large complexity of search for a player's score position in the entire score for every input event. Several efficient algorithms have been developed to cope with this problem under practical assumptions used in an online automatic accompaniment system named "Eurydice". In Eurydice for MIDI instruments, music performance is modeled by a hidden Markov model and maximum probability estimation is applied to the polyphonic MIDI input to yield an accompanying MIDI output (e.g., orchestra sound). Another version of Eurydice accepts monaural audio signal input and accompanies to it. Other issues such as treating ornaments, tempo estimation, and accompaniment algorithms are also discussed.
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5 May 2014
167th Meeting of the Acoustical Society of America
5–9 May 2014
Providence, Rhode Island
Session 4pMUa: Musical Acoustics
December 11 2014
Automatic music accompaniment allowing errors and arbitrary repeats and jumps Free
Shigeki Sagayama;
Shigeki Sagayama
School of Interdisciplinary Mathematical Sciences, Meiji University, 4-21-1, Nakano, Tokyo, Tokyo 164-8525 Japan
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Tomohiko Nakamura;
Tomohiko Nakamura
The University of Tokyo, Tokyo, Tokyo Japan
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Eita Nakamura;
Eita Nakamura
National Institute of Informatics, Tokyo, Tokyo 114-0014 Japan
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Yasuyuki Saito;
Yasuyuki Saito
Kisarazu National College of Technology, Kisarazu, Chiba Japan
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Hirokazu Kameoka;
Hirokazu Kameoka
The University of Tokyo, Tokyo, Tokyo Japan
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Nobutaka Ono
Nobutaka Ono
National Institute of Informatics, Tokyo, Tokyo Japan
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Shigeki Sagayama
School of Interdisciplinary Mathematical Sciences, Meiji University, 4-21-1, Nakano, Tokyo, Tokyo 164-8525 Japan
Tomohiko Nakamura
The University of Tokyo, Tokyo, Tokyo Japan
Eita Nakamura
National Institute of Informatics, Tokyo, Tokyo 114-0014 Japan
Yasuyuki Saito
Kisarazu National College of Technology, Kisarazu, Chiba Japan
Hirokazu Kameoka
The University of Tokyo, Tokyo, Tokyo Japan
Nobutaka Ono
National Institute of Informatics, Tokyo, Tokyo Japan
Proc. Mtgs. Acoust. 21, 035003 (2014)
Article history
Received:
September 03 2014
Accepted:
December 10 2014
Citation
Shigeki Sagayama, Tomohiko Nakamura, Eita Nakamura, Yasuyuki Saito, Hirokazu Kameoka, Nobutaka Ono; Automatic music accompaniment allowing errors and arbitrary repeats and jumps. Proc. Mtgs. Acoust. 5 May 2014; 21 (1): 035003. https://doi.org/10.1121/1.4904932
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