Architectural acoustics, generally the result of meticulous calculations and implementation, can also be produced by an unintentional byproduct of material choices and spatial relationships. Such an example of fortuitous acoustics exists in downtown Tulsa, Oklahoma, within a space commonly known as The Center of the Universe. This acoustical anomaly brings, smile, laughter, surprise, and astonishment to numerous visitors. Regardless of someone's occupation, education, or preconceived thoughts; the acoustical character within The Center of the Universe is noticeable and intriguing. Aside from sound reflection and focusing studies performed on site, the acoustical phenomenology as a "found object" in design sparks common interest to investigate further. While visiting Tulsa for an unrelated studio project, a group of University of Oklahoma (OU) design students expressed interest in visiting The Center of the Universe solely due to the premise of something unusual or extraordinary. During their visit, they immediately became interested in architectural acoustics. This paper focuses on using acoustical phenomenon as a catalyst to spark creative thought and interest in designers who previously placed little or no importance on acoustical criteria or the resultant acoustical environment intrinsically linked to holistic design.

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