This work contributes a physical synthesis model of the trombone, a virtual musical instrument emphasizing quality sound production, and interactivity. The focus is on modeling and coupling four parts of the trombone: the instrument bore, the bell, the vibrating lips, and the mouthpiece. The model of the instrument is made parametrically flexible by using a combination of filter elements modeled either using known theory or, for elements not well described theoretically, from acoustic measurement. In particular, acoustic accuracy of the bell reflection and transmission is explored by comparing results obtained from measurement, to those obtained from a piecewise conical model. In addition, the playability and performance characteristics of the complete sounding model—when coupled to a mouthpiece and a configurable generalized reed model—is discussed with reference to expected acoustic behavior.
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May 2013
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May 01 2013
A trombone model emphasizing acoustic accuracy and playability Free
Tamara Smyth;
Tamara Smyth
Music, Univ. of California San Diego, 9500 Gilman Dr., La Jolla, CA [email protected]
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Frederick Scott
Frederick Scott
Computing Sci., Simon Fraser Univ., Vancouver, BC, Canada
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Tamara Smyth
Frederick Scott
Music, Univ. of California San Diego, 9500 Gilman Dr., La Jolla, CA [email protected]
J. Acoust. Soc. Am. 133, 3548 (2013)
Citation
Tamara Smyth, Frederick Scott; A trombone model emphasizing acoustic accuracy and playability. J. Acoust. Soc. Am. 1 May 2013; 133 (5_Supplement): 3548. https://doi.org/10.1121/1.4806437
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