In this research, a spherical microphone array and a dummy head were used to measure room impulse responses in a wide variety of concert and recital halls throughout New York State. Auralizations were created for both headphone playback and second-order ambisonic playback via a loudspeaker array. These two systems were first evaluated objectively to determine the level of accuracy with which they could reproduce the measured soundfields, particularly with respect to important binaural cues. Subjects were then recruited for listening tests conducted with both reproduction methods and asked to evaluate the different spaces based on specific parameters and overall subjective preference, and the results of the two playback methods were compared.
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September 2012
Meeting abstract. No PDF available.
September 01 2012
Comparison of headphone- and loudspeaker-based concert hall auralizations Free
Samuel Clapp;
Samuel Clapp
Graduate Program in Architectural Acoustics, Rensselaer Polytechnic Institute, 110 8th Street, Greene Building, Troy, NY [email protected]
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Jonas Braasch;
Jonas Braasch
Graduate Program in Architectural Acoustics, Rensselaer Polytechnic Institute, Troy, NY
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Ning Xiang;
Ning Xiang
Graduate Program in Architectural Acoustics, Rensselaer Polytechnic Institute, Troy, NY
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Terence Caulkins
Terence Caulkins
Graduate Program in Architectural Acoustics, Rensselaer Polytechnic Institute, Troy, NY
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Samuel Clapp
Anne Guthrie
Jonas Braasch
Ning Xiang
Terence Caulkins
Graduate Program in Architectural Acoustics, Rensselaer Polytechnic Institute, 110 8th Street, Greene Building, Troy, NY [email protected]
J. Acoust. Soc. Am. 132, 1913 (2012)
Citation
Samuel Clapp, Anne Guthrie, Jonas Braasch, Ning Xiang, Terence Caulkins; Comparison of headphone- and loudspeaker-based concert hall auralizations. J. Acoust. Soc. Am. 1 September 2012; 132 (3_Supplement): 1913. https://doi.org/10.1121/1.4755018
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