Absolute pitch, the ability to name a musical note in the absence of a reference note, is very rare in North America and Europe, so that attempts to characterize its features in the western world have involved small numbers of subjects, informal self-report, questionnaires, or web-based exploration. The study reported here capitalized on the high prevalence of absolute pitch in China to explore its features in detail using direct, on-site testing of 160 subjects in a Chinese music conservatory. As expected, performance levels were extremely high, and there was a large effect of age of onset of musical training, with those who began training by age 5 scoring on average 83% correct not allowing for semitone errors and 90% correct allowing for semitone errors. It was found that errors tended to be on the sharp side. An advantage to white keys over black keys was also found; however this was not due to early experience with the piano, as had been hypothesized by others, since performers on different instruments showed an effect that was as large or larger. Furthermore, the special status for note A that had been hypothesized by others was not found, even for orchestral performers.
Skip Nav Destination
Article navigation
October 2011
Meeting abstract. No PDF available.
October 01 2011
Large-scale direct-test study reveals unexpected characteristics of absolute pitch
Diana Deutsch;
Diana Deutsch
Dept. of Psychol., Univ. of California, San Diego, La Jolla, CA 92093
Search for other works by this author on:
Jinghong Le;
Jinghong Le
East China Normal Univ., Shanghai 200062, China
Search for other works by this author on:
Jing Shen;
Jing Shen
Univ. of California, San Diego, La Jolla, CA 92093
Search for other works by this author on:
Xiaonuo Li
Xiaonuo Li
Shanghai Conservatory of Music, 20 Feng Yang Rd., Shanghai 200031, China
Search for other works by this author on:
J. Acoust. Soc. Am. 130, 2398 (2011)
Citation
Diana Deutsch, Jinghong Le, Jing Shen, Xiaonuo Li; Large-scale direct-test study reveals unexpected characteristics of absolute pitch. J. Acoust. Soc. Am. 1 October 2011; 130 (4_Supplement): 2398. https://doi.org/10.1121/1.3654614
Download citation file:
Citing articles via
Vowel signatures in emotional interjections and nonlinguistic vocalizations expressing pain, disgust, and joy across languages
Maïa Ponsonnet, Christophe Coupé, et al.
The alveolar trill is perceived as jagged/rough by speakers of different languages
Aleksandra Ćwiek, Rémi Anselme, et al.
A survey of sound source localization with deep learning methods
Pierre-Amaury Grumiaux, Srđan Kitić, et al.
Related Content
Absolute pitch among students at the Shanghai Conservatory of Music: A large-scale direct-test study
J. Acoust. Soc. Am. (November 2013)
Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speech-related critical period
J. Acoust. Soc. Am. (February 2006)
Absolute pitch among students in an American music conservatory: Association with tone language fluency
J. Acoust. Soc. Am. (April 2009)
Perception of musical and lexical tones by Taiwanese-speaking musicians
J. Acoust. Soc. Am. (July 2011)
Perception of musical pitch and lexical tones by Mandarin-speaking musicians
J. Acoust. Soc. Am. (January 2010)