This paper describes the research job carried out at Polytechnic University of Valencia ‐Spain‐ about resonant cavities placed under the orchestra pits of Italian Opera Houses, and others acoustics mechanisms like this one. The Teatro Principal of Valencia was built following the project developed by the Italian architect Felipe Fontana in 1774 and it opened its doors in 1832. Fifteen years ago, in the last architectonic intervention in this theatre, almost a hundred of acoustic vases were found in one of those resonant cavities. What acoustics role they accomplish? How they "functioned"? This was the starting point to study this kind of artifices, throughout the eighteenth century European treatises about theatres and in our Teatro Principal.