Teatro alla Scala of Milan, known simply as La Scala throughout the world, is an old but venerable opera house that achieved legendary status in the world of music. A great number of singers of Olympian status have sung there; and major operas, among them Verdi’s Falstaff and Otello and Puccini’s Turandot, premiered there. The 227‐year‐old theater is beloved with a passion by the Milanese and the Italians, but it has suffered the ravages of time. It needed to be renovated in order to reverse material decay, meet current fire codes and security requirements, incorporate a new HVAC system, and to accommodate badly needed modern stage machinery. This renovation project took 3 years during which the theater was closed, and it included the construction of an elliptical 17‐floor fly tower, designed by architect Mario Botta, for housing rehearsal rooms and serving as a scenery changing facility. The renovation proposal originally aroused a strong sense of melodrama among the extremely excitable Italian opera buffs who feared the desecration of their beloved edifice, but the acoustics and the beauty (carried out by Elisabetta Fabbri Architect) of the auditorium were preserved (and even enhanced). In this paper we explain how this project was achieved.
Skip Nav Destination
Article navigation
April 2005
Meeting abstract. No PDF available.
April 01 2005
Renovating Teatro alla Scala Milano for the 21st century, Part I Free
Higini Arau
Higini Arau
Travesera de Dalt, 118, 08024 Barcelona, Spain
Search for other works by this author on:
J. Acoust. Soc. Am. 117, 2522 (2005)
Citation
Higini Arau; Renovating Teatro alla Scala Milano for the 21st century, Part I. J. Acoust. Soc. Am. 1 April 2005; 117 (4_Supplement): 2522. https://doi.org/10.1121/1.4788370
Download citation file:
114
Views
Citing articles via
Focality of sound source placement by higher (ninth) order ambisonics and perceptual effects of spectral reproduction errors
Nima Zargarnezhad, Bruno Mesquita, et al.
A survey of sound source localization with deep learning methods
Pierre-Amaury Grumiaux, Srđan Kitić, et al.
Variation in global and intonational pitch settings among black and white speakers of Southern American English
Aini Li, Ruaridh Purse, et al.
Related Content
Renovating Teatro alla Scala Milano for the 21st century, Part II
J. Acoust. Soc. Am. (April 2005)
Acoustical evaluation of the Teatro Colón of Buenos Aires
Proc. Mtgs. Acoust. (November 2017)
The acoustic design of the Centro Nacional de las Artes in Mexico City
J. Acoust. Soc. Am. (October 2002)
New opera house in Astana: A recent opportunity to use a room acoustic scale model
Proc. Mtgs. Acoust. (May 2013)
Acoustical balance between the stage and the pit in the Teatro Colón of Buenos Aires
Proc. Mtgs. Acoust. (September 2018)