In preparation for neurophysiological experiments aimed at mechanisms of pitch perception, four rhesus monkeys were trained to press a button when the fundamental frequencies (missing or present) of two complex tones in a tone pair matched. Both tones were based on a five‐component harmonic series. Zero to three of the lowest components could be missing in the first tone, while the second (comparison) tone contained all five harmonics. The range of fundamentals tested varied from 200 to 600 Hz. Three monkeys learned to match tones missing their fundamentals to comparison harmonic complexes with the same pitch, whereas the fourth monkey required the physical presence of the fundamental. Consideration of several cues available to the monkeys suggests that the animals could perceive the missing fundamental.
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August 1988
August 01 1988
Perception of the missing fundamental in nonhuman primates
R. W. Ward Tomlinson;
R. W. Ward Tomlinson
Division of Otolaryngology and Department of Physiology, University of British Columbia, 2211 Wesbrook Mall, F‐153, Vancouver, British Columbia V6T 2B5, Canada
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Dietrich W. F. Schwarz
Dietrich W. F. Schwarz
Division of Otolaryngology and Department of Physiology, University of British Columbia, 2211 Wesbrook Mall, F‐153, Vancouver, British Columbia V6T 2B5, Canada
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J. Acoust. Soc. Am. 84, 560–565 (1988)
Article history
Received:
December 05 1987
Accepted:
April 29 1988
Citation
R. W. Ward Tomlinson, Dietrich W. F. Schwarz; Perception of the missing fundamental in nonhuman primates. J. Acoust. Soc. Am. 1 August 1988; 84 (2): 560–565. https://doi.org/10.1121/1.396833
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