Unison strings of a concert grand piano were tuned to five “unison” conditions. The conditions were “zero‐beat” tuning and the upper string of three string unison groups tuned sharp and the lower string tuned flat by , 1, 2, and 3 cents relative to the center string. Magnetic tape recordings were made of the piano tuned under these conditions. These recordings in the form of a paired comparison preference test were presented to musically trained and untrained subjects. The most preferred tuning conditions for three string unison groups as recorded and reproduced from magnetic tape, are 1 and 2 cents maximum deviation among strings. Musically trained subjects prefer less deviation in tuning among unison strings than do untrained subjects. Close agreement was found between the subject's tuning preferences and the way artist tuners actually tune piano unison strings.
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December 1959
December 01 1959
Tuning Preferences for Piano Unison Groups Available to Purchase
Roger E. Kirk
Roger E. Kirk
The Baldwin Piano Company, Cincinnati 2, Ohio
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Roger E. Kirk
The Baldwin Piano Company, Cincinnati 2, Ohio
J. Acoust. Soc. Am. 31, 1644–1648 (1959)
Article history
Received:
July 09 1959
Citation
Roger E. Kirk; Tuning Preferences for Piano Unison Groups. J. Acoust. Soc. Am. 1 December 1959; 31 (12): 1644–1648. https://doi.org/10.1121/1.1907673
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