For centuries, wood, and more specifically spruce, has been the material of choice for violin top plates. Lately, carbon fiber instruments have entered the market. Some studies show that composite materials have potential advantages for making instruments [Damodaran, Lessard, and Babu, Acoust. Aust. 43, 117–122 (2015)]. However, no studies exist that evaluate violins made of different composite materials as judged by listeners. For this study, six prototype violins, differing only by the material of the top plate, were manufactured in a controlled laboratory setting. The six prototype violins were judged by experienced listeners in two double-blind experiments. In contrast to popular opinion that violins made from carbon have or lack a specific sound quality, the study provides insights in the diverse sounds and timbres violins from fiber-reinforced polymers can create. It allows an investigation of the links between the perception and the variations in material properties of the soundboards. Additionally, as neither players nor listeners are acquainted with these instruments, these results provide an interesting view on what type of qualities of violin-like sounds are preferred by listeners.
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April 2020
April 28 2020
Listener evaluations of violins made from composites Available to Purchase
Tim Duerinck;
Tim Duerinck
a)
1
Instrument Making—School of Arts Gent Koninklijke Academie voor Schone Kunsten & Royal Conservatory
, Nederpolder 26, 9000 Ghent, Belgium
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Geerten Verberkmoes;
Geerten Verberkmoes
1
Instrument Making—School of Arts Gent Koninklijke Academie voor Schone Kunsten & Royal Conservatory
, Nederpolder 26, 9000 Ghent, Belgium
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Claudia Fritz;
Claudia Fritz
2
Institut Jean le Rond d'Alembert, Sorbonne Université/Centre National de la Recherche Scientifique
, 4 Place Jussieu, 75005 Paris, France
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Marc Leman;
Marc Leman
3
Department of Art, Music and Theater Sciences, Ghent University
, Sint-Pietersnieuwstraat 41, B4 9000 Ghent, Belgium
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Luc Nijs;
Luc Nijs
3
Department of Art, Music and Theater Sciences, Ghent University
, Sint-Pietersnieuwstraat 41, B4 9000 Ghent, Belgium
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Mathias Kersemans;
Mathias Kersemans
4
Department of Materials, Textiles and Chemical Engineering, Ghent University
, Technologiepark 46, B-9052 Zwijnaarde, Belgium
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Wim Van Paepegem
Wim Van Paepegem
4
Department of Materials, Textiles and Chemical Engineering, Ghent University
, Technologiepark 46, B-9052 Zwijnaarde, Belgium
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Tim Duerinck
1,a)
Geerten Verberkmoes
1
Claudia Fritz
2
Marc Leman
3
Luc Nijs
3
Mathias Kersemans
4
Wim Van Paepegem
4
1
Instrument Making—School of Arts Gent Koninklijke Academie voor Schone Kunsten & Royal Conservatory
, Nederpolder 26, 9000 Ghent, Belgium
2
Institut Jean le Rond d'Alembert, Sorbonne Université/Centre National de la Recherche Scientifique
, 4 Place Jussieu, 75005 Paris, France
3
Department of Art, Music and Theater Sciences, Ghent University
, Sint-Pietersnieuwstraat 41, B4 9000 Ghent, Belgium
4
Department of Materials, Textiles and Chemical Engineering, Ghent University
, Technologiepark 46, B-9052 Zwijnaarde, Belgium
a)
Electronic mail: [email protected]
J. Acoust. Soc. Am. 147, 2647–2655 (2020)
Article history
Received:
December 09 2019
Accepted:
April 08 2020
Citation
Tim Duerinck, Geerten Verberkmoes, Claudia Fritz, Marc Leman, Luc Nijs, Mathias Kersemans, Wim Van Paepegem; Listener evaluations of violins made from composites. J. Acoust. Soc. Am. 1 April 2020; 147 (4): 2647–2655. https://doi.org/10.1121/10.0001159
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