Playability is an important aspect of the evaluation of bowed string instruments. The well-known “wolf note” of a cello is a particularly obvious playability issue, and it has been suggested that susceptibility to wolfiness might be deduced directly from a measurement of the Schelleng minimum bow force for the playing of a steady note. This prediction is explored by comparing physical measurements with the experience of players after making controlled mechanical changes to a cello. Experienced luthiers and musicians made subjective judgements of changes in the severity of the wolf note, under blinded conditions. The results strongly suggest a direct and intimate link between the measurable acoustical parameter and perceptual discrimination. This simple acoustical measurement can help instrument makers to identify problem notes, and to assess the effectiveness of different possible interventions.

1.
Cremer
,
L.
(
1984
).
The Physics of the Violin
(
MIT Press
,
Cambridge, MA)
.
2.
Firth
,
I. M.
, and
Buchanan
,
J. M.
(
1971
). “
The wolf in the cello
,”
J. Acoust. Soc. Am.
53
,
457
463
.
3.
Fritz
,
C.
,
Woodhouse
,
J.
,
Cheng
,
F. P. H.
,
Cross
,
I.
,
Blackwell
,
A. F.
, and
Moore
,
B. C. J.
(
2010
). “
Perceptual studies of violin body damping and vibrato
,”
J. Acoust. Soc. Am.
127
,
513
524
.
4.
Helmholtz
,
H. von.
(
1954
).
On the Sensations of Tone
(
Dover
,
New York
).
5.
Mansour
,
H.
,
Woodhouse
,
J.
, and
Scavone
,
G. P.
(
2017
). “
On minimum bow force for bowed strings
,”
Acta Acust. Acust.
103
,
317
330
.
6.
McIntyre
,
M. E.
, and
Woodhouse
,
J.
(
1978
). “
The acoustics of stringed musical instruments
,”
Interdiscip. Sci. Rev.
3
(
2
),
157
173
.
7.
Raman
,
C. V.
(
1916
). “
On the wolf-note of the violin and cello
,”
Nature
97
,
362
363
.
8.
Raman
,
C. V.
(
1920
). “
Experiments with mechanically-played violins
,”
Proc. Indian Assoc. Cultiv. Sci.
6
,
19
36
.
9.
Schelleng
,
J. C.
(
1963
). “
The violin as a circuit
,”
J. Acoust. Soc. Am.
35
,
326
338
.
10.
Schelleng
,
J. C.
(
1973
). “
The bowed string and the player
,”
J. Acoust. Soc. Am.
53
,
26
41
.
11.
Türckheim
,
F.
,
Smit
,
T.
, and
Mores
,
R.
(
2009
). “
An experimental musician-based study on playability and responsiveness of violins
,” in
Proceedings of International Conference on Acoustics (NAG/DAGA09)
, Rotterdam, Netherlands, pp.
1474
1477
.
12.
White
,
G. W.
(
1915
). “
The origin of the wolf-note in bowed string instruments
,”
Proc. Cambridge Philos. Soc.
18
,
85
87
.
13.
Woodhouse
,
J.
(
1993a
). “
On the playability of violins: Part 1 Reflection functions
,”
Acustica
78
,
125
136
.
14.
Woodhouse
,
J.
(
1993b
). “
On the playability of violins: Part 2 Minimum bow force and transients
,”
Acustica
78
,
137
153
.
15.
Woodhouse
,
J.
(
2014
). “
The acoustics of the violin: A review
,”
Rep. Prog. Phys.
77
(
11
),
115901
.
16.
Zhang
,
A.
(
2015
). “
Playability of bowed string instruments
,” Doctoral dissertation,
University of Cambridge
.
17.
Zhang
,
A.
, and
Woodhouse
,
J.
(
2014
). “
Reliability of the input admittance of bowed-string instruments measured by the hammer method
,”
J. Acoust. Soc. Am.
136
,
3371
3381
.
18.
Zhang
,
A.
, and
Woodhouse
,
J.
(
2016
). “
Motion of the cello bridge
,”
J. Acoust. Soc. Am.
140
(
4
),
2636
2675
.
You do not currently have access to this content.