In this study, the acoustic dissipation is investigated experimentally in wooden pipes of different species commonly used in woodwind instrument making: maple (Acer pseudoplatanus), pear wood (Pyrus communis L.), boxwood (Buxus sempervirens), and African Blackwood (Dalbergia melanoxylon). The pipes are parallel to the grain, except one which forms an angle of 60° with the fiber direction. An experimental method, involving input impedance measurements with several lengths of air column, is introduced to estimate the characteristic impedance and the attenuation factor in the pipes. Their comparison reveals significant differences of acoustic dissipation among the species considered. The attenuation factors are ranked in the following order from largest to smallest: maple, boxwood, pear wood, and African Blackwood. This order is the same before and after polishing the bore, which is an essential step in the making process of wind instrument. For maple, changing the pipe direction of 60° considerably increases the attenuation factor, compared to those of the other pipes, parallel to the grain. Further, polishing tends to reduce the acoustic dissipation in the wooden pipes, especially for the most porous species. As a result, the influence of polishing in the making procedure depends on the selected wood species.
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April 2017
April 21 2017
Acoustic dissipation in wooden pipes of different species used in wind instrument making: An experimental study Available to Purchase
Henri Boutin;
Henri Boutin
a)
1
CRC
, USR 3224-ECR Musée de la Musique, Cité de la Musique, Philharmonie de Paris, 221 avenue Jean Jaurès, F-75019 Paris, France
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Sandie Le Conte;
Sandie Le Conte
1
CRC
, USR 3224-ECR Musée de la Musique, Cité de la Musique, Philharmonie de Paris, 221 avenue Jean Jaurès, F-75019 Paris, France
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Stéphane Vaiedelich;
Stéphane Vaiedelich
1
CRC
, USR 3224-ECR Musée de la Musique, Cité de la Musique, Philharmonie de Paris, 221 avenue Jean Jaurès, F-75019 Paris, France
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Benoit Fabre;
Benoit Fabre
2
Sorbonne Universités
, UPMC Univ Paris 06, CNRS, LAM/Institut d'Alembert, 4 place Jussieu, 75252 Paris Cedex 05, France
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Jean-Loïc Le Carrou
Jean-Loïc Le Carrou
2
Sorbonne Universités
, UPMC Univ Paris 06, CNRS, LAM/Institut d'Alembert, 4 place Jussieu, 75252 Paris Cedex 05, France
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Henri Boutin
1,a)
Sandie Le Conte
1
Stéphane Vaiedelich
1
Benoit Fabre
2
Jean-Loïc Le Carrou
2
1
CRC
, USR 3224-ECR Musée de la Musique, Cité de la Musique, Philharmonie de Paris, 221 avenue Jean Jaurès, F-75019 Paris, France
2
Sorbonne Universités
, UPMC Univ Paris 06, CNRS, LAM/Institut d'Alembert, 4 place Jussieu, 75252 Paris Cedex 05, France
a)
Also at: Sorbonne Universités, UPMC Univ Paris 06, CNRS, LAM/Institut d'Alembert, 4 place Jussieu, 75252 Paris Cedex 05, France. Electronic mail: [email protected]
J. Acoust. Soc. Am. 141, 2840–2848 (2017)
Article history
Received:
August 03 2016
Accepted:
April 04 2017
Citation
Henri Boutin, Sandie Le Conte, Stéphane Vaiedelich, Benoit Fabre, Jean-Loïc Le Carrou; Acoustic dissipation in wooden pipes of different species used in wind instrument making: An experimental study. J. Acoust. Soc. Am. 1 April 2017; 141 (4): 2840–2848. https://doi.org/10.1121/1.4981119
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