The effects of wide-dynamic-range compression (WDRC) on the ability of hearing-impaired subjects to hear out individual instruments or voices (called “sources”) in a mixture were explored. On each trial, the subjects were asked to judge the relative clarity of the target in two repetitions of the same music excerpt (mixture of sources) that were processed in different ways. The stimuli were processed via a five-channel simulated WDRC hearing aid, using individual insertion gains and compression ratios recommended by the CAM2 fitting procedure. Both fast- and slow-acting WDRC and a condition with linear amplification and frequency-response shaping were used. To investigate the role of cross-modulation (the partial correlation of the envelopes of different sources caused by the time-varying gain applied by the compressor), conditions were included where the sounds from different sources were compressed before being added together and where the sounds were added together before being compressed. The results showed no effect of cross-modulation, lower clarity with WDRC than with linear amplification, and no significant overall effect of compression speed, although some subjects consistently rated clarity as greater with slow compression. The deleterious effect of WDRC may be related to changes in temporal-envelope shape or reduced spectral contrast produced by WDRC.
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April 2015
April 01 2015
Effects of wide dynamic-range compression on the perceived clarity of individual musical instruments
Sara M. K. Madsen;
Sara M. K. Madsen
a)
Department of Psychology,
University of Cambridge
, Downing Street, Cambridge CB2 3EB, United Kingdom
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Michael A. Stone;
Michael A. Stone
Department of Psychology,
University of Cambridge
, Downing Street, Cambridge CB2 3EB, United Kingdom
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Martin F. McKinney;
Martin F. McKinney
Starkey Hearing Technologies
, 6700 Washington Avenue South, Eden Prairie, Minnesota 55344-3476
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Kelly Fitz;
Kelly Fitz
Starkey Hearing Technologies
, 6700 Washington Avenue South, Eden Prairie, Minnesota 55344-3476
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Brian C. J. Moore
Brian C. J. Moore
Department of Psychology,
University of Cambridge
, Downing Street, Cambridge CB2 3EB, United Kingdom
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a)
Author to whom correspondence should be addressed. Electronic mail: smkm2@cam.ac.uk
J. Acoust. Soc. Am. 137, 1867–1876 (2015)
Article history
Received:
November 18 2014
Accepted:
February 19 2015
Citation
Sara M. K. Madsen, Michael A. Stone, Martin F. McKinney, Kelly Fitz, Brian C. J. Moore; Effects of wide dynamic-range compression on the perceived clarity of individual musical instruments. J. Acoust. Soc. Am. 1 April 2015; 137 (4): 1867–1876. https://doi.org/10.1121/1.4914988
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