Absolute pitch (AP)—the ability to name a musical note in the absence of a reference note—is a rare ability whose relevance to musical proficiency has so far been unclear. Sixty trained musicians—thirty who self-reported AP and thirty with equivalent age of onset and duration of musical training—were administered a test for AP and also a musical dictation test not requiring AP. Performance on both types of test were highly correlated . When subjects were divided into three groups based on their performance on the AP test, highly significant differences between the groups emerged. Those who clearly possessed AP showed remarkably high performance on the musical dictation test, the scores of those without AP varied widely, and the performance of the intermediate group of borderline AP possessors fell between that of clear AP possessors and clear nonpossessors. The findings support the hypothesis that AP is associated with proficiency in performing other musical tasks, and run counter to the claim that it confers a disadvantage in the processing of relative pitch.
Skip Nav Destination
Article navigation
August 2010
August 09 2010
Absolute pitch correlates with high performance on musical dictation Available to Purchase
Kevin Dooley;
Kevin Dooley
Department of Psychology,
University of California
, San Diego, La Jolla, California 92093
Search for other works by this author on:
Diana Deutsch
Diana Deutsch
a)
Department of Psychology,
University of California
, San Diego, La Jolla, California 92093
Search for other works by this author on:
Kevin Dooley
Department of Psychology,
University of California
, San Diego, La Jolla, California 92093
Diana Deutsch
a)
Department of Psychology,
University of California
, San Diego, La Jolla, California 92093a)
Author to whom correspondence should be addressed. Electronic mail: [email protected]; [email protected]
J. Acoust. Soc. Am. 128, 890–893 (2010)
Article history
Received:
February 26 2010
Accepted:
June 06 2010
Citation
Kevin Dooley, Diana Deutsch; Absolute pitch correlates with high performance on musical dictation. J. Acoust. Soc. Am. 1 August 2010; 128 (2): 890–893. https://doi.org/10.1121/1.3458848
Download citation file:
Pay-Per-View Access
$40.00
Sign In
You could not be signed in. Please check your credentials and make sure you have an active account and try again.
Citing articles via
Variation in global and intonational pitch settings among black and white speakers of Southern American English
Aini Li, Ruaridh Purse, et al.
Climatic and economic fluctuations revealed by decadal ocean soundscapes
Vanessa M. ZoBell, Natalie Posdaljian, et al.
The contribution of speech rate, rhythm, and intonation to perceived non-nativeness in a speaker's native language
Ulrich Reubold, Robert Mayr, et al.
Related Content
Absolute pitch correlates with high performance on interval naming tasks
J. Acoust. Soc. Am. (December 2011)
A nonmusical paradigm for identifying absolute pitch possessors
J. Acoust. Soc. Am. (September 2004)
Absolute pitch is associated with a large auditory digit span: A clue to its genesis
J. Acoust. Soc. Am. (April 2013)
Absolute pitch is disrupted by a memory illusion
J. Acoust. Soc. Am. (April 2021)
Categorical perception revisited, yet again: Frequency and frequency ratio resolution by “possessors” and other musicians
J. Acoust. Soc. Am. (August 2005)