Response to “Comments on ‘A consonance-based approach to the harpsichord tuning of Domenico Scarlatti’ ” [J. Acoust. Soc. Am. 103, 1680 (1998)]

Sankey, John; Sethares, William A.

doi:10.1121/1.421262

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March 01 1998

Response to “Comments on ‘A consonance-based approach to the harpsichord tuning of Domenico Scarlatti’ ” [J. Acoust. Soc. Am. 103, 1680 (1998)]

John Sankey;

John Sankey

1369 Matheson Road, Gloucester, Ontario K1J 8B5, Canada

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William A. Sethares

Department of Electrical and Computer Engineering, University of Wisconsin, Madison, Wisconsin 53706-1691

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J. Acoust. Soc. Am. 103, 1681 (1998)

https://doi.org/10.1121/1.421262

This Letter briefly responds to Carl Sloane’s arguments regarding Scarlatti’s use of wolf fifths. It is believed that the historical record is sufficiently unclear that firm conclusions are not possible.

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1998

Acoustical Society of America

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Response to “Comments on ‘A consonance-based approach to the harpsichord tuning of Domenico Scarlatti’ ” [J. Acoust. Soc. Am. 103, 1680 (1998)]

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