The review focuses on architected acoustic metamaterials to manipulate airborne sound waves, with only limited discussions on elastic metamaterials related to solid media. We review the design of acoustic metamaterials and the physical mechanisms underpinning their performance and related manufacturing methodologies, while also examining potential issues and challenges affecting the use of metamaterials in acoustics. The complexities of several metamaterial architectures are discussed. A new classification system is proposed to distinguish metamaterial configurations based on the typology of the channels inside the acoustic meta-atom. Several types of acoustic metamaterials architectures, such as perforated and micro-perforated panels, acoustic foams, resonators, various geometrical paths, and piezoelectric patches, are also discussed. The fundamental acoustic mechanisms of these classes of metamaterials are identified and commented on. The paper also describes the main measurement techniques used for acoustic metamaterials and the physical quantities evaluated, providing a guide to characterize and assess their performance. The fundamental challenges of the current metamaterials designs are discussed, with a focus on the complex synergy between architectural patterns of acoustic metamaterials and their thickness. We clarify the distinction between acoustic and elastic metamaterials, emphasizing the design and applications of materials that manipulate sound waves in fluid media. The paper also offers further comments about the need for practical design tools to allow the use of acoustic metamaterials in real-world applications.

Acoustic metamaterials (AMs) provide an innovative approach to interacting with acoustic waves, surpassing the constraints of conventional porous materials and presenting new opportunities for sound and noise management.

This review concentrates on acoustic metamaterials in fluids, distinguishing them from elastic metamaterials (EMs) that affect mechanical waves in solids.

Acoustic metamaterials are specifically engineered to control and manipulate the propagation of sound waves. They can be classified geometrically into several distinct categories, as shown in Fig. 1. Each type of metamaterial has unique or shared characteristics and applications. This geometrical classification provides a comprehensive framework for a better understanding of their design and offers insights into their potential applications in various fields.

FIG. 1.

Examples of the main geometries used in acoustic metamaterials: fractal (a), coiled or zigzag (b), chiral (c), antichiral (d), auxetic (e), honeycomb or hexagonal (f), helicoidal (g), spiral (h), cochlea (i), spider (j), Kelvin cell (k), and labyrinthine or maze (l). G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

FIG. 1.

Examples of the main geometries used in acoustic metamaterials: fractal (a), coiled or zigzag (b), chiral (c), antichiral (d), auxetic (e), honeycomb or hexagonal (f), helicoidal (g), spiral (h), cochlea (i), spider (j), Kelvin cell (k), and labyrinthine or maze (l). G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

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Acoustic metamaterials have gathered considerable attention in the field of materials science and technological design, due to their various applications in areas such as noise mitigation,1 energy harvesting,2 and medical imaging.3 

AMs are characterized by their extraordinary properties, such as unusual bulk modulus and density,4 which can interact with acoustic waves innovatively; however, it is important to note that these characteristics are only applicable when equivalent fluid models are used to describe these metamaterials, a condition that does not universally apply.

These unusual or artificially generated properties have led to various real-world applications, like minimizing noise in hospital rooms during the recent pandemic,5 or making the external chiller unit of air conditioning systems more silent.6 

Among all the possible geometries, the fractal [Fig. 1(a)] is one of the most commonly and effectively used.1,8–19 The advantage of using fractal geometries relies on the adoption of self-repeating patterns, which exhibit multi-scale structures.20 Among all the space-filling fractal geometries, the Hilbert fractal appears to be one of the most robust and thoroughly investigated in terms of acoustic wave modulation.

Another architecture widely used in acoustic metamaterials is the coiled or space-coiling one [Fig. 1(b)]. These geometries control the propagation of sound waves through the number of zigzag units inside the periodic unit area. Coiled structures can also be designed with tapered channels21 and openings, allowing the further modulation of their acoustic properties for wider broadband effects.

Architected acoustic metamaterials can provide, in particular, tailored transmissibility12,22–26 and focused acoustic wave projection capability.1,27–31 AMs can also provide multifunctional capabilities, like structures with soundproofing and air passage capabilities to help reduce noise pollution without blocking ventilation,32–40 generating a more comfortable and sustainable built environment.

Their utility can span various industries, addressing heating, ventilation, and air conditioning (HVAC) noise41 in buildings.42–45 In terms of multifunctionality, some acoustic metamaterials can be used to enable sound insulation at extreme temperatures,46–49 opening up new possibilities for aeronautics and high-temperature machining. Acoustic metamaterials have been applied to combustion engine mufflers50–53 or turbojets noise passing through an airplane fuselage.54 

Noise barriers55 represent one of the most promising applications of acoustic metamaterials. Those barriers function by attenuating noise pollution, thereby fostering a quieter environment (Fig. 2). The design of AMs barriers often involves the creation of materials that can absorb a wide spectrum of noise frequencies.

FIG. 2.

Examples of noise control through the use of Hilbert fractal and coiled geometries (a)8 to target acoustic absorption at specific frequencies (b).8 Reproduced from G. Comandini, C. Khodr, V. P. Ting, M. Azarpeyvand, F. Scarpa, “Sound absorption in Hilbert fractal and coiled acoustic metamaterials,” Appl. Phys. Lett. 120(6), 061902 (2022), with the permission of AIP Publishing. Coiled geometries (c)217 that can be used to target noise in HVAC systems through the coils geometry modulation. Strategies for improving low-frequency sound absorption and their measured sound absorption spectra (d).217 Reproduced from Sanjay Kumar, Heow Pueh Lee, “Labyrinthine acoustic metastructures enabling broadband sound absorption and ventilation,” Appl. Phys. Lett. 116(13), 134103 (2020), with the permission of AIP Publishing. Water flush noise absorption (e)56 with experimental devices applicable to a standard toilet seat (f),56 with coiled and maze geometries (g).56 Reprinted with permission from Sanjay Kumar, Chua Wei Shan, Jie Wei Aow, Heow Pueh Lee, “Mitigating the toilet flush noise: A psychometric analysis of noise assessment and design of labyrinthine acoustic Meta-absorber for noise mitigation,” J. Acoust. Soc. Am. 150(5), 3747–3762 (2021). Copyright 2021, Acoustical Society of America.

FIG. 2.

Examples of noise control through the use of Hilbert fractal and coiled geometries (a)8 to target acoustic absorption at specific frequencies (b).8 Reproduced from G. Comandini, C. Khodr, V. P. Ting, M. Azarpeyvand, F. Scarpa, “Sound absorption in Hilbert fractal and coiled acoustic metamaterials,” Appl. Phys. Lett. 120(6), 061902 (2022), with the permission of AIP Publishing. Coiled geometries (c)217 that can be used to target noise in HVAC systems through the coils geometry modulation. Strategies for improving low-frequency sound absorption and their measured sound absorption spectra (d).217 Reproduced from Sanjay Kumar, Heow Pueh Lee, “Labyrinthine acoustic metastructures enabling broadband sound absorption and ventilation,” Appl. Phys. Lett. 116(13), 134103 (2020), with the permission of AIP Publishing. Water flush noise absorption (e)56 with experimental devices applicable to a standard toilet seat (f),56 with coiled and maze geometries (g).56 Reprinted with permission from Sanjay Kumar, Chua Wei Shan, Jie Wei Aow, Heow Pueh Lee, “Mitigating the toilet flush noise: A psychometric analysis of noise assessment and design of labyrinthine acoustic Meta-absorber for noise mitigation,” J. Acoust. Soc. Am. 150(5), 3747–3762 (2021). Copyright 2021, Acoustical Society of America.

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Beyond these, AMs seem to have found applications in everyday life, like reducing toilet flushing noise56 in condominium buildings, where the turbulent water noise can interfere with other people's sleep and peace of mind. Acoustic meta-absorber prototypes have also shown their efficiency in reducing the noise of stage machinery in theaters and opera houses,35 thus improving the acoustic quality of performances and enhancing the overall experience in those leisure activities.

Architected acoustic metamaterials have also been used to exploit the tunneling effect22 in nondestructive testing57–63 of structural and nonstructural parts for Structural Health Monitoring (SHM)64 in a nondestructive way. Acoustic metamaterials also demonstrate some promising energy harvesting capacity, transforming seemingly disruptive noise into a renewable energy source.2,65–70 They can convert ambient acoustics into electrical energy through resonance processes that exploit the acoustic modes of the metamaterials, paving the way for sustainable and renewable energy sources (Fig. 3).

FIG. 3.

Schematic representation of an acoustic energy harvesting system composed of a piezoelectric patch and an array of resonant cylinders (a).2 FEM analysis of the density of strain energy, in the metamaterial plate, at the frequency of 2257 Hz, with an acoustic pressure of 2 Pa (b).2 The harvested voltage at different frequencies by the piezoelectric acoustic metamaterial (c).2 Reproduced from Shuibao Qi, Mourad Oudich, Yong Li, Badreddine Assouar, “Acoustic energy harvesting based on a planar acoustic metamaterial,” Appl. Phys. Lett. 108(26), 263501 (2016), with the permission of AIP Publishing. Front view of the spiral unit cell used in the metamaterial matching layer for acoustic energy harvesting (d).721 Side view of the spiral unit cell for broadband acoustic energy harvesting (e).721 Schematic of the metamaterial matching layer in the acoustic energy harvester (f).721 3D rendering of the stacked spiral unit cells to enhance acoustic energy conversion (g).721 Reproduced from Xiuyuan Peng, Junfei Li, Steven A. Cummer, “Ultra-broadband low-frequency high-efficiency acoustic energy harvesting with metamaterial-enhanced loudspeakers,” Appl. Phys. Lett. 123(7), 073903 (2023), with the permission of AIP Publishing. Acoustic metasurface, Helmholtz resonator, and piezoelectric diaphragm for energy harvesting with model, photograph, and schematics (h).722 Reflection-phase distribution of the discretized metasurface (i).722 Photograph of the experimental apparatus alongside the 3D-printed metasurface sample (j).722 Reproduced from Xiaobin Cui, Jinjie Shi, Xiaozhou Liu, Yun Lai, “A panel acoustic energy harvester based on the integration of acoustic metasurface and Helmholtz resonator,” Appl. Phys. Lett. 119(25), 253903 (2021), with the permission of AIP Publishing.

FIG. 3.

Schematic representation of an acoustic energy harvesting system composed of a piezoelectric patch and an array of resonant cylinders (a).2 FEM analysis of the density of strain energy, in the metamaterial plate, at the frequency of 2257 Hz, with an acoustic pressure of 2 Pa (b).2 The harvested voltage at different frequencies by the piezoelectric acoustic metamaterial (c).2 Reproduced from Shuibao Qi, Mourad Oudich, Yong Li, Badreddine Assouar, “Acoustic energy harvesting based on a planar acoustic metamaterial,” Appl. Phys. Lett. 108(26), 263501 (2016), with the permission of AIP Publishing. Front view of the spiral unit cell used in the metamaterial matching layer for acoustic energy harvesting (d).721 Side view of the spiral unit cell for broadband acoustic energy harvesting (e).721 Schematic of the metamaterial matching layer in the acoustic energy harvester (f).721 3D rendering of the stacked spiral unit cells to enhance acoustic energy conversion (g).721 Reproduced from Xiuyuan Peng, Junfei Li, Steven A. Cummer, “Ultra-broadband low-frequency high-efficiency acoustic energy harvesting with metamaterial-enhanced loudspeakers,” Appl. Phys. Lett. 123(7), 073903 (2023), with the permission of AIP Publishing. Acoustic metasurface, Helmholtz resonator, and piezoelectric diaphragm for energy harvesting with model, photograph, and schematics (h).722 Reflection-phase distribution of the discretized metasurface (i).722 Photograph of the experimental apparatus alongside the 3D-printed metasurface sample (j).722 Reproduced from Xiaobin Cui, Jinjie Shi, Xiaozhou Liu, Yun Lai, “A panel acoustic energy harvester based on the integration of acoustic metasurface and Helmholtz resonator,” Appl. Phys. Lett. 119(25), 253903 (2021), with the permission of AIP Publishing.

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Quite interestingly, the exploration of the design and performance space of AMs is not solely limited to noise mitigation and energy usage. Biomedical applications have also been developed; examples are the improvement of the efficiency and effectiveness of hearing aids technologies71–76 or more effective noise-canceling headphones17,77,78 for the mass market. By manipulating the acoustic signals, acoustic metamaterials provide improved sound quality and clarity.

Similarly, an artificial cochlea71 has been designed with a selective frequency picking along its architecture and modeled after the mammalian hearing organ [Fig. 1(i)], further advancing the field of audiology. Another biomedical application of AMs is related to the improvement of imaging technologies,45,58,60,79–87 for which the presence of a higher accuracy of image diagnostic would improve patient care.88 

One of the metamaterial effects, responsible for this enhanced image accuracy, is the tunneling effect (Fig. 4) that can improve the visible features of interior structures.89 This meta behavior lets acoustic waves travel through a metamaterial, mimicking the diode effect.90 Along an acoustic tunnel, it is possible to determine which one of the two potential orientations is restricted for the acoustic wave, using the reflection modulated by acoustic tunnel walls.90 Thus, as a consequence, a decreased wave scattering22 is obtained, thanks to its quasi-diode behavior. The tunneling effect (Fig. 4) can also increase image resolution for biological applications, such as body scans through ultrasounds, by reducing the presence of undesired reflection and refraction of the waves, augmenting, as a consequence, the image resolution quality. Moreover, the tunneling effect could also be helpful in acoustic underwater communications,91 for which traditional radio techniques do not work properly.

FIG. 4.

Tunneling effect due to a series of hexagonal cells formed by 12 triangular Helmholtz resonators each (a).723 Effects in terms of the pressure field, when inside an acoustic duct, there is a rectangular obstacle that narrows the duct geometry, with maximization of the transmission coefficient for some selected frequencies (b).723 Pressure field insensitive to the presence of the acoustic metamaterial layer on both sides of the acoustic duct (c).723 Reproduced from Hongqing Dai, Baizhan Xia, Dejie Yu, “Dirac cones in two-dimensional acoustic metamaterials,” J. Appl. Phys. 122(6), 065103 (2017), with the permission of AIP Publishing. Sound pressure distribution in a rectangular waveguide with hollow hexagonal resonators and rigid hexagonal prisms here the transmission coefficients are shown for different numbers of hollow resonators (d).724 Schematics of periodic and bi-periodic Helmholtz resonator arrangements, including a regular one-dimensional chain, a bi-periodic chain with varied spacing, a triangular lattice, a bi-periodic hexagonal lattice with rotational symmetry, and a symmetry-broken metamaterial (e).724 Reproduced from Baizhan Xia, Hongqing Dai, Dejie Yu, “Symmetry-broken metamaterial for blocking, cloaking, and supertunneling of sound in a subwavelength scale,” Appl. Phys. Lett. 108(25), 251902 (2016), with the permission of AIP Publishing. Experimental and numerical transmission coefficient that underlines values near to one for frequencies around 900 Hz (f).725 Design of the internal part of the metamaterial array, with a detail of the single and aggregated cells (g).725 Frontal view of the metamaterial array (h).725 Sketch of the simulated test rig with boundary conditions (i).725 Reproduced from Haijing Su, Xiaoming Zhou, Xianchen Xu, Gengkai Hu, “Experimental study on acoustic subwavelength imaging of holey-structured metamaterials by resonant tunneling,” J. Acoust. Soc. Am. 135(4), 1686–1691 (2014). Copyright 2014, Acoustical Society of America.

FIG. 4.

Tunneling effect due to a series of hexagonal cells formed by 12 triangular Helmholtz resonators each (a).723 Effects in terms of the pressure field, when inside an acoustic duct, there is a rectangular obstacle that narrows the duct geometry, with maximization of the transmission coefficient for some selected frequencies (b).723 Pressure field insensitive to the presence of the acoustic metamaterial layer on both sides of the acoustic duct (c).723 Reproduced from Hongqing Dai, Baizhan Xia, Dejie Yu, “Dirac cones in two-dimensional acoustic metamaterials,” J. Appl. Phys. 122(6), 065103 (2017), with the permission of AIP Publishing. Sound pressure distribution in a rectangular waveguide with hollow hexagonal resonators and rigid hexagonal prisms here the transmission coefficients are shown for different numbers of hollow resonators (d).724 Schematics of periodic and bi-periodic Helmholtz resonator arrangements, including a regular one-dimensional chain, a bi-periodic chain with varied spacing, a triangular lattice, a bi-periodic hexagonal lattice with rotational symmetry, and a symmetry-broken metamaterial (e).724 Reproduced from Baizhan Xia, Hongqing Dai, Dejie Yu, “Symmetry-broken metamaterial for blocking, cloaking, and supertunneling of sound in a subwavelength scale,” Appl. Phys. Lett. 108(25), 251902 (2016), with the permission of AIP Publishing. Experimental and numerical transmission coefficient that underlines values near to one for frequencies around 900 Hz (f).725 Design of the internal part of the metamaterial array, with a detail of the single and aggregated cells (g).725 Frontal view of the metamaterial array (h).725 Sketch of the simulated test rig with boundary conditions (i).725 Reproduced from Haijing Su, Xiaoming Zhou, Xianchen Xu, Gengkai Hu, “Experimental study on acoustic subwavelength imaging of holey-structured metamaterials by resonant tunneling,” J. Acoust. Soc. Am. 135(4), 1686–1691 (2014). Copyright 2014, Acoustical Society of America.

Close modal

The use of acoustic metamaterials can improve the quality of water, due to ultrasonic treatments92–95 that enable more efficient and sustainable solutions to decontaminate waste and drain waters from pollutants. This application employs high-frequency sound waves to eliminate impurities from water, improving its overall quality with fewer chemical agents added to the water to purify it. Furthermore, acoustic metamaterials have been used for acoustic cloaking96–106 to effectively manipulate sound waves around an object and making it acoustically invisible because of the minimum amount of reflected or refracted waves107 (Fig. 5). This feature has promising applications in defense applications: an acoustic metamaterial skin could be applied to a stealth submarine108 to make it acoustically invisible to enemy sonar.

FIG. 5.

2D multilayer cloak system to make acoustically invisible an object inside a circular crown made by slices of acoustic metamaterial capable of avoiding reflections and scattering at some frequencies (a).726 FEM example of the interference between acoustic field and the circular metamaterial crown (b).726 Reproduced from Ying Cheng, Fan Yang, Jian Yi Xu, Xiao Jun Liu, “A multilayer structured acoustic cloak with homogeneous isotropic materials,” Appl. Phys. Lett. 92(15), 151913 (2008), with the permission of AIP Publishing. 3D cloaking geometry that leaves unperturbed an acoustic pressure field (c).727 Polyhedral simulated structure with 32 faces, having cloaking capability at specific frequencies (d).727 Reproduced from Qi Li, Jeffrey S. Vipperman, “Nonsingular three-dimensional arbitrarily shaped acoustic cloaks composed of homogeneous parts,” J. Appl. Phys. 124(3), 035103 (2018), with the permission of AIP Publishing. Sketch of an underwater cloak with an octagonal pyramidal shape formed by modular inclined parallelepipedal tesserae (e).728 Scattered pressure field of the acoustic waves before impacting the metamaterial and after 1.8 s, the initially generated waves (f).728 Reproduced from Yafeng Bi, Han Jia, Zhaoyong Sun, Yuzhen Yang, Han Zhao, Jun Yang, “Experimental demonstration of three-dimensional broadband underwater acoustic carpet cloak,” Appl. Phys. Lett. 112(22), 223502 (2018), with the permission of AIP Publishing.

FIG. 5.

2D multilayer cloak system to make acoustically invisible an object inside a circular crown made by slices of acoustic metamaterial capable of avoiding reflections and scattering at some frequencies (a).726 FEM example of the interference between acoustic field and the circular metamaterial crown (b).726 Reproduced from Ying Cheng, Fan Yang, Jian Yi Xu, Xiao Jun Liu, “A multilayer structured acoustic cloak with homogeneous isotropic materials,” Appl. Phys. Lett. 92(15), 151913 (2008), with the permission of AIP Publishing. 3D cloaking geometry that leaves unperturbed an acoustic pressure field (c).727 Polyhedral simulated structure with 32 faces, having cloaking capability at specific frequencies (d).727 Reproduced from Qi Li, Jeffrey S. Vipperman, “Nonsingular three-dimensional arbitrarily shaped acoustic cloaks composed of homogeneous parts,” J. Appl. Phys. 124(3), 035103 (2018), with the permission of AIP Publishing. Sketch of an underwater cloak with an octagonal pyramidal shape formed by modular inclined parallelepipedal tesserae (e).728 Scattered pressure field of the acoustic waves before impacting the metamaterial and after 1.8 s, the initially generated waves (f).728 Reproduced from Yafeng Bi, Han Jia, Zhaoyong Sun, Yuzhen Yang, Han Zhao, Jun Yang, “Experimental demonstration of three-dimensional broadband underwater acoustic carpet cloak,” Appl. Phys. Lett. 112(22), 223502 (2018), with the permission of AIP Publishing.

Close modal

Surprisingly, AMs can also be designed to act as transistors109–112 to perform math operations with acoustic signals for acoustic computing applications.112 This latter will form the basis of an acoustic calculator that can solve ordinary differential equations and more in environments where, due to harsh and strong electromagnetic fields, a traditional computational system would not work.

Further exciting applications of acoustic metamaterials include acoustic levitation (Fig. 6), with ultrasound82,113–120 to manipulate extremely hot, reactive, or toxic chemical compounds in a contactless manner.

FIG. 6.

Octahedron levitated 200 mm above 996-transducer arrays using 40 kHz ultrasound (a).729 FEM simulation of acoustic pressure fields for octahedron levitation, showing wave fields with and without the object (b).729 Regular octahedron levitating using a double-sided phased array at 40 kHz, demonstrating stable acoustic levitation (c).729 Reproduced from Seki Inoue, Shinichi Mogami, Tomohiro Ichiyama, Akihito Noda, Yasutoshi Makino, Hiroyuki Shinoda, “Acoustical boundary hologram for macroscopic rigid-body levitation,” J. Acoust. Soc. 145(1), 328–337 (2019). Copyright 2019, Acoustical Society of America. A 50-mm polystyrene sphere levitated by three 25-kHz ultrasonic transducers using a standing wave (d).117 Three 25-kHz ultrasonic transducers arranged in a tripod configuration to levitate a 50-mm polystyrene sphere (e).117 Simulated acoustic pressure distribution around a levitated 50-mm polystyrene sphere using 25-kHz ultrasonic transducers (f).117 Reproduced from Marco A. B. Andrade, Anne L. Bernassau, Julio C. Adamowski, “Acoustic levitation of a large solid sphere,” Appl. Phys. Lett. 109(4), 044101 (2016), with the permission of AIP Publishing. Active acoustic metalens enabling precise acoustic levitation through dynamic phase control (g).730 Transmission line model of a reconfigurable unit cell, enabling dynamic phase adjustments for acoustic levitation (h).730 Reproduced from Cheng Zhang, Wen Kang Cao, Li Ting Wu, Jun Chen Ke, Yun Jing, Tie Jun Cui, Qiang Cheng, “A reconfigurable active acoustic metalens,” Appl. Phys. Lett. 118(13), 133502 (2021), with the permission of AIP Publishing. Three designs for creating acoustic tractor beams: Straight Tubes of varying lengths, a Sculpted Surface with precisely aimed transducers, and compact Coiled Tubes. Each device uses a single driving signal for effective particle levitation (i).731 Reproduced from A. Marzo, A. Ghobrial, L. Cox, M. Caleap, A. Croxford, B. W. Drinkwater,” Realization of compact tractor beams using acoustic delay-lines,” Appl. Phys. Lett. 110(1), 014102 (2017), with the permission of AIP Publishing.

FIG. 6.

Octahedron levitated 200 mm above 996-transducer arrays using 40 kHz ultrasound (a).729 FEM simulation of acoustic pressure fields for octahedron levitation, showing wave fields with and without the object (b).729 Regular octahedron levitating using a double-sided phased array at 40 kHz, demonstrating stable acoustic levitation (c).729 Reproduced from Seki Inoue, Shinichi Mogami, Tomohiro Ichiyama, Akihito Noda, Yasutoshi Makino, Hiroyuki Shinoda, “Acoustical boundary hologram for macroscopic rigid-body levitation,” J. Acoust. Soc. 145(1), 328–337 (2019). Copyright 2019, Acoustical Society of America. A 50-mm polystyrene sphere levitated by three 25-kHz ultrasonic transducers using a standing wave (d).117 Three 25-kHz ultrasonic transducers arranged in a tripod configuration to levitate a 50-mm polystyrene sphere (e).117 Simulated acoustic pressure distribution around a levitated 50-mm polystyrene sphere using 25-kHz ultrasonic transducers (f).117 Reproduced from Marco A. B. Andrade, Anne L. Bernassau, Julio C. Adamowski, “Acoustic levitation of a large solid sphere,” Appl. Phys. Lett. 109(4), 044101 (2016), with the permission of AIP Publishing. Active acoustic metalens enabling precise acoustic levitation through dynamic phase control (g).730 Transmission line model of a reconfigurable unit cell, enabling dynamic phase adjustments for acoustic levitation (h).730 Reproduced from Cheng Zhang, Wen Kang Cao, Li Ting Wu, Jun Chen Ke, Yun Jing, Tie Jun Cui, Qiang Cheng, “A reconfigurable active acoustic metalens,” Appl. Phys. Lett. 118(13), 133502 (2021), with the permission of AIP Publishing. Three designs for creating acoustic tractor beams: Straight Tubes of varying lengths, a Sculpted Surface with precisely aimed transducers, and compact Coiled Tubes. Each device uses a single driving signal for effective particle levitation (i).731 Reproduced from A. Marzo, A. Ghobrial, L. Cox, M. Caleap, A. Croxford, B. W. Drinkwater,” Realization of compact tractor beams using acoustic delay-lines,” Appl. Phys. Lett. 110(1), 014102 (2017), with the permission of AIP Publishing.

Close modal

Architectural acoustics is another domain exploiting the benefits of acoustic metamaterials, leveraging their soundproofing abilities to create quieter spaces. Urban planning applications constitute another possible field that would benefit from adopting acoustic metamaterials. Applying fractal geometries to architectural forms121,122 can lead to a higher noise diffusion within cities, with a consequent drop in noise pollution and improved life quality of all the urban residents.

Another unique attribute facilitates their use in sensors that detect87 and respond123 to sound. The use of AMs as antennae80,87,123–131 allows for the enhancement of weak acoustic signals within random noise, which could help with diagnostics in rotating and complex mechanisms to avoid imminent catastrophic failures. Broadband acoustic sensing (Fig. 7), for instance, allows for capturing both low-level and high-level features of audio signals, offering opportunities in various sectors such as surveillance127 and healthcare.132 Acoustic sensors can be classified into two types: directional87 and non-directional80 acoustic antennas. Directional antennas are useful to spot specific frequencies in a noisy environment. For instance, the diagnostics of a different frequency from the one generated by an imminent failure can help avoid stopping production in an assembly line. On the other hand, the non-directional antenna can spot the noise direction in a three-dimensional (3D) environment. This feature can be useful in robotics to detect a generic noise source position (Fig. 8). In the field of wave propagation, acoustic metamaterials with chiral Archimedean spirals133 or other coiled geometries can modify the wavefront,134 allowing for precise control of propagation with limited or null waves refracted or reflected. This application of metamaterials could lead to the creation of acoustic barriers,135 which would direct sound waves into designated areas where noise is not a concern.

FIG. 7.

Test setup of the metamaterial used to check the gain of weak signals in a noisy environment (a).87 Time and frequency domain of the input and detected noise, with a schematic representation for the acoustic antenna, with a sketch showing the working principle (b).87 Reproduced from Chengrong Ma, Shuxiang Gao, Ying Cheng, Xiaojun Liu, “Acoustic metamaterial antennas for combined highly directive-sensitive detection,” Appl. Phys. Lett. 115(5), 053501 (2019), with the permission of AIP Publishing. Geometric design of noise localization with an omnidirectional antenna (c).732 Laboratory setup with two acoustic sources in a semi-anechoic room (d).732 Directivity of the acoustic metamaterial, when the noise source is at different angles (e).732 Reproduced from Liuxian Zhao, Lihua Tang, Yuxin Liu, Zhaoyong Sun, Qimin Liu, Chuanxing Bi, “Passive directivity detection of acoustic sources based on acoustic Luneburg lens,” J. Acoust. Soc. Am. 154(2), 594–601 (2023). Copyright 2023, Acoustical Society of America. The normalized pressure variation in sensor channels relative to the incidence angle of a 4.65-Hz plane wave. This distinctive amplitude pattern across the channels enables precise determination of the wave's direction (f).733 Diagram of the square coiled-space infrasound sensor, illustrating the channel layout and overall size. This sensor employs acoustic metamaterials to enable directional detection of infrasound waves, offering a much smaller footprint than conventional arrays (g).733 Reproduced from Jerry W. Rouse, Daniel Bowman, Timothy F. Walsh, “Directional infrasound sensing using acoustic metamaterials,” J. Acoust. Soc. Am. 150(1), 367–375 (2021). Copyright 2021, Acoustical Society of America.

FIG. 7.

Test setup of the metamaterial used to check the gain of weak signals in a noisy environment (a).87 Time and frequency domain of the input and detected noise, with a schematic representation for the acoustic antenna, with a sketch showing the working principle (b).87 Reproduced from Chengrong Ma, Shuxiang Gao, Ying Cheng, Xiaojun Liu, “Acoustic metamaterial antennas for combined highly directive-sensitive detection,” Appl. Phys. Lett. 115(5), 053501 (2019), with the permission of AIP Publishing. Geometric design of noise localization with an omnidirectional antenna (c).732 Laboratory setup with two acoustic sources in a semi-anechoic room (d).732 Directivity of the acoustic metamaterial, when the noise source is at different angles (e).732 Reproduced from Liuxian Zhao, Lihua Tang, Yuxin Liu, Zhaoyong Sun, Qimin Liu, Chuanxing Bi, “Passive directivity detection of acoustic sources based on acoustic Luneburg lens,” J. Acoust. Soc. Am. 154(2), 594–601 (2023). Copyright 2023, Acoustical Society of America. The normalized pressure variation in sensor channels relative to the incidence angle of a 4.65-Hz plane wave. This distinctive amplitude pattern across the channels enables precise determination of the wave's direction (f).733 Diagram of the square coiled-space infrasound sensor, illustrating the channel layout and overall size. This sensor employs acoustic metamaterials to enable directional detection of infrasound waves, offering a much smaller footprint than conventional arrays (g).733 Reproduced from Jerry W. Rouse, Daniel Bowman, Timothy F. Walsh, “Directional infrasound sensing using acoustic metamaterials,” J. Acoust. Soc. Am. 150(1), 367–375 (2021). Copyright 2021, Acoustical Society of America.

Close modal
FIG. 8.

Structure of the mammalian cochlear geometry with its characteristic tapering on one end of the spiral (a).72 Modeled cochlear geometry with a localized natural frequency of near 10 kHz (b).72 Model of the effective numerical dynamic mass of a cochlear bionic apparatus (c).72 Reproduced from Fuyin Ma, Jiu Hui Wu, Meng Huang, Gang Fu, Changan Bai, “Cochlear bionic acoustic metamaterials,” Appl. Phys. Lett. 105(21), 213702 (2014), with the permission of AIP Publishing. Coiled geometry with a tapered section for impedance match consisting of a 2D extruded shape with experimental and simulated results regarding the impedance matching (d).21 3D helical unit used for impedance matching between the two different mediums and relative FEM results (e).21 Reproduced from Yangbo Xie, Adam Konneker, Bogdan-Ioan Popa, Steven A. Cummer, “Tapered labyrinthine acoustic metamaterials for broadband impedance matching,” Appl. Phys. Lett. 103(20), 201906 (2013), with the permission of AIP Publishing. Feedback path levels for venting and ear canal geometries, highlighting higher levels with open earmolds, a high-frequency minimum, and increased levels with smaller ear canals (f).734 Hearing aid positioned on the ear, showing the external receiver and probe microphone attached for measuring the reciprocal feedback path (g).734 Reproduced from Tobias Sankowsky-Rothe, Matthias Blau, Henning Schepker, Simon Doclo; Reciprocal measurement of acoustic feedback paths in hearing aids. J. Acoust. Soc. Am. 138(4), EL399–EL404 (2015). Copyright 2015, Acoustical Society of America.

FIG. 8.

Structure of the mammalian cochlear geometry with its characteristic tapering on one end of the spiral (a).72 Modeled cochlear geometry with a localized natural frequency of near 10 kHz (b).72 Model of the effective numerical dynamic mass of a cochlear bionic apparatus (c).72 Reproduced from Fuyin Ma, Jiu Hui Wu, Meng Huang, Gang Fu, Changan Bai, “Cochlear bionic acoustic metamaterials,” Appl. Phys. Lett. 105(21), 213702 (2014), with the permission of AIP Publishing. Coiled geometry with a tapered section for impedance match consisting of a 2D extruded shape with experimental and simulated results regarding the impedance matching (d).21 3D helical unit used for impedance matching between the two different mediums and relative FEM results (e).21 Reproduced from Yangbo Xie, Adam Konneker, Bogdan-Ioan Popa, Steven A. Cummer, “Tapered labyrinthine acoustic metamaterials for broadband impedance matching,” Appl. Phys. Lett. 103(20), 201906 (2013), with the permission of AIP Publishing. Feedback path levels for venting and ear canal geometries, highlighting higher levels with open earmolds, a high-frequency minimum, and increased levels with smaller ear canals (f).734 Hearing aid positioned on the ear, showing the external receiver and probe microphone attached for measuring the reciprocal feedback path (g).734 Reproduced from Tobias Sankowsky-Rothe, Matthias Blau, Henning Schepker, Simon Doclo; Reciprocal measurement of acoustic feedback paths in hearing aids. J. Acoust. Soc. Am. 138(4), EL399–EL404 (2015). Copyright 2015, Acoustical Society of America.

Close modal

A significant innovation within this domain is the study of topological acoustic metamaterials. These systems utilize concepts from topological physics to generate edge states that exhibit resistance to defects and irregularities. These topologically protected modes allow for directional sound propagation without backscattering, offering substantial benefits for the development of durable acoustic waveguides and devices.136 For example, research on adjustable acoustic acceleration beams illustrates the application of topological ideas to achieve precise manipulation of the propagation of sound waves.137 Incorporating topological principles into metamaterials not only strengthens their durability and efficiency but also sets the stage for creating devices capable of maintaining functionality despite structural flaws. This research highlights the transformative potential of topological acoustic metamaterials to advance sound manipulation technologies, providing innovative solutions to intricate acoustic problems.

Non-reciprocal acoustic metamaterials signify a major breakthrough in controlling sound, facilitating directional sound propagation, and fostering groundbreaking uses such as acoustic diodes and isolators. These systems leverage non-reciprocity, a phenomenon in which sound waves propagate in a single direction while being restricted in reverse, thus optimizing sound control in critical settings such as recording studios and concert halls.138–140 Recent advances have highlighted diverse strategies for performing non-reciprocal acoustic propagation, including spatiotemporal modulation and magnetoelastic effects, which successfully disrupt the time-reversal symmetry.139,141 Furthermore, the creation of acoustic metamaterials that feature extensive band gaps has proven effective in isolating sound over broad frequency ranges, making them ideal for scenarios that require meticulous acoustic control.142 Incorporating these innovations not only improves sound isolation but also sets the stage for the design of functional acoustic devices specifically adapted to unique acoustic settings.140,143,144

The field of multifunctional acoustic metamaterials has gained prominence, focusing on the design of materials capable of performing several tasks at once. Examples include merging sound-damping properties with structural support or combining acoustic wave control with heat regulation.145,146 The achievement of multiple functionalities in a single-material system enhances performance and minimizes the requirement for separate components, resulting in more streamlined and cohesive designs. Alongside advances in active and programmable metamaterials, interest has grown in hybrid metamaterials that integrate diverse functionalities. Recent investigations have highlighted the feasibility of acoustic metamaterials acting as both noise barriers and energy generators. By embedding piezoelectric elements within the metamaterial framework, researchers have engineered systems capable of transforming sound energy into electrical energy, enabling dual-purpose noise mitigation and energy production.68,147,148 This innovation is especially applicable in urban areas where noise pollution is a significant issue, presenting an eco-friendly solution for both noise reduction and energy harvesting. Such developments underscore the movement toward the creation of materials with versatile applications, increasing their practicality in real-world scenarios.

The incorporation of artificial intelligence (AI) and machine learning (ML) techniques has experienced a remarkable growth in advancing the creation of innovative metamaterials. These computational approaches reveal groundbreaking design possibilities that may surpass human intuition, thus expediting the development of state-of-the-art acoustic technologies.149 Using generative models within machine learning aids in exploring expansive design spaces, uncovering unique metamaterial configurations that human designers may overlook.150,151

For example, machine learning tools can process experimental data to uncover relationships between structural characteristics and acoustic properties, refining design specifications through data-driven insights.152,153 Furthermore, AI-powered optimization methods can be utilized to boost the effectiveness of acoustic metamaterials in practical applications, such as adaptive noise control systems that modify their properties dynamically in response to variable acoustic conditions.154,155

Additionally, combining AI and ML with acoustic metamaterials has enabled the creation of multifunctional devices capable of tackling diverse acoustic challenges at the same time. For example, recent studies have highlighted the potential for acoustic metamaterials to integrate both soundproofing and energy harvesting functions, uniting two traditionally separate functions into a material system.147,156 This multifunctionality offers significant benefits in fields such as architectural acoustics, where materials must operate efficiently over a wide range of frequencies and environmental factors.157,158

Advancements in acoustic metamaterials encompass not only their functional aspects but also the approaches used for their production. Developments in additive manufacturing and 3D printing have allowed the creation of intricate metamaterial designs with tailored acoustic features.159,160 These innovations allow for the realization of complex configurations that were previously challenging to achieve through conventional fabrication methods. Among the most promising techniques is two-photon lithography, which facilitates the production of microacoustic metagratings designed to function at extremely high frequencies. This method provides precise control over the geometry and spatial arrangement of the structure, which is crucial to attaining the desired acoustic effects such as sound focusing and negative refraction.161 The capability of manipulating microstructures with such precision facilitates the creation of advanced acoustic lenses and devices that can guide sound waves in unconventional ways. Additive manufacturing, along with two-photon lithography, has become a critical method for producing acoustic metamaterials. This technology supports the fabrication of intricate structures that are often unachievable with standard manufacturing techniques. For example, 3D printing has been used to create acoustic metamaterials based on tetrakaidecahedron cells, which exhibit notable sound absorption properties.162 The versatility of additive manufacturing not only enables the construction of complex shapes but also allows the tailoring of material properties to address specific acoustic demands.163 Furthermore, the use of soft metamaterials, which can be manufactured by 3D printing, has revealed exceptional acoustic characteristics, including the ability to exhibit negative acoustic indices. This proves especially advantageous for applications such as underwater acoustics, where the distinct features of soft metamaterials enhance sound transmission and absorption.156 

The domain of acoustic metamaterials has seen remarkable progress in recent years, especially with innovations in tunable and active acoustic metamaterials. Tunable acoustic metamaterials enable modifications of acoustic responses through external factors such as mechanical strain, temperature changes, or magnetic influences, expanding their applicability in scenarios that require adaptable acoustic filtering or focus.164 Incorporating origami-based structures into metamaterials, for example, offers substantial design flexibility to create programmable and responsive systems, underlining the critical role of tunability in contemporary acoustic technologies.165–167 Active acoustic metamaterials leverage active components, including actuators and smart materials, to dynamically adjust their acoustic characteristics in real time under external stimuli. This real-time adaptability supports uses such as adaptive noise suppression and reconfigurable acoustic devices, which are becoming increasingly important in technological applications.168 The programmable capabilities of these materials provide advanced functionalities that are unattainable with passive designs.169 For example, the use of dynamic actuators to regulate the effective surface mass density of membrane-based acoustic metamaterials illustrates how active features achieve specific acoustic results.170,171 This strategy facilitates the creation of materials that adapt to changing acoustic conditions, addressing needs in areas such as noise mitigation and soundproofing.

The advent of programmable metamaterials has facilitated the modulation of their properties. By altering geometric structures or employing materials with, for instance, electronically tunable attributes, these metamaterials can be customized to produce specific acoustic outcomes as required. This capability is particularly beneficial in dynamic acoustic environments characterized by rapid fluctuations.172,173 This flexibility is vital for applications in noise mitigation, sensing, and communication systems.173,174

Recent progress has highlighted the capabilities of active acoustic metamaterials, which can dynamically modify their sound-dampening properties via intrinsic tuning mechanisms.175 For example, incorporating piezoelectric components allows real-time adjustments to acoustic characteristics, thereby broadening their applicability in various settings.176 Furthermore, the development of modular acoustic metamaterials has exhibited the potential to achieve precise noise control, resulting in notable advances in design effectiveness and overall performance.177 

Acoustic metamaterials constitute a step-up in the application and understanding of already well-known materials for acoustic/sound management178–182 and inspire scientific and industrial stakeholders to reconsider the use and functionality of conventional materials.183–187 Fueled by the need for lighter and more efficient acoustic devices, the potential applications of AMs extend well beyond the confines of traditional noise control techniques.

From solving complex mathematical problems to their role in aerodynamic noise reduction and acoustic imaging, acoustic metamaterials represent truly multifunctional platforms of materials systems. Within the present review, we will examine the most frequently encountered metamaterial architectures that make up these unique constructs. We will then delve into these individual and combined configurations. The synergy between traditional acoustic components like resonators,188–192 foams,193–197 and porous panels,198–202 with the aforementioned AMs geometries will also be described.

This study will also cover materials commonly used in manufacturing AMs and provide an outline of the cutting-edge technologies that facilitate their production.

Our journey through the acoustic metamaterial landscape will continue by describing the main physical mechanisms behind the performance of AMs and also discussing various measurement tools capable of capturing their effects.

The final paragraph contains the Authors' perspective on the main obstacles and complexities associated with the development and use of acoustic metamaterials.

Acoustic metamaterials (AMs) and elastic metamaterials (EMs) are designed for specific wave manipulation purposes, targeting sound waves and elastic waves, respectively. AMs are specialized for the control of sound waves in fluids, using methods such as resonance and impedance tuning to improve noise reduction and sound absorption.203–205 Their diverse applications include architectural sound management and medical imaging, showcasing their ability to handle airborne pressure waves effectively.206 On the other hand, EMs devices are designed to influence elastic waves within solids, addressing longitudinal and transverse waves that are critical for uses, such as vibration isolation and seismic shielding.207,208 Although these two types of metamaterial focus on different waveforms, they are based on shared principles such as periodic structures and localized resonances, resulting in effects such as negative effective mass density.204,209 A clear grasp of these differences is essential to delineate their applications and the core physical principles that drive their functionality.203,206

Acoustic metamaterials have become a key research focus due to their distinctive ability to control sound waves through in particular designed structures that possess characteristics absent in traditional materials. The configurations used in acoustic metamaterials, including fractals, coiled designs, chiral and antichiral formations, auxetic structures, honeycomb patterns, helicoidal shapes, spirals, cochlea-inspired forms, spider web configurations, Kelvin cells, and labyrinthine designs, each provide unique physical principles and acoustic functionalities suitable for diverse applications.

1. Fractals

Fractal geometries [Fig. 1(a)], known for their self-similar patterns and intricate structures, repeat on varying scales. These features enhance wave manipulation and sound absorption by increasing the surface area-to-volume ratio. Studies show that fractal metamaterials enable broadband focus, essential for applications that require precise acoustic control, such as acoustic sensing and medical imaging.210 The distinctive characteristics of fractals facilitate the creation of acoustic lenses capable of focusing sound waves with greater efficiency than conventional designs, thereby boosting the performance of devices such as ultrasonic transducers.210 

2. Coiled or space-coiling geometries

Coiled configurations [Fig. 1(b)], such as space coil designs, employ spiral structures to control sound waves by adjusting their phase and amplitude. These metamaterials enable concurrent modulation of various acoustic properties, making them effective for tasks such as sound filtration and wavefront alteration.58 The crafting of coiled designs at scales smaller than the wavelength enhances their acoustic capabilities, especially in underwater scenarios where conventional materials often fail.211 The remarkable ability of coiled geometries to manipulate waves has been shown to substantially increase the performance of acoustic technologies.58 

3. Chiral geometries

Chiral metamaterials [Fig. 1(c)] exhibit asymmetrical configurations that interact distinctively with sound waves, resulting in effects such as acoustic rotation and amplified sound transmission. By tailoring chiral characteristics, it becomes possible to create devices capable of directing sound propagation, offering valuable applications in fields such as acoustic imaging and sensing.212 Research has recently shown that chiral designs can be customized to produce negative refractive indices, facilitating the innovation of advanced acoustic lenses and cloaking systems.212 This potential smooths the way for breakthroughs in stealth technologies and sound control solutions.

4. Antichiral geometries

Antichiral configurations [Fig. 1(d)], characterized by their mirrored symmetry relative to chiral structures, are also capable of effectively manipulating sound waves. These designs can be customized to achieve distinctive acoustic characteristics, such as improved sound absorption and transmission, making them highly applicable for noise mitigation purpose.212 The dynamic interaction between chiral and antichiral attributes facilitates the creation of cutting-edge acoustic devices that innovatively control sound and opens the door to advancements in acoustic cloaking and sound filtration technologies.212 

5. Auxetic geometries

Auxetic materials [Fig. 1(e)], exhibit a negative Poisson's ratio, which means that they expand laterally when pulled. This distinctive attribute is used in acoustic metamaterials to increase sound absorption and transmission.212 Auxetic configurations can be customized to construct structures that efficiently capture and dissipate sound energy, making them well suited for noise reduction and soundproofing applications.212 The adjustable properties of auxetic materials enable the creation of adaptive acoustic devices capable of responding to changes in sound frequencies and intensities, thus enhancing their overall functionality.212 

6. Honeycomb or hexagonal geometries

Honeycomb configurations [Fig. 1(f)] are renowned for their lightweight nature and the exceptional specific mechanical attributes, which make them advantageous for acoustic purposes. These patterns can be customized to make acoustic metamaterials with improved properties for sound absorption and transmission.213 The hexagonal layout supports efficient wave propagation and can be adjusted to target particular frequency ranges, making it ideal for use in architectural acoustics and noise mitigation.213 The adaptability of honeycomb structures allows their integration into various acoustic technologies, including sound barriers, acoustic liners, and sophisticated acoustic lenses.213 

7. Helicoidal geometries

Helicoidal designs [Fig. 1(g)], featuring spiral or helical configurations, influence sound waves by leveraging their distinct geometric characteristics. These metamaterials are tailored to produce targeted acoustic effects, such as focusing or scattering of sound waves.213 The helicoidal configuration facilitates the development of devices capable of managing sound transmission in three-dimensional space, making them ideal for use in medical imaging and ultrasound therapy.213 The capacity to fabricate helicoidal structures at the microscale increases their efficiency in directing sound waves across various applications.213 

8. Spiral geometries

Spiral configurations [Fig. 1(h)] are employed to fabricate acoustic devices capable of distinctive wave manipulation properties. These designs focus on sound waves and improve sound transmission through their specific geometric arrangements.214 Incorporating spiral patterns into acoustic metamaterials facilitates the creation of devices with exceptional sound control, which is critical for use in telecommunications and audio systems.214 The adjustable nature of spiral geometries supports the development of adaptable acoustic devices that can accommodate changes in sound frequencies and intensities.214 

9. Cochlea-inspired geometries

Cochlea-inspired designs [Fig. 1(i)] replicate the intricate architecture of the human ear, facilitating effective sound manipulation and processing. These structures can be customized to improve sound absorption and transmission, making them highly applicable for use in acoustic sensors and hearing aids.213 The biomimetic approach of cochlea-inspired geometries enables the creation of sophisticated acoustic devices that emulate biological systems, enhancing their capability for sound detection and processing213 (Fig. 8). Incorporating cochlea-inspired configurations into acoustic devices has the potential to drive remarkable progress in auditory technologies.213 

10. Spider web geometries

Spider web formations [Fig. 1(j)] possess remarkable mechanical and acoustic characteristics, which can be utilized in the design of metamaterials. The complex architecture of spider webs facilitates efficient sound absorption and propagation, making them ideal for noise mitigation and soundproofing applications.213 The customization of spider web geometries on a microscale enhances their ability to influence sound waves in various functionalities.213 The lightweight and adaptable properties of spider web structures support their integration into various acoustic technologies, ranging from soundproof barriers to sophisticated acoustic lenses.213 

11. Kelvin cell geometries

Kelvin cell structures [Fig. 1(k)] exhibit a distinctive geometric configuration that can be tailored to achieve superior acoustic functionality. These designs can deliver targeted acoustic results, including improved sound absorption and transmission properties.215 Incorporating Kelvin cells into acoustic metamaterials facilitates the creation of systems adept at capturing and dissipating sound energy, making them highly suitable for applications such as noise mitigation and sound insulation.215 The adjustable nature of Kelvin cell geometries supports the development of adaptive acoustic systems capable of responding to different frequencies and intensities of sound, thus improving their efficiency.215 

12. Labyrinthine or maze-like geometries

Labyrinthine designs [Fig. 1(l)] offer innovative solutions to build acoustic devices with exceptional wave control properties. These configurations are designed to improve sound absorption and propagation through their complex layouts.213 Incorporating maze-like patterns into acoustic metamaterials facilitates the creation of devices capable of capturing and dissipating sound energy effectively, making them ideal for noise reduction and soundproofing applications.213 The adaptability of labyrinthine structures makes them applicable in a range of acoustic technologies, from noise barriers to sophisticated acoustic lenses.213 

Fifteen main physical mechanisms underpinning the behavior of acoustic metamaterials can be defined. Acoustic impedance match/mismatch between two media is essential for controlling the reflection and transmission of sound waves. Bragg scattering blocks specific frequency bands, shaping the sound wave propagation. Mie and Fabry–Pérot resonances affect wave interactions and specific resonance effects. Fano-like interference offers some unique acoustic profiles through asymmetric responses. Double open-ended and open-closed resonators fine-tune the resonance behavior within the material. Helmholtz resonators control sound by manipulating the vibration of air, while thermoviscous losses affect sound propagation by converting acoustic energy into heat. Together, all these physical mechanisms contribute to creating the metamaterials' unique acoustic properties.

Moreover, essential physical concepts like band theory, effective medium theory, generalized Snell's law, topological phonon edge states, parity-time (PT) symmetry, and non-Hermitian acoustics are crucial in shaping the design and analysis of acoustic metamaterials. These frameworks facilitate novel control over sound waves, unlocking applications that range from noise isolation to cutting-edge acoustic technologies.

1. Acoustic impedance

The acoustic impedance is related to the resistance offered by a material against impinging sound waves [Fig. 9(a)]. For a given sound wave, the impedance is calculated as the ratio derived from the sound pressure about the particle velocity at a specific point within the material. Factors that determine the acoustic impedance include the geometry of the metamaterial and its boundary conditions.

FIG. 9.

Modular helix structure that is used to achieve a focusing effect at specific frequencies modulating the helix angle (a).28 Schematic representation of the modular metamaterial array that works as a convex lens, focusing the acoustic energy in a relatively small area (b).28 Reproduced from Weibai Li, Fei Meng, Xiaodong Huang, “Coding metalens with helical-structured units for acoustic focusing and splitting,” Appl. Phys. Lett. 117(2), 021901 (2020), with the permission of AIP Publishing. Geometry of a single element used to produce a focusing metabehaviour (c).735 Simulated focusing effect and a 3D-printed array of the previous geometry (d).735 Design assemble of a column of single metamaterial cells (e).735 Reproduced from Jiao Qian, Jian-ping Xia, Hong-xiang Sun, Shou-qi Yuan, Yong Ge, Xiao-zhu Yu, “Broadband acoustic focusing by cavity structures with phase manipulations,” J. Appl. Phys. 122(24), 244501 (2017), with the permission of AIP Publishing. Design and schematization and simulation of a Fresnel lens that, as a recursive structure, is capable of acoustic focusing at specific frequencies (f).736 Testing setup of the Fresnel lens (g).736 Reproduced from Xue-ying Gao, Xiao-bin Cui, Yong Zhang, Jie-jun Zhu, Cheng-ping Huang, “Acoustoelectric conversion and deep-subwavelength acoustic focusing based on Fresnel zone plates,” AIP Adv. 13(3), 035336 (2023), with the permission of AIP Publishing.

FIG. 9.

Modular helix structure that is used to achieve a focusing effect at specific frequencies modulating the helix angle (a).28 Schematic representation of the modular metamaterial array that works as a convex lens, focusing the acoustic energy in a relatively small area (b).28 Reproduced from Weibai Li, Fei Meng, Xiaodong Huang, “Coding metalens with helical-structured units for acoustic focusing and splitting,” Appl. Phys. Lett. 117(2), 021901 (2020), with the permission of AIP Publishing. Geometry of a single element used to produce a focusing metabehaviour (c).735 Simulated focusing effect and a 3D-printed array of the previous geometry (d).735 Design assemble of a column of single metamaterial cells (e).735 Reproduced from Jiao Qian, Jian-ping Xia, Hong-xiang Sun, Shou-qi Yuan, Yong Ge, Xiao-zhu Yu, “Broadband acoustic focusing by cavity structures with phase manipulations,” J. Appl. Phys. 122(24), 244501 (2017), with the permission of AIP Publishing. Design and schematization and simulation of a Fresnel lens that, as a recursive structure, is capable of acoustic focusing at specific frequencies (f).736 Testing setup of the Fresnel lens (g).736 Reproduced from Xue-ying Gao, Xiao-bin Cui, Yong Zhang, Jie-jun Zhu, Cheng-ping Huang, “Acoustoelectric conversion and deep-subwavelength acoustic focusing based on Fresnel zone plates,” AIP Adv. 13(3), 035336 (2023), with the permission of AIP Publishing.

Close modal

The principle of impedance matching49 facilitates the efficient transfer of acoustic energy from the medium to the metamaterial. Impedance matching can be beneficial in the case of sound cloaking since a good impedance match will generate a limited amount of reflected acoustic energy.

A different scenario arises with the presence of impedance mismatch216 when the material and the medium differ significantly in terms of acoustic properties. This situation leads to the reflection of the acoustic waves until no acoustic waves can successfully pass through the acoustic metamaterial, resulting in an entirely reflective effect. Impedance mismatch, however, is intentionally utilized in designing acoustic metamaterials. For instance, impedance mismatch can create a sonic barrier, which can obstruct specific frequencies, such as those generated by HVAC systems, thereby making them less noisy.217 

The acoustic impedance Z is expressed as
(1)
where Z represents the acoustic impedance (units: Pa s/m), ρ denotes the density of the medium (in kg/m3), and k signifies the bulk modulus (Pa). This equation demonstrates that the acoustic impedance is determined by the square root of the product between the density of the medium and its compressibility resistance. This principle plays a crucial role in applications such as ultrasound imaging and acoustic engineering, where achieving impedance matching is vital to reduce reflections at boundaries between different materials.218,219

2. Bragg scattering

Bragg scattering [Fig. 9(b)] is a crucial occurrence in acoustics and happens when sound waves encounter a periodic structure. This interaction heavily affects the wave propagation. The core of this interaction is the “Bragg condition,”220 represented mathematically as ΔL=λ/2, which represents a particular case of the Laue equations.221 In the Bragg equation, ΔL stands for the typical length scale of the periodic structure, while λ refers to the wavelength of the sound wave. The condition is usually fulfilled when the wavelength is double the distance between the scattering elements. When this scenario occurs, the scattering of the waves from the periodic structure leads to destructive interference that creates a bandgap. This bandgap represents a particular frequency range in which waves are prevented from propagating through the material, effectively blocking sound at those frequencies from penetrating the acoustic metamaterial. Figure 9(b) represents the mutual effect of a series of scatters at a distance ΔL on the incident acoustic wave. As a consequence, a bandgap is generated on the opposite side of the metamaterial.

Bragg's Law can be written in mathematical form as
(2)
where d represents the spacing between scattering planes, defining the structural periodicity, θ denotes the angle of incidence (the angle at which the wave interacts with the scattering planes), n indicates the diffraction order (an integer specifying how many wavelengths fit within the path difference), and λ stands for the wavelength of the incoming wave. Bragg scattering plays a pivotal role in controlling wave behavior within periodic structures, facilitating the development of materials that can selectively reflect or transmit particular wavelengths. This concept is crucial in areas such as acoustic filters and noise suppression systems, where structural periodicity is designed to form band gaps, thus blocking certain frequencies while permitting others to propagate.222,223

3. Mie resonance

An acoustic wave infiltrating a metamaterial can encounter scattering elements present within the metamaterial architecture. When the frequency of the incoming sound wave coincides with the scatterers' natural frequency, Mie resonance63 may be initiated due to interference between the resonant frequency of the material and the medium's monopolar, or multipolar resonance.

The arrangement of scatterers can facilitate diverse and useful effects. A notable consequence is the formation of multiple band gaps within the frequency spectrum.

The rise of Mie resonances can be triggered when the size of the metamaterial's components is comparable to the wavelength of the incoming sound wave as illustrated in Fig. 9(c), in which the dimension of the scatter and the acoustic wavelength are the same.

Mie resonances in acoustic metamaterials result from the interaction between acoustic waves and sub-wavelength scatterers, which resembles Mie scattering observed in electromagnetic contexts. The resonance condition for a spherical scatterer is given by ka=ωac, where k denotes the wave number, ω represents the angular frequency, c is the speed of sound and a refers to the radius of the scatterer. This equation is crucial to comprehending how acoustic waves interact with objects smaller than their wavelength, producing distinctive resonant effects that can be harnessed in various applications, such as sound absorption and cloaking.224,225 The theoretical framework used to examine these resonances mirrors electromagnetic Mie theory, as both involve resolving wave equations constrained by the geometrical and material properties of scatterers. This parallel enables the application of scattering theories to anticipate and control acoustic wave interactions within engineered materials.226,227 The significance of Mie resonance is far-reaching, introducing novel approaches to influence sound and light, particularly in the fields of optics and materials science.228–230 

4. Fabry–Pérot resonance

A Fabry–Pérot resonator231,232 operates by implementing two reflective planes positioned in a parallel configuration. An incoming wave is subjected to repeated reflections between these surfaces, thereby producing a series of increasingly reflected waves. Constructive interference is observed in the transmitted waves when the width of the resonator aligns with an integer multiple of half the wavelength. This type of interference maximizes the transmission coefficient.233 The phase synchronization among the reflections generates an improved transmitted wave.

A Fabry–Pérot resonator can function as a frequency filter. It facilitates the efficient transmission of waves at particular frequencies while causing at the same time significant attenuation of waves in other parts of the spectrum.234 This selective frequency transmission serves many applications, including the design of acoustic devices, sensors, and systems dedicated to noise management. As shown in Fig. 9(d), the parallel walls of the acoustic duct generate constructive interference. A similar phenomenon is exploited in the design of laser systems.

Fabry–Pérot resonance in acoustics arises from the constructive and destructive interference of sound waves bouncing between two parallel boundaries, resulting in distinct resonance frequencies that satisfy the resonance condition:
(3)
where n denotes the refractive index of the medium in the cavity, L represents the cavity length, m is the integer mode number, and λ is the wavelength of the sound. The propagation of sound waves through the cavity is described by the transmission function:
(4)

In this expression, T(ω) signifies transmission at angular frequency ω, T0 is the peak transmission, F refers to the finesse coefficient, and δ=2ωLv represents the phase shift per round trip, where v is the speed of sound. This resonance mechanism facilitates the selective amplification or attenuation of specific frequencies, which is useful in devices such as filters and sensors.235,236

5. Fano-like interference

Fano-like interference55 happens when acoustic waves impact a multifaceted configuration that supports an array of oscillation modes. A single mode can be narrow and well-defined, like the resonance of a tuning fork, for instance. The remaining modes generate however a broad and almost continuous spectrum of resonances. The simultaneous excitation of the discrete resonance and the continuum by the sound waves leads to interference, culminating in a highly irregular scattering profile [Fig. 9(e)]. This effect shows up as asymmetric transmission peaks, which occur when resonant and non-resonant wave modes interact.237 

Fano-like interference has particular relevance in the field of acoustic metamaterials to design open or ultra-open sound insulators34 for HVAC systems, for instance.

In acoustics, Fano-like interference emerges from the interaction between discrete resonant states and a continuum of states, resulting in an asymmetric profile in the transmission or absorption spectrum. This phenomenon is captured by the Fano formula:
(5)
where f(ε) denotes the normalized spectral line shape, ε=EErΓ/2 represents the reduced energy, E is the energy, Er the resonant energy, Γ the resonance width, and q the Fano asymmetry parameter. The unique characteristics of Fano resonance make it exceptionally responsive to system changes, offering significant advantages in sensor and sound insulation technologies.238–241 This asymmetric profile, resulting from constructive and destructive interference between discrete and continuum states, plays a vital role in improving sensitivity for a variety of applications.239,240,242

6. Locally resonant sonic materials

Locally resonant materials are AMs featuring resonant structures with unique acoustic properties.243 These materials have lattice constants much smaller than the sound wavelengths they interact with, allowing them to block specific frequencies of sound waves. This effect can also be created by embedding dense core materials, like lead, inside soft coatings such as silicone rubber. When sound waves hit these composites, the localized resonances can cause the material to reflect almost all the sound in certain frequency ranges.244 

Acoustic materials with local resonators show remarkable features due to their specialized inclusions designed to resonate at targeted frequencies. The effective mass density of these materials is defined as
(6)
where ρeff(ω) represents the effective density varying with frequency, ρ denotes the material's intrinsic density, ω stands for the angular frequency of the incoming wave, and ω0 is the angular frequency at which the local resonators vibrate. Close to the resonance frequency (ωω0), the effective density may turn negative, facilitating effects such as bandgap formation and sound suppression, which are advantageous for uses such as noise reduction and vibration control.245–248 This phenomenon of negative effective mass density characterizes locally resonant acoustic metamaterials, granting them the ability to control sound waves in ways that ordinary materials cannot achieve.249–251 

7. Double open-ended resonators

Double open-ended resonators8,27,40,252,253 could be represented as vacant passages or conduits permeable at both extremities and with a constant cross section [Fig. 9(f)]. The inlet of acoustic waves into these resonators triggers the air or any other entrapped medium to pulsate at certain distinct frequencies, which are the resonant frequencies associated with the geometrical characteristics of the resonator.

This latter phenomenon seems to be responsible for the position of the absorption coefficient peaks in acoustic metamaterials built with Hilbert or coiled geometry.8 

The potential applications for this type of resonator are broad and mainly around noise management. It is possible to modulate and tune frequencies maximizing/minimizing the acoustic absorption of a metamaterial by a careful design of the resonators' length and shapes.

Double open-ended resonators are defined by their capacity to sustain standing waves, with pressure nodes present in each extremity and pressure antinodes appearing centrally. The resonant frequencies for these systems are determined using the equation
(7)
where fn signifies the nth harmonic frequency, v is the speed of sound within the medium, L represents the resonator's length, and n is a positive integer (1, 2, 3, …). These resonators play a vital role in numerous applications, such as acoustic filters and musical instruments, where they enhance specific harmonic frequencies, allowing improved sound quality and precise acoustic control.254,255

8. Open-closed resonators

Open-closed resonators10,58,252,256–260 provide a particular case of Fabry–Pérot resonance.68,198,233,234,252,253,261–263 Open-closed resonators represent another variation of constant cross section resonators used for the manipulation of acoustic waves. These resonators can be described as tubular constructs that bear a resemblance to their double open-ended resonators counterparts [Fig. 9(f)]. There is, however, one critical distinction: one of their ends remains sealed.

The permeable end of the resonator is at the ingress of the sound waves, whilst the closed extremity establishes a fixed condition. This distinct arrangement alters the modalities of the oscillation of the air cavity or any other entrapped medium within the resonator, in response to the incoming sound waves.

These open-closed resonators display different resonant frequencies and diverse oscillation patterns when contrasted with double open-ended resonators. They are responsible for the position of the transmission loss peaks in specific parts of the frequency spectrum for Hilbert and coiled geometries.10,264

The mathematical representation of their resonant frequencies is given by
(8)
where fn denotes the resonant frequency, n is a positive integer (1, 2, 3, …), v indicates the speed of sound within the medium, and L corresponds to the resonator's length. These resonators operate at odd harmonics of the quarter wavelength, a feature essential for applications like noise reduction in mufflers and the optimization of architectural acoustics, where the control of specific frequencies is pivotal.265,266

9. Quarter-wave resonators

Quarter-wavelength resonators work through standing waves: they are tubes in which one end is closed and the other is open, while the length equals one-quarter of the resonant frequency wavelength for the operation it is designed to carry out. The consequence is a standing wave pattern of minimum air pressure at the open end, an antinode of maximum particle velocity at the open back, and vice versa at the closed end.267 The resonant frequency, set by the tube length L, is f=c4L, where c is the speed of sound.178 Such resonators find wide use in musical instruments like clarinets and flutes in producing some definite pitch.268 They are undoubtedly important in noise control, for instance, by making mufflers and silencers, achieving this end by matching the resonator's frequency to an unwanted frequency.269 The same can apply in architectural acoustics to manage the acoustics of a room by the same principle: to cut down on reverberation and take charge of a particular frequency band.270 

10. Helmholtz resonators

The incorporation of Helmholtz resonators67,271–276 in the architectural design of acoustic metamaterials allows the exploitation of their well-known narrow-band effect.

Each of these resonators can be calibrated to a particular frequency to absorb acoustic energy, effectively acting as a “trap” for that specific frequency within the sound wave.277 

A system comprising multiple such resonators, with each resonator tuned to a distinct frequency, can provide an efficient noise reduction across a broad frequency bandwidth. The versatility of this solution is made possible by adjusting the volume, length, and section of the Helmholtz resonator neck.

The positioning of coiled or fractal geometries inside the resonators also introduces an additional element of space efficiency. This design feature decreases the volume required for the spring component of the acoustic mechanism, thereby requiring less cavity volume to be used. A classic example of a Helmholtz resonator is the classic glass bottle, where the mass of air in the neck oscillates according to the spring action of the internal volume [Fig. 9(g)].

The Helmholtz resonator is defined by its natural frequency, which is given by
(9)
where f denotes the resonant frequency (Hz), v represents the speed of sound in air (m/s), A is the neck's cross-sectional area (m2), V is the cavity's volume (m3), and Leff signifies the neck's effective length, accounting for end corrections (m). The Helmholtz resonator serves as an efficient sound absorber in its resonance, which is advantageous for noise control and sound attenuation in multiple settings.278–281 Its configuration enables it to function similar to a mass-spring system, where the air mass in the neck and the cavity compliance produce resonance capable of effectively suppressing specific sound frequencies.282–284 

11. Thermoviscous losses

Thermoviscous losses represent a special energy dissipation mechanism occurring within fluid systems, such as air or water. These losses occur near the boundary or borders with the material substrate, affecting the transmission of acoustic waves. As sound waves traverse a medium, the pressure and particle velocity oscillates, triggering viscothermal effects due to the near-zero particle velocity on the surface of the channel [Fig. 9(h)]. The interplay between these effects culminates in energy dissipation.

When used in acoustic metamaterials, thermoviscous losses acquire significant importance in the design process of systems at scales where such losses become substantial.

Thermoviscous losses are especially critical in three main cases; perforated and microperforated panels,285 acoustic foam,286 and narrow channels inside acoustic metamaterial geometries.8 

Typically, thermoviscous losses287 take place at the microscale, where dimensional features of the metamaterials are comparable with the thickness of the boundary layer in which the thermoviscous effects occur. This becomes particularly critical when designing metamaterials for applications in ultrasound or other high-frequency domains, where these losses must be accounted for to achieve optimum sound energy transmission.

As the sound wave advances, these losses become evident as attenuation or a reduction of the acoustic energy of the wave, thus impeding the effectiveness of the acoustic metamaterial. This behavior is highly significant if the objective of the metamaterial is to optimize the sonic energy transmission. However, the transmission of the acoustic wave, for applications like acoustic absorbers can be enhanced by thermoviscous losses. In such cases, the losses can be engineered to augment the absorption of sound energy, thereby mitigating noise and increase the magnitude of the transmission loss provided by the metamaterial.

The attenuation coefficient, represented as α, measures the energy dissipation caused by viscous friction and thermal conduction within confined spaces or boundary layers. It is expressed by
(10)
where α denotes the attenuation coefficient (Np/m), ω is the angular frequency (rad/s), ρ refers to the density (kg/m3), v indicates the speed of sound (m/s), η is the dynamic viscosity (Pa s), γ is the ratio of heat capacities (cp/cv), κ is the thermal conductivity (W/m K), cp signifies the specific heat at constant pressure (J/kg K), and cv is the specific heat at constant volume (J/kg K). Grasping these variables is essential for the development of materials and structures optimized for sound absorption, including acoustic liners and microperforated panels, as they dictate energy dissipation and acoustic performance in numerous applications.288 

12. Control of acoustic waves with membranes

Membrane-type acoustic metamaterials (MAMs) are innovative materials that use lightweight,289 flexible membranes, sometimes enhanced with strategically placed rigid masses.290–292 These enhancements help the membranes interact with the acoustic field, making them effective in influencing sound waves.293–295 The design of these masses—considering their size, weight, and position—is crucial in creating specific resonances that can block or reflect sound waves.

The core idea behind MAMs is to utilize the resonance created by these masses to interfere with and significantly reduce sound transmission.293 When sound waves hit the membrane, the attached masses cause it to vibrate in a manner that cancels out certain frequencies.183 This is particularly effective for low-frequency sounds, which are typically harder to manage. By tweaking the properties of the masses and the tension of the membrane, specific frequencies can be targeted.292,296

There are two primary ways to position these membranes relative to incoming sound waves: normal incidence,293 where the membrane faces the wave head-on, and grazing incidence,297,298 where the membrane is parallel to the wave.

For instance, increasing the tension in the membrane can shift its resonance frequency, allowing it to target different sound frequencies.293 Theoretical models have been developed to predict the behavior of these metamaterials,295 and experiments have consistently shown that MAMs can achieve significant transmission loss at specific frequencies.

A different approach involves active membranes,170 such as in the case of loudspeakers.299,300 Here, the membrane's coil can be paired with either a passive or active shunt to enhance control.

Shunts play an important role in manipulating sound waves to achieve desired acoustic effects. By adjusting the impedance characteristics of the shunt,301 the interaction between the loudspeaker and the metamaterial can be fine-tuned, ensuring efficient energy transfer and improved acoustic properties like resonance and bandwidth. Shunts can also be designed to shape the frequency response of the loudspeaker-metamaterial system,302 creating bandgaps where sound is not transmitted or enhancing specific frequency ranges.

Moreover, active shunts enable dynamic adaptation of the system's acoustic properties in real-time.143 This feature allows for the development of reconfigurable metamaterials that can adjust their acoustic characteristics based on the environment or specific requirements, providing a high level of versatility.

One of the most notable advantages of MAMs is their ability to provide high sound insulation without adding significant weight or thickness, unlike traditional soundproofing materials. This quality makes them particularly attractive for use in the aerospace and automotive industries, where reducing weight is crucial. Integrating shunts with MAMs further enhances their capabilities, offering more precise control over sound attenuation and the potential for real-time adjustments to the acoustic environment.303 

Membrane-type metamaterials are composed of thin flexible membranes with attached masses, demonstrating resonance at lower frequencies. The resonant frequency f can be expressed as
(11)
where keff signifies the effective stiffness (N/m), and meff represents the effective mass (kg). Resonance within the system results in a negative effective modulus, facilitating better sound insulation and vibration suppression. This negative modulus implies that the metamaterial effectively blocks or mitigates low-frequency sound waves, making it highly advantageous for applications such as vibration mitigation and soundproofing.303–306 

13. Topological acoustics and phononic edge states

The field of topological acoustics is rapidly evolving, with a focus on the crafting of metamaterials that exhibit resilient edge states resistant to backscatter caused by defects or irregularities. This phenomenon is analogous to the quantum Hall effect in electronic systems, where sound waves are guided unidirectionally by breaking time-reversal symmetry using techniques such as angular momentum biasing or circulating fluids.307 The Chern number C, derived from the Berry curvature Ω(k) in the Brillouin zone, provides the mathematical framework describing these topological edge states.307 Advances in this domain have introduced cutting-edge concepts such as Floquet engineering and topological semi-metal phases, expanding the potential of acoustic metamaterials.307 These innovations hold immense promise for applications such as sound isolation and waveguiding, ensuring performance integrity even amidst environmental fluctuations.308 The principal mathematical expression for characterizing these states employs the Chern number C, given by
(12)
where Ω(k) signifies the Berry curvature and k denotes the wave vector, with the integral computed over the Brillouin zone (BZ). This formulation underscores the topological features of edge states, enabling unidirectional wave transmission immune to backscattering. These characteristics are especially beneficial for the creation of robust acoustic circuits and protected waveguides, which retain their functionality despite structural defects or environmental challenges.307–309 

14. Parity-time (PT) symmetry and non-Hermitian acoustics

Parity-time (PT) symmetry in acoustics pertains to systems where a balance between gain and loss results in extraordinary phenomena like exceptional points (EPs), where eigenvalues merge.310,311 The scattering characteristics of PT-symmetric acoustic systems exhibit notable effects, such as unidirectional transparency and asymmetric reflection, made possible by precisely engineered materials with complex parameters. However, achieving such materials often necessitates active devices, as passive materials alone struggle to provide the required gain and loss profiles. A PT-symmetric medium is defined by κ(r)=κ*(r) and ρ(r)=ρ(r), where ρ represents the mass density, and κ denotes the complex bulk modulus.312 Recent progress in PT-symmetric acoustics has revealed applications such as asymmetric cloaking and improved sensor capabilities.310,313 Research into these systems has expanded to diverse configurations, including piezoelectric composites and metamaterials, often integrating active components to achieve PT symmetry. This versatility highlights the potential of PT symmetry in controlling acoustic waves.314,315 These discoveries have significant implications, proposing innovative approaches for the design of acoustic devices that take advantage of the distinctive characteristics of non-Hermitian systems, although their implementation often depends on active devices.316 

15. Generalized Snell's law

Generalized Snell's law in acoustics enables the modulation of wavefronts through spatially varying phase gradients created by metasurfaces. The relationship governing this phenomenon is given as
(13)
where ki and kt denote the wave numbers in the media of incidence and transmission, respectively, and θi and θt correspond to their respective angles. The term dΦdx represents the phase gradient introduced by the metasurface.317–319 This approach allows for accurate manipulation of the acoustic wavefronts, paving the way for advanced technologies such as acoustic lenses and stealth devices.320,321 Recent investigations underscore the ability of metasurfaces to realize nonstandard refraction and reflection, showcasing their utility in diverse acoustic scenarios.322,323

The incorporation of advanced techniques like machine learning (ML) and genetic algorithms in the development of acoustic metamaterials marks a notable improvement over conventional strategies, which often depend on human intuition combined with iterative simulations. These advanced methods allow the exploration of intricate design spaces, aiding in the discovery of unconventional configurations that can achieve enhanced acoustic performance. For example, ML algorithms expedite the design process by optimizing unit cell geometries based on insights from predefined simulations, thereby fostering the creation of innovative structures.324,325 Genetic algorithms similarly contribute by emulating natural selection to identify ideal design parameters, offering a versatile alternative to traditional trial-and-error techniques.326,327 Furthermore, these intelligent methods are particularly advantageous in the creation of adaptive and multifunctional acoustic metamaterials that can dynamically respond to changing environmental conditions.328,329 By generating effective initial configurations, these techniques complement conventional design methods, streamlined the process, and promoted innovation.325,330 The transition to intelligent design methodologies not only improves the capabilities of acoustic metamaterials but also expands their potential applications, setting the stage for future progress in the field.324,331

Investigating acoustic phenomena uncovers a nuanced interplay between mechanisms, properties, and applications that range from basic to advanced principles. Core effects such as mismatches in acoustic impedance and Helmholtz resonators play crucial roles in sound insulation and noise suppression.332–334 Cutting-edge topics, including topological acoustics and parity-time (PT) symmetry in non-Hermitian systems, extend the boundaries of acoustic control, facilitating directional wave travel and bandgap optimization organized.335,336

Table I describes the fundamental acoustic phenomena associated with wave propagation, resonance, impedance, and bandgap creation. It provides an organized overview of the mechanisms, properties, applications, geometries, and materials, serving as a foundational reference for principles of noise suppression and sound management. Expanding on these basics, Table II presents advanced acoustic control phenomena made possible through metamaterials. It showcases intricate designs and engineered interactions, allowing precise wave control for innovations such as acoustic cloaking, sound concentration, and advanced sensing applications.

TABLE I.

Summary of fundamental acoustic phenomena, detailing mechanisms, properties, applications, geometries, and materials involved. This table focuses on essential principles related to sound wave propagation, impedance, resonance effects, and bandgap formation, relevant to noise control and sound insulation.

Phenomenon Mechanism Properties Applications Geometries Materials
Acoustic impedance  Sound waves interact with materials; impedance mismatches cause reflections337,338  Medium's density and bulk modulus339   Ultrasound imaging; non-destructive testing340,341  Layered structures, transducers for impedance matching342,343  Biological tissues, engineered composites344,345 
Bragg scattering  Constructive interference of waves scattered from periodic inhomogeneities346–348   Band gaps where sound cannot propagate346–348   Noise reduction and sound insulation222,349  Often cylindrical or fractal arrangements of scatterers350   Composites with high impedance contrasts, such as polymers or metals347,351 
Mie resonance  Scattering of sound waves by resonant structures352,353  Ability to achieve negative effective mass density and bulk modulus211,354  Sound absorption, noise control, and sub-wavelength imaging, particularly in underwater environments355–357   Various geometries, such as spherical and cylindrical resonators330,358  Dielectrics, polymers, and composites, which are chosen for their specific acoustic properties and resonance characteristics352
Fabry–Pérot resonance  Excitation of resonant modes within the metamaterial structure359–361   Interference of waves reflecting between two boundaries, leading to enhanced transmission and absorption properties359–361   Medical diagnostics and noise control362,363  Layered structures and arrays of resonators252,253,262  Rubber-coated spheres or anisotropic materials211,364,365 
Fano-like interference  Interaction between discrete and continuum states, leading to asymmetric resonance profiles34,366  Enhanced sensitivity and directionality in sensing applications366,367  Noise control and sound insulation40,368  Coupled Helmholtz resonators and periodic structures369,370  Ordinary materials including 3D printed photosensitive resin371,372 
Locally resonant sonic materials  Integration of resonators within a host medium, allowing for the creation of negative effective mass density and bulk modulus245,373,374  Enhanced sound absorption and transmission loss375–377   Sound insulation, acoustic cloaking, and energy harvesting376–378   Various forms, including periodic arrays of resonators, sonic crystals, and composite structures that incorporate materials like rubber and metal374,379,380  Elastomers, metals, and piezoelectric components245,380,381 
Double open-ended resonators  Resonance251,382,383  Negative mass density and the ability to create band gaps251,382,383  Sound absorption, noise reduction, and acoustic cloaking383,384  Resonators can take various forms, such as cylindrical or planar structures384   Lightweight polymers or metals251,383 
Open-closed resonators  Interaction between open and closed geometries to manipulate sound waves385,386  Enhanced sound absorption and tunable frequency responses385,386  Noise reduction and biomedical sensing385,386  Helmholtz resonators or variations of cylindrical and spherical shapes385 Traditional polymers to advanced composites385,386 
Quarter-wave resonators  Resonance condition387,388  Bandgaps for noise reduction and energy harvesting389,390  Noise control systems, and energy harvesting devices391   Various geometries, such as cylindrical and conical shapes392–394   From metals to polymers392–394  
Phenomenon Mechanism Properties Applications Geometries Materials
Acoustic impedance  Sound waves interact with materials; impedance mismatches cause reflections337,338  Medium's density and bulk modulus339   Ultrasound imaging; non-destructive testing340,341  Layered structures, transducers for impedance matching342,343  Biological tissues, engineered composites344,345 
Bragg scattering  Constructive interference of waves scattered from periodic inhomogeneities346–348   Band gaps where sound cannot propagate346–348   Noise reduction and sound insulation222,349  Often cylindrical or fractal arrangements of scatterers350   Composites with high impedance contrasts, such as polymers or metals347,351 
Mie resonance  Scattering of sound waves by resonant structures352,353  Ability to achieve negative effective mass density and bulk modulus211,354  Sound absorption, noise control, and sub-wavelength imaging, particularly in underwater environments355–357   Various geometries, such as spherical and cylindrical resonators330,358  Dielectrics, polymers, and composites, which are chosen for their specific acoustic properties and resonance characteristics352
Fabry–Pérot resonance  Excitation of resonant modes within the metamaterial structure359–361   Interference of waves reflecting between two boundaries, leading to enhanced transmission and absorption properties359–361   Medical diagnostics and noise control362,363  Layered structures and arrays of resonators252,253,262  Rubber-coated spheres or anisotropic materials211,364,365 
Fano-like interference  Interaction between discrete and continuum states, leading to asymmetric resonance profiles34,366  Enhanced sensitivity and directionality in sensing applications366,367  Noise control and sound insulation40,368  Coupled Helmholtz resonators and periodic structures369,370  Ordinary materials including 3D printed photosensitive resin371,372 
Locally resonant sonic materials  Integration of resonators within a host medium, allowing for the creation of negative effective mass density and bulk modulus245,373,374  Enhanced sound absorption and transmission loss375–377   Sound insulation, acoustic cloaking, and energy harvesting376–378   Various forms, including periodic arrays of resonators, sonic crystals, and composite structures that incorporate materials like rubber and metal374,379,380  Elastomers, metals, and piezoelectric components245,380,381 
Double open-ended resonators  Resonance251,382,383  Negative mass density and the ability to create band gaps251,382,383  Sound absorption, noise reduction, and acoustic cloaking383,384  Resonators can take various forms, such as cylindrical or planar structures384   Lightweight polymers or metals251,383 
Open-closed resonators  Interaction between open and closed geometries to manipulate sound waves385,386  Enhanced sound absorption and tunable frequency responses385,386  Noise reduction and biomedical sensing385,386  Helmholtz resonators or variations of cylindrical and spherical shapes385 Traditional polymers to advanced composites385,386 
Quarter-wave resonators  Resonance condition387,388  Bandgaps for noise reduction and energy harvesting389,390  Noise control systems, and energy harvesting devices391   Various geometries, such as cylindrical and conical shapes392–394   From metals to polymers392–394  
TABLE II.

Overview of advanced acoustic control phenomena enabled by metamaterials. This table highlights mechanisms, properties, applications, geometries, and materials, emphasizing engineered interactions and complex structural designs used for precise wave manipulation in applications such as acoustic cloaking, sound focusing, and advanced sensing technologies.

Phenomenon Mechanism Properties Applications Geometries Materials
Topological acoustics and phononic edge states  Interplay of geometric and topological features in metamaterials, leading to the emergence of edge states that are resilient to disorder and defects394,395  Unidirectional wave propagation and the ability to localize sound at the edges of the material396–398   Soundproofing, acoustic sensing, and the development of advanced communication systems399–401   Honeycomb and kagome lattices, are employed to facilitate the desired topological characteristics, while materials like piezoelectric fibers and 3D-printed structures402–404   Piezoelectric fibers and 3D-printed structures are utilized to enhance performance402–404  
Parity-Time (PT) symmetry and non-Hermitian acoustics  PT symmetry arises from the balance of gain and loss in a system, allowing for real eigenvalues even in non-Hermitian contexts, as established by Bender and Boettcher405–407   Unidirectional wave propagation and exceptional points,316,408 negative refraction, and self-collimation409   From acoustic imaging to advanced communication systems313,314  Complex arrangements of resonators and metamaterials designed to exploit PT symmetry315,410  Piezoelectric composites and other engineered structures that facilitate gain-loss dynamics essential for maintaining PT symmetry314,411 
Generalized Snell Law  Design of metasurfaces that create tailored phase shifts, which dictate the direction of wave propagation412–414   Negative refraction and extraordinary transmission415–417   Acoustic cloaking, beam steering, and enhanced imaging417,419  From simple planar structures to complex 3D configurations418–421   Subwavelength resonators and phase-gradient structures414,415,422 
Thermoviscous losses  Interaction of sound waves with the viscous and thermal boundary layers at the surfaces of the materials423   Affecting the acoustic properties of metamaterials, such as sound absorption and transmission loss423   Noise control and architectural acoustics358,424  Slits and resonators, which are designed to maximize the interaction with sound waves while minimizing reflections425,426  Polymers and composites that exhibit favorable viscous properties, enhancing the damping characteristics427,428 
Control of acoustic waves with membranes  Thin membranes that resonate at specific frequencies, allowing for effective sound attenuation and wave manipulation304,429  Negative effective mass density and bulk modulus, achieving phenomena such as sound insulation and cloaking212,430,431  Noise reduction, sound absorption, and energy harvesting432–434   Flat panels and complex resonator arrays, which enhance their acoustic performance436–438   Polymers and composites that provide the necessary flexibility and resonance characteristics, enabling tunability and adaptability in various acoustic environments436,437 
Helmholtz resonators  Principle of resonance, where the resonant frequency is determined by the geometry of the cavity and neck dimensions439,440  Effective sound absorption capabilities333,435,442  Architectural acoustics, automotive noise reduction, and biomedical devices, where they serve as passive absorbers or active noise control elements441,442  Multi-neck designs and coiled configurations, enhance their performance by broadening the absorption spectrum443,444  Porous substrates and composites that optimize acoustic performance while maintaining structural integrity191,445 
Phenomenon Mechanism Properties Applications Geometries Materials
Topological acoustics and phononic edge states  Interplay of geometric and topological features in metamaterials, leading to the emergence of edge states that are resilient to disorder and defects394,395  Unidirectional wave propagation and the ability to localize sound at the edges of the material396–398   Soundproofing, acoustic sensing, and the development of advanced communication systems399–401   Honeycomb and kagome lattices, are employed to facilitate the desired topological characteristics, while materials like piezoelectric fibers and 3D-printed structures402–404   Piezoelectric fibers and 3D-printed structures are utilized to enhance performance402–404  
Parity-Time (PT) symmetry and non-Hermitian acoustics  PT symmetry arises from the balance of gain and loss in a system, allowing for real eigenvalues even in non-Hermitian contexts, as established by Bender and Boettcher405–407   Unidirectional wave propagation and exceptional points,316,408 negative refraction, and self-collimation409   From acoustic imaging to advanced communication systems313,314  Complex arrangements of resonators and metamaterials designed to exploit PT symmetry315,410  Piezoelectric composites and other engineered structures that facilitate gain-loss dynamics essential for maintaining PT symmetry314,411 
Generalized Snell Law  Design of metasurfaces that create tailored phase shifts, which dictate the direction of wave propagation412–414   Negative refraction and extraordinary transmission415–417   Acoustic cloaking, beam steering, and enhanced imaging417,419  From simple planar structures to complex 3D configurations418–421   Subwavelength resonators and phase-gradient structures414,415,422 
Thermoviscous losses  Interaction of sound waves with the viscous and thermal boundary layers at the surfaces of the materials423   Affecting the acoustic properties of metamaterials, such as sound absorption and transmission loss423   Noise control and architectural acoustics358,424  Slits and resonators, which are designed to maximize the interaction with sound waves while minimizing reflections425,426  Polymers and composites that exhibit favorable viscous properties, enhancing the damping characteristics427,428 
Control of acoustic waves with membranes  Thin membranes that resonate at specific frequencies, allowing for effective sound attenuation and wave manipulation304,429  Negative effective mass density and bulk modulus, achieving phenomena such as sound insulation and cloaking212,430,431  Noise reduction, sound absorption, and energy harvesting432–434   Flat panels and complex resonator arrays, which enhance their acoustic performance436–438   Polymers and composites that provide the necessary flexibility and resonance characteristics, enabling tunability and adaptability in various acoustic environments436,437 
Helmholtz resonators  Principle of resonance, where the resonant frequency is determined by the geometry of the cavity and neck dimensions439,440  Effective sound absorption capabilities333,435,442  Architectural acoustics, automotive noise reduction, and biomedical devices, where they serve as passive absorbers or active noise control elements441,442  Multi-neck designs and coiled configurations, enhance their performance by broadening the absorption spectrum443,444  Porous substrates and composites that optimize acoustic performance while maintaining structural integrity191,445 

In the open literature, terms like “zigzag,” “coiled,” “maze,” and “labyrinthine,” are frequently applied to acoustic metamaterial geometries, often creating ambiguity due to their interchangeable use (Table III). We propose here a possible classification based on the internal geometrical configuration of these metamaterials. The classification is based on how the acoustic wave navigates within the metamaterial basic periodic unit. The multichannel configuration [Fig. 11(a)] exemplifies structures that allow multiple paths of the propagating wave due to the intricacy of the internal metamaterial architecture. Maze or labyrinthine geometries [Fig. 1(l)] are excellent examples of these multichannel configurations because they enable both constructive and destructive wave interference. The single-channel configuration [Fig. 11(b)] represents a category of metamaterial in which the acoustic wave travels along a forced path inside the meta atom. Typical structures of this type are zigzag or coiled [Fig. 1(b)], which offer a unique trajectory for wave propagation. To further refine the classification, we also identify an additional “dead-end” category [Fig. 11(c)], applicable to both single and multichannel configurations. This subclass describes configurations where the acoustic paths terminate prematurely, as observed in the coiled channels of acoustic antennas. The proposed classification (Fig. 11) offers a simplified approach to categorize acoustic metamaterials, providing a clear distinction between metamaterial architectures based on the trajectory that an acoustic wave undertakes within each configuration.

TABLE III.

Papers related to the four metamaterial geometries.

Geometry Reference #
Labyrinthine  21, 42, 46, 56, 70, 104, 111, 112, 124, 217, 256, 257, 263, 286, 448–465  
Coiled  27, 258, 62, 73, 80, 85, 105, 106, 134, 198, 252, 258–260, 263, 466–480  
Zigzag  32, 40, 131, 217, 262, 462, 481–483  
Maze  86, 476, 484–487  
Geometry Reference #
Labyrinthine  21, 42, 46, 56, 70, 104, 111, 112, 124, 217, 256, 257, 263, 286, 448–465  
Coiled  27, 258, 62, 73, 80, 85, 105, 106, 134, 198, 252, 258–260, 263, 466–480  
Zigzag  32, 40, 131, 217, 262, 462, 481–483  
Maze  86, 476, 484–487  
TABLE IV.

Table corresponding to Fig. 15. The top row displays the letters representing various thicknesses of the acoustic metamaterial, while the bottom row indicates the research papers identified by the corresponding letters in the top row.

A b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G
470   469   41   677   488   584   466   481   588   57   479   40   459   477   586   554   495   475   124   55   258   257   582   577   148   457   580   455   454   706   707   708   709  
A b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G
470   469   41   677   488   584   466   481   588   57   479   40   459   477   586   554   495   475   124   55   258   257   582   577   148   457   580   455   454   706   707   708   709  
FIG. 10.

Some of the main physical mechanisms underpinning the performance of acoustic metamaterials: Impedance between two media (a), Bragg scattering (b), Mie resonance (c), Fabry–Pérot resonance (d), Fano-like interference (e), double open-ended resonator (f), Helmholtz resonator (g), and thermoviscous losses (h). G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

FIG. 10.

Some of the main physical mechanisms underpinning the performance of acoustic metamaterials: Impedance between two media (a), Bragg scattering (b), Mie resonance (c), Fabry–Pérot resonance (d), Fano-like interference (e), double open-ended resonator (f), Helmholtz resonator (g), and thermoviscous losses (h). G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

Close modal
FIG. 11.

Schematic representation of the proposed geometrical classification for acoustic metamaterials: (a) multichannel, (b) single channel, and (c) dead-end. Every 1D, 2D, or 3D geometry can be incorporated in either (a) or (b) alone or plus (c). The red arrow represents the wave entering a generic point of the metamaterial's path. The blue arrow stands for the existing wave. G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

FIG. 11.

Schematic representation of the proposed geometrical classification for acoustic metamaterials: (a) multichannel, (b) single channel, and (c) dead-end. Every 1D, 2D, or 3D geometry can be incorporated in either (a) or (b) alone or plus (c). The red arrow represents the wave entering a generic point of the metamaterial's path. The blue arrow stands for the existing wave. G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

Close modal

The proposed classification approach, which organizes acoustic metamaterials based on the number of internal channels, provides a clear and straightforward method for understanding and categorizing structural designs. This method is particularly advantageous for visualizing the internal architecture of metamaterials and quickly identifying design patterns that might be suitable for specific sound manipulation applications. It effectively captures the diversity of geometries, ranging from simple coiled channels to complex, labyrinthine structures, that contribute to sound control through mechanisms like space-coiling, resonance enhancement, or wave redirection.446 

1. Strengths

  • Simplicity and accessibility: This classification is easy to understand and does not require extensive analysis of complex physical properties. It allows for a quick assessment of structural designs, making it particularly useful during the early phases of metamaterial development.

  • Versatility in design: The approach accommodates a wide variety of structural configurations, including fractal, coiled, and hierarchical designs, thereby offering flexibility for exploring innovative configurations that may not fit neatly into more restrictive classification schemes.184 

2. Weaknesses

  • Limited predictive capability: The method primarily focuses on geometric characteristics and does not inherently provide insights into how these structures will interact with acoustic waves across different frequencies. This lack of a direct link between structural design and acoustic performance can limit its utility for predicting the precise behavior of metamaterials, such as sound absorption peaks or bandwidths.402,446

  • Oversimplification: By concentrating solely on the internal channel count, the method may overlook other critical aspects, such as material composition, resonance behaviors, or dynamic tunability, which are essential for understanding and optimizing acoustic properties in specific applications.184,399

To address these limitations, it is beneficial to consider integrating the proposed geometric classification with existing frameworks that focus on physical and functional properties. Such integration can enhance the utility of the classification in the following ways:

1. Integration with resonance-based methods

Resonance-based classifications categorize acoustic metamaterials according to their interaction with sound waves at specific frequencies, often focusing on local resonance phenomena that create unique sound manipulation effects, such as negative mass density or impedance matching.184,446 By integrating our geometric approach, we can first use the internal channel count to identify potential designs and then refine these designs by analyzing their resonance behaviors. This combined method allows researchers to predict how internal structures will affect sound propagation, leading to more precise control over acoustic properties.

Example: Coiled structures identified through geometric classification can be further analyzed to determine their resonance frequencies. This additional step can help optimize these designs to achieve effective sound absorption at specific low frequencies, which is crucial for applications like noise reduction in industrial environments.399 

2. Integration with topological and functional classifications

Topological methods classify metamaterials based on unique waveguiding features and topologically protected states that prevent backscattering and ensure robust sound transmission, even in the presence of defects.402 By combining our classification, which focuses on internal channel architecture, with a topological approach, it is possible to identify and design metamaterials that not only fit a certain geometric category but also exhibit desirable topological behaviors, such as unidirectional waveguiding or tunability.

Example: A metamaterial initially categorized by its geometric design can be assessed for topological properties to see if its structure supports edge states. If so, the design can be further modified to enhance these properties, leading to robust, multifunctional devices useful for applications like acoustic sensing or waveguiding.447 

3. Incorporating hybrid structural–physical approaches

Hybrid classification systems combine structural design with physical parameters, such as effective bulk modulus, mass density, and impedance. Integrating our geometric classification into this framework can offer a multi-layered approach where internal structures serve as the baseline for categorization, and physical parameters refine this categorization based on performance requirements.399,447 This can lead to a more holistic understanding of how structural features influence acoustic performance, enabling designers to target specific acoustic outcomes, such as broadband absorption or focused sound wave manipulation.

Acoustic metamaterials (AMs) are engineered to regulate the propagation of sound waves using principles such as resonance, Bragg diffraction, and impedance discontinuity. These materials serve a wide range of purpose, including reducing noise in building designs and altering sound in consumer products such as hearing aids and noise canceling devices.354,488 Their ability to generate bandgap-specific frequency ranges where sound waves are heavily dampened facilitates efficient sound control, making them indispensable in sectors such as medical imaging and noise pollution mitigation.354,362 Recent innovations emphasize the enhancement of the functionality of acoustic metamaterials by incorporating features such as adjustable resonances and auxetic geometries, which exhibit unique mechanical characteristics.375 For example, the creation of broadband sound absorbers and tunable filters underscores the adaptability of these materials to customized acoustic settings, thus enhancing their utility in the real world.253,433 Furthermore, investigations into locally resonant structures have prepared the ground for effective low-frequency sound absorption, a critical aspect for applications in urban noise control and industrial environments.325,355

Figure 1 shows the baseline geometrical shapes employed in acoustic metamaterials. Most of these configurations can be described as two-dimensional structures, which can be extruded into a third dimension without alteration to their initial 2D shape. This property holds true for all configurations, excluding the helicoidal [Fig. 1(g)], the cochlear [Fig. 1(i)], and the Kelvin cell [Fig. 1(k)].

Another useful pattern is the one that utilizes coiled and tapered fingers-like [Fig. 1(b)] channels.40,489,490 This configuration is also used for acoustic sensors, where the peculiar geometry can be tailored to pick and amplify specific frequencies in a noisy environment.

Maze geometries [Fig. 1(l)] of acoustic metamaterials involve the use of a labyrinth-like pattern that creates pathways and barriers to manipulate sound waves. This design principle allows for the creation of complex acoustic landscapes, which can be used to shape the propagation of sound waves106,124,479,483,491–493 with designed reflective and refractive angles, focusing,1,27,45,106,469,478 (Fig. 9) or tunneling.106,494–496

Bio-inspired455 hierarchical assembly geometries of acoustic metamaterials imitate the structure found in biological systems. Examples include the spider web [Fig. 1(j)] geometry69,305,461,497–502 and honeycomb [Fig. 1(f)] structures503–513 that use hexagonal cells arranged in repeating patterns. These bio-inspired designs offer unique acoustic properties and can be used to create a wide range of AMs with tailored properties, like low-frequency sound and vibration control for the spider geometry and broadband hierarchical sound absorption at high temperatures for honeycomb.

Chiral lattice [Fig. 1(c)] geometry514–521 in AMs utilizes a lattice structure with chirality, resulting in asymmetric arrangements of unit cells. This design principle allows for creating of complex structures that can be used, such as sound-diffusing metasurfaces that allow non-specular scattering.

Antichiral lattices [Fig. 1(d)] geometry522,523 in AMs are structures with an opposite chirality compared to their mirror image. For instance, the use of I-shaped anti-chiral units524 to build AMs has been reported. This design principle allows for the creation of complex, multi-scale structures for enhanced broadband sound insulation in the lower part of the acoustic spectrum.

Auxetic lattice [Fig. 1(e)] geometry522,525–528 in acoustic metamaterials make use of structures that exhibit a negative Poisson ratio behavior. Some researchers have constructed curved shells with 3D reentrant auxetic cellular metamaterials.77 In contrast, other researchers have exploited the auxetic behavior of these structures by applying external loads or other inputs to modify their acoustic performances.525,527 This unique property allows the design of acoustic metamaterials with potentially high tunable characteristics.

The increasing focus on bio-inspired and hierarchical acoustic metamaterials is largely due to their ability to mimic intricate natural geometries, thus improving the wave control capabilities. Natural structures such as tree branches and moth wings529–531 present hierarchical configurations that allow better management of wave propagation, as highlighted in recent research.49,532 These structures frequently incorporate self-similar or varied unit cell arrangements, which facilitate adjustable wave interaction properties, demonstrating improved sound absorption and filtering over diverse frequency ranges.533–535 Hierarchical metamaterials embed smaller components within larger ones, enhancing energy dissipation while simultaneously managing both low- and high-frequency waves.502,536 This nesting strategy has been shown to significantly enhance the functionality of phononic crystals, leading to the creation of versatile metamaterials that address both structural and acoustic requirements.49,537 Incorporating bio-inspired elements into metamaterials not only strengthens their mechanical characteristics but also establishes the foundation for novel applications in noise control and energy dissipation.539,541

1. Fractals

One of the most captivating categories among these configurations involves the use of self-similar structures at various scales. Fractal geometries can be subdivided into two macro-categories: space-filling (SF) and not-space-filling (nSF). SF tend to fill a confined space completely, with a polygonal line that theoretically can reach every point in the area or volume. At the same time, nSF cannot be contained in a 2D or 3D enclosed space if the number of iterations increases.540 These geometries offer unique acoustic properties in terms of acoustic absorption and transmission loss, for instance, making them useful in various applications, like barriers in transformer noise reduction.541 

Fractal-inspired18,106,456,468,542–544 or recursive structures, also known as pseudo-fractal geometry, are used in AMs to create patterns that mimic fractal properties. These structures exhibit self-similarity at different scales and include designs such as hexagonal or triangular lattices,456,498,542,545,546 hierarchical lattices,498,542,547 and self-similar beam lattices.456,542 Moreover, it has been experimentally shown that the number of 90° angles in a 2D fractal or coiled structure does not influence the acoustic output in terms of acoustic absorption and transmission loss if the total length of the cavity patterns is the same. Thus, Figs. 1(a) and 1(b) contain metamaterials architectures that have the same absorption and transmission performance if the length and section of the polygonal shape is the same.8,264 A notable example is the utilization of Hilbert fractals,1,8,10,12,18,210,261,541,548,549 which are characterized by intricate self-similarity patterns inspired by the Hilbert curve [Fig. 1(a)]. The hierarchical nature of the Hilbert fractal design offers flexibility in tuning the acoustic response across a wide range of frequencies, thereby enhancing acoustic properties such as sound absorption8 and transmission loss.10 

In addition to the Hilbert fractal [Fig. 12(a)], the Menger fractal,13,17,22,483 also known as the Menger sponge [Fig. 12(b)], has been employed in the design of acoustic metamaterials. The unique structural properties of the Menger fractal, particularly its self-similarity at different scales, are exploited to control, manipulate, and block sound waves. The Menger fractal geometry provides a lightweight solution, allowing air passage due to the high porosity. It has also shown a remarkable tunneling effect.

The Sierpinski fractal [Fig. 12(c)], also referred to as the Sierpinski triangle or pyramid, is a self-similar structure widely implemented in acoustic metamaterials.9,15,16,548,550–554 This fractal is characterized by its recursive triangular patterns, which significantly influence sound wave propagation due to its repeating geometry. Its distinctive properties allow for the formation of band gaps; in addition, this geometry is used to enhance sound scattering in architectural acoustics, both inside buildings and on facades, to optimize sound wave diffraction in urban environments. Moreover, using this pattern in barriers between streets and residential areas can be an effective noise mitigation tool. The Koch fractal, also referred to as the Koch snowflake [Fig. 12(d)], is a mathematical curve that can be applied to a segment or a polygonal shape perimeter.19,510,555 It is defined by a recursive process that incrementally enhances the number of sides, and its sophisticated design is leveraged in the construction of acoustic metamaterials to boost properties such as wave scattering.19 In addition to promoting wave scattering, this fractal can also modulate acoustic wave speed, create bandgaps, and steer the wavefront in a waveguide plate by modifying the fractal order.

The T-fractal [Fig. 12(e)], represents a potential fractal pattern that manifests the letter T at different scales and orientations within a 2D space.556 It could also be constructed using other alphabet letters or shapes, thereby providing bandgap capabilities and a spectrum of acoustic effects that remain largely unexplored.

Finally, the polyadic Cantor fractal [Fig. 12(f)], a variant of the conventional Cantor set, has been utilized in the design of acoustic metamaterials.14,557,558 This fractal is derived from a process that iteratively excises portions from a line segment, mirroring the construction methodology of the Cantor set. Its primary applications are in ultrasonic imaging and, lately, low-frequency porosity absorbers.

2. Other geometries

Apart from fractal and fractal-inspired curves,18,456,468,542 recursive geometries have been shown to induce a phenomenon referred to as negative density,559 bulk modulus,560 or both,560 which is rare in the natural world.529 This unnatural set of physical properties extends their utility to various applications encompassing noise reduction,253,484,497 sound focusing,27,28 and even acoustic cloaking.100,102,103,272,561,562 The application of materials in recursive geometries can be illustrated using cylinders563,564 or other extruded 2D shapes, like the c-shape;565 arranged in a well-defined square, hexagonal, or Kagome456 patterns. The effect of such geometric configurations will offer an overall density and bulk modulus different from the single scatter, forming the series [Fig. 10(b)].

Another interesting example entails the deployment of membranes along a 1D dimension, at a specified fixed interval from each other, with or without an additional mass incorporated within the membrane in different positions.294,566 This configuration further enhances the versatility of acoustic metamaterials, even with just a monodimensional repeated pattern that can generate zero reflection.566 

Recent scholarly endeavors have begun exploring the potential application of Kelvin cells215,567 in developing acoustic metamaterials, yielding promising results. A Kelvin cell is a tetrakaidecahedron [Fig. 1(k)], essentially a polyhedron with 14 faces, comprising six squares and eight hexagons. This distinctive property of the Kelvin cell enables it to create a 3D space-filling tessellation, which makes it helpful in obtaining band gaps at designed frequencies.

Other geometrical configurations used to make AMs are the spiral33,104,253,515 and the helix,28,66,568 as shown in Figs. 1(h) and 1(g). AMs that use spiral geometries can mainly develop their shape in a 2D plane. Spiral structures [Fig. 1(h)] can be arranged in a variety of configurations. The possibility of incorporating patterns that exemplify this versatility as Archimedean spirals57,569 or logarithmic spirals570 to make waveguides, each with unique properties, like slowing down, guiding, and confining the wave propagation.

Helix AMs add another dimension to the design possibilities in this rapidly advancing field. These metamaterials are characterized by incorporating helical structures [Fig. 1(g)] into their design, arranged in a periodic or variable pattern of the helix coils. The uniqueness of the helix, with its continuous curve winding about a central axis, can generate, for instance, phase shifting568 of the acoustic wave, and consequent passive noise cancelation.

3. Possible combinations

The construction of acoustic metamaterials entails a strategic integration of specific geometries and acoustic technologies. The breadth and diversity of design approaches employed in developing these materials provide a wide spectrum of potential combinations. An illustrative strategy for the development of AMs can be concentrated into six primary elements, each reflecting the combination of different geometries and technologies. The first approach involves using mixed internal geometries or a singular one in combination with perforated or micro-perforated panels [Fig. 13(a)] internally or on top49,198,460,473,489,497,548,571–579 (the perforations can be usually circular or rectangular). This method enhances the material's ability to damp certain frequencies through thermoviscous losses.

FIG. 12.

Fifth order Hilbert fractal (a). Menger sponge, third order (b). Sierpinsky pyramid, third order (c). Koch fractal fourth order (d). T-shape fractal, third order (e). Cantor lens, third order (f). G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

FIG. 12.

Fifth order Hilbert fractal (a). Menger sponge, third order (b). Sierpinsky pyramid, third order (c). Koch fractal fourth order (d). T-shape fractal, third order (e). Cantor lens, third order (f). G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

Close modal
FIG. 13.

Main components forming acoustic metamaterials: perforated and microperforated panels (a), acoustic foams (b), Helmholtz resonators (c), Coiled or fractal or maze geometries (d), piezoelectric patches (e), membranes with or without masses (f). G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

FIG. 13.

Main components forming acoustic metamaterials: perforated and microperforated panels (a), acoustic foams (b), Helmholtz resonators (c), Coiled or fractal or maze geometries (d), piezoelectric patches (e), membranes with or without masses (f). G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

Close modal

In general, microperforations [Fig. 13(a)] are used to damp high frequencies; meanwhile, the internal geometries [coiled, zigzag, maze, labyrinthine or fractal, as exemplified in Fig. 13(d)] act toward the spectrum's low-frequency range. This specific union can produce a broadband effect regarding acoustic losses if compared to the effect of the single “pieces” alone.

The second approach incorporates mixed geometries or a single one, with one or more Helmholtz resonators.39,56,273–275,475,485,580–583 Helmholtz resonators [Fig. 13(c)] are structures designed to resonate at specific frequencies, thereby absorbing sound at these frequencies and reducing noise. Sound absorption can be maximized by integrating more than one resonator within the AMs design, enabling a more broadband absorption of the acoustic energy.

The next approach mixes membranes [Fig. 13(f)] and Helmholtz resonators [Fig. 13(c)], providing exceptional control over sound waves. By combining Helmholtz resonators with membranes—sometimes weighted with added mass—these materials can significantly shift the frequency range at which they operate.584–587 This combination is particularly effective at lowering the frequency range, allowing the metamaterial to trap lower-frequency sounds more effectively. Additionally, this design approach broadens the range of frequencies the metamaterial can manage for a variety of applications, like mufflers586,588–590 or ventilated structures.591 It is possible to fine-tune these materials to suit specific needs, such as noise reduction and sound isolation by tweaking the properties of the membranes and the size of the resonators.592 

In the fourth approach, porous materials, such as acoustic foam like melamine [Fig. 13(b)], are combined with a specific geometry that takes care of the low-frequency range.286,449,454,459,583 In this combination, the porous material dampens sound wave propagation, reducing reflected sound and facilitating noise control through their double action separated by the Biot limit.454 Under the Biot limit, the solid part of the foam will contribute to the metamaterials effect in the middle-frequency range. On the other hand, over the Biot limit, the air inside the pores, with their thermoviscous action, will contrast the middle-high frequency range.

The fifth approach merges one or more of our geometries with one or more piezoelectric patches.65,66,68,69 Piezoelectric materials generate an electric charge in response to applied mechanical strain stress. By embedding piezoelectric patches [Fig. 13(e)] within the design of AMs, it becomes possible to control sound wave propagation and harvest electric energy from the sound waves. This approach creates multifunctional acoustic metamaterials that can serve dual roles; sound control and energy harvesting.

The last approach combines some of the aforementioned four methods,593,594 offering a comprehensive solution for constructing acoustic metamaterials. This strategy provides higher flexibility regarding covered frequency but with a consequent securely higher complexity and manufacturing cost.

Elastic metamaterials are engineered to control mechanical waves, including stress waves and vibrations, within solid media. These distinctive characteristics enable applications ranging from seismic protection to vibration mitigation, which are vital for bolstering structural durability during phenomena such as earthquakes and dynamic loads in machinery and frameworks. Advances in fabrication technologies, especially 3D printing, have allowed the development of intricate elastic metamaterials with customized mechanical properties, improving their utility in real-world scenarios.595–597 For example, research has illustrated the utility of such materials in forming seismic metamaterials capable of transforming harmful seismic waves into less destructive forms, offering groundbreaking approaches to earthquake resilience.598,599 Moreover, incorporating locally resonant structures within elastic metamaterials has demonstrated significant potential to control low-frequency waves, a critical aspect of effective vibration isolation.600,601 In conclusion, ongoing advances in elastic metamaterials continue to broaden their applications in diverse engineering domains.

The fabrication of acoustic metamaterials involves a range of technologies, each with its own unique strengths and capabilities. This section offers a detailed, though not exhaustive, overview of the main methods used to create acoustic metamaterials (AMs). We also look at the types of machinery involved and their specifications, particularly regarding precision and accuracy. This is especially important for the geometry of surfaces, such as rugosity, which can play a major role in energy dissipation through thermoviscous losses. Additionally, the methods and their tolerances are closely tied to the frequencies being studied with the manufactured samples. For example, at higher frequencies, it is crucial to minimize imperfections in the manufacturing process due to the shorter wavelengths involved.

For example, if the targeted frequency range is 1 kHz, using photolithography to produce metamaterials with operational wavelengths close to 34 cm would be excessive, given the precision requirements of the machining process. Conversely, small imperfections at reduced wavelengths for ultrasound applications can significantly affect the response of the metamaterials. The techniques considered in this work are classified as additive and subtractive manufacturing methods and are ordered from the least to the most precise.

Fused deposition modeling (FDM) is often used in fabricating acoustic metamaterials. FDM operates by extruding a thermoplastic filament layer by layer to construct a tridimensional object, with the advantage of a wide range of filament materials with varying properties, including PLA, one of the cheapest but reliable options for relatively fast prototyping. For example, the machine “FORTUS 400mc” has a building volume of 406.4 × 355.6 × 406.4 mm3, with a printing tolerance of ±0.127 mm, and a possible layer height between 0.127 and 0.3302 mm.602 

PolyJet70 makes use of inkjet printing principles to create three-dimensional objects, making it a versatile 3D printing process for fabricating acoustic metamaterials with complex geometries. PolyJet printing works similarly to 2D inkjet printing. The process, deposits layers of curable photopolymer resin onto the printer's building area rather than propelling ink droplets into a paper surface. According to the manufacturer Stratasys, the machine Objet500,603 has a building volume of 490 × 390 × 200 mm3, with an accuracy of ±0.1 mm if the highest dimension of the printed object is below 100 mm. Otherwise, if the highest dimension of the printed object is bigger than 100 mm, the accuracy drops from ±0.1 to ±0.2 mm.

Powder bed fusion (PBF) technology is an alternate method of additive manufacturing. To begin, the powder bed fusion printing process, a thin (around 0.1 mm) layer of it, is applied to the construction platform. Following that, a laser merges the primary stratum, or the design sliced sectional design. A roller is then used to distribute successive layers of dust over the previous layer, incorporating additional layers. This sequence is repeated until the entire prototype is formed. The loose and non-merged powder remains in place throughout the process but is removed during the subsequent cleaning phase. For instance, according to the manufacturer “Wematter,” the machine Wematter Gravity SLS 3D printing system,604 has a building volume of 300 × 300 × 300 mm3, with a precision of ±0.1 mm.

Direct Ink Writing (DIW) is a relatively new layer-by-layer 3D printing technology that uses a small nozzle to distribute a pressure-driven viscoelastic ink, resulting in detailed structures. This process normally consists of three steps: first, creating 3D models with the CAD software, then designing a 3D route for the nozzle with slicing software to create a G-code, and finally, a controlled ink release. DIW is distinguished by its extensive flexibility for customizing the inks, allowing for the exact creation of 3D objects from the microscopic scale to the bigger ones. The precision and resolution of the printed object are heavily influenced by critical determinants such as nozzle diameter and printing speed, and it can print soft materials such as hydrogel to thermoset polymers. The x-y plane layer resolution ranges from ±0.1 to ±1.2 mm, and the z-axis resolution ranges from ±0.1 to ±0.4 mm, with the smallest potential feature size being around 0.5 mm.605 

Digital Light Processing (DLP) is typically considered to be faster than Stereolithography. This is because SLA uses a technology in which the laser cures the resin point by point; meanwhile, DLP uses a projector screen to expose a complete horizontal slice (layer) at once, allowing for simultaneous curing of all locations inside the slice. Thus, the time necessary to harden a single layer is lower than SLA. Compared to stereolithography, the DLP printing quality is slightly worse but faster than SLA; this is due to the possibility of specular or reflection effects that can make the polymerization of the layers less precise. According to the manufacturer FlashForge, the machine Hunter 3D Printer,606 has a building volume of 120 × 67.5 × 150 mm3, with a layer resolution between 0.025 and 0.02 mm, and a print accuracy of ±0.05 mm.

Stereolithography (SLA),475 an additive manufacturing technique, has been instrumental in creating three-dimensional objects through a process of photopolymerization. This technique involves selectively solidifying a liquid photopolymer resin point by point using a light source, such as a laser, to form the desired 3D shape. For instance, according to the manufacturer “3D Systems,” the machine Projet 7000 HD,607 has a building volume of 380 × 380 × 250 mm3, with accuracy between ±0.025 and 0.05 mm for every 25.4 mm of printed element.

Due to the dimensions of the typical wavelengths in acoustic metamaterials, techniques like electron beam lithography (EBL), ion beam lithography, and x-ray lithography are not considered. Those techniques, due to their high cost, nanometric precision, and accuracy, are rather used for optical metamaterials.

Multimaterial printing opens up exciting possibilities to design metamaterials that make use of coupled structural vibration effects due to the use of different materials. Techniques like PolyJet printing, which works like an inkjet but with materials, can blend different photopolymers, giving parts with different mechanical and acoustic properties.

Directed energy deposition (DED) methods,608 such as laser engineering net shaping609 (LENS), allow for the simultaneous use of multiple powders, creating structures with potentially customized acoustic traits. advanced fused deposition modeling437,610 (FDM) printers with one,611 or multiple extruders can produce parts with different stiffness and density,612 crucial for acoustic performance. While Binder Jetting has typically been a single-material process,613 new advancements allow it to use multiple powders or add secondary materials afterward, resulting in complex acoustic behaviors.614,615 Finally, technologies like digital light processing (DLP) and multi-material stereolithography (SLA) can switch between or combine different resins, crafting detailed structures like piezoelectric microphones,616 or an ultrasonic sensor equipped with three-dimensional printed holographic elements.617 These multimaterial methods make it possible to fine-tune how parts handle vibrations, leading to better performance in many applications.618 

Subtractive manufacturing processes, such as laser cutting and water jet cutting, or classical machining, have also found applications in producing AMs. Water jet cutting employs a high-pressure jet of water (around 4000 bars, for instance), mixed with abrasive particles, to cut through various materials. The accuracy for a straight cut of 1 m is, for instance, ±0.1 mm for the machine Mach 100603 of the company Flow,619 until ±0.02 mm for a straight cut of 30 cm for the NanoJet machine from the same company.620 

On the other hand, laser cutting makes use of a high-power laser beam to cut or engrave materials, creating intricate patterns and structures. One downside is the possible difficulty in assembling precisely 3D AMs structures using laser-cut 2D slices.264 It is worth noticing that if the pattern to laser-cut has relatively small recursive geometries, like in the case of fractals, particular care needs to be paid toward overheating of the material during the cutting session.264 Moreover, it is helpful to consider that the X-Y resolution is a function of the material, material thickness, and cutting speed.621 For instance, the cut accuracy is ±0.015 mm for the machine Speedy 400 flexx603 of the company Trotec.622 

CNC milling machines can produce AMs by machining solid blocks or sheets of materials with desired patterns or structures.623 A five-axis CNC machine, for instance, has five planes of motion: sideways (X-axis), vertically (Y-axis), back and forth (Z-axis), and two additional axes for worktable rotation and tilt. Its primary advantage is enhanced productivity and efficiency when producing complex forms using continuous milling. The five-axis movement produces more precise and smooth parts, minimizing manual tool changes and saving time. The versatility of this machine enables a vast range of components and forms, highlighting its adaptability across diverse metamaterial complex shapes. According to the manufacturer Bridgeport, the machine VMC 600,624 has a building volume of 600 × 410 × 520 mm3, with an accuracy of ±0.005 mm.625 

Electrical discharge machining (EDM) uses heat energy to carve accurate, complicated shapes in electrically conductive materials, which standard processes such as CNC milling may not be able to accomplish because of the material toughness. This distortion-free technology, which does not make physical contact with the workpiece, enables the production of complex shapes, produces a high-quality finish, and ensures remarkable precision, making it particularly useful for small-scale manufacturing. Even though materials like inconels and tungsten carbide can be used for EDM. However, the slower material removal rate increases production time and costs, and the extreme heat utilized can change the material's metallurgy. According to the manufacturer Agie, the machine Agiecut classic 2,624 has a building volume of 750 × 550 × 250 mm3, with an accuracy of ±0.006 mm.

Photolithography is a micromanufacturing technique used to create intricate structures on a 2D substrate. Photolithography is an intricate micromanufacturing procedure, it involves subjecting a polymer surface to ultraviolet (UV) light to eliminate the areas that are not covered by the design mask. This masking process on the two-dimensional polymer surface is akin to the function of a photo negative. Areas covered by the mask are protected from UV light exposure. As a result, there is no curving or deformation of the geometric pattern beneath these masked regions. For instance, this technique has been used in AMs to enable active broadband tunability626 and create ultrasonic transducers.627 For instance, the machine SLX 3 e1 from the company Micronic628 can ensure a minimum linewidth of 400 nm, with an accuracy of ±30 nm for an area of 150 × 150 mm2.

The advancement of acoustic metamaterials (AMs) depends significantly on sophisticated fabrication methods that offer precise control over microstructural features while remaining scalable for practical use. Techniques at ultrafine scales, such as electron-beam lithography (EBL) and focused ion beam lithography (FIB), enable detailed patterning with nanometer accuracy, which is vital for influencing sound waves at subwavelength dimensions.629 However, these approaches often face challenges in scalability and expense, restricting their application mainly to experimental environments.630 On the other hand, macroscale production methods, including large-scale additive manufacturing processes such as fused deposition modeling (FDM) and powder bed fusion (PBF), are crucial in creating AMs intended for practical use, such as noise barriers and construction materials.211 These techniques allow the incorporation of sound-diffusing and sound-absorbing components into larger systems, improving their functional applicability.631 The combination of multiscale fabrication strategies, such as Direct Ink Writing (DIW) and Multi-Material Jetting, offers a promising pathway to develop hierarchical acoustic metamaterials that merge nanoscale accuracy with macroscale designs. This multiscale capability can tackle technical issues in the field, especially for applications requiring wide frequency attenuation and durability under environmental conditions.632 Despite these progressions, the scaling of AMs remains challenging due to material and process limitations, highlighting the need for further exploration into the integration of top-down lithographic techniques with scalable 3D printing methods.163 

Advancements in modern manufacturing techniques, especially multi-material additive manufacturing (AM), have markedly improved the acoustic properties of metamaterials. This approach enables the precise arrangement of materials with distinct mechanical properties, facilitating the development of customized material gradients that enhance both vibration damping and sound absorption.211,633,634 These capabilities allow for the design of metamaterials optimized for targeted acoustic uses, enhancing structural integrity and enabling greater control over acoustic attributes.635 Topology optimization has become a vital technique in designing intricate geometries that maximize acoustic efficiency while reducing material consumption. By strategically distributing materials, engineers can create lightweight structures capable of accurately manipulating sound waves, leading to improved impedance matching and sound attenuation.325,636 Moreover, integrating machine learning into the design process accelerates the iteration and optimization of metamaterials, enabling predictions of acoustic behaviors across extensive frequency ranges.637 Advanced manufacturing techniques featuring real-time monitoring and adaptive controls significantly enhance the precision and reproducibility of acoustic metamaterials. Materials with intelligent properties that adapt to environmental changes smooth the way for novel applications in adaptive noise mitigation and energy harvesting.326,638,639 The choice of fabrication technique for acoustic metamaterials is pivotal in optimizing their functional characteristics. Additive manufacturing, particularly multi-material printing, enables the fabrication of complex gradients that enhance sound absorption over broader frequency ranges, expanding their utility.640,641 On the other hand, subtractive techniques such as CNC milling and electrical discharge machining (EDM) deliver the accuracy required for high-frequency applications, where slight imperfections can significantly alter acoustic behavior.638 Hybrid manufacturing approaches, which combine additive and subtractive techniques, provide a balanced solution, achieving both scalability and the precise microstructural details necessary for particular acoustic properties.211,642 Additionally, integrating machine learning into these processes enables real-time adjustments and predictive modeling, boosting the adaptability and reproducibility of acoustic metamaterials.394,643 This integration supports the creation of multifunctional metamaterials designed for noise control and energy absorption, facilitating their implementation across various settings.639,644,645

Additive manufacturing methods, including 3D printing and multi-material printing,646,647 enable the production of complex structures that effectively minimize unwanted resonances and enhance broadband absorption. These techniques offer precise control over geometry and material distribution, which is vital for optimizing acoustic performance in devices such as transducers and metamaterials.648,649 For instance, polymeric cellular structures created through additive manufacturing have shown significant advantages in acoustic absorption due to their custom-designed microstructural attributes.648 Conversely, subtractive methods like CNC milling enhance surface quality and dimensional precision, which is critical for reducing wave scattering and achieving optimal impedance matching. The high accuracy of CNC milling ensures smooth, uniform surfaces on acoustic devices, improving sound wave transmission and minimizing reflections at material interfaces.650,651 Nanoscale fabrication methods, such as nanoscale lithography, refine microstructural features, improving frequency selectivity and resonance performance. These techniques are essential for applications like noise suppression, where controlling specific frequencies is critical.164,652 The integration of various materials and manufacturing methods further enhances performance; for example, polymers used in additive manufacturing allow for the flexible tuning of metamaterial properties, making them ideal for lightweight acoustic control applications.653,654

Techniques for measuring acoustics are fundamental in defining the properties of acoustic metamaterials within controlled settings. Commonly used configurations include reverberation chambers, impedance tubes, and anechoic chambers. Reverberation chambers generate a diffuse sound field, allowing evaluation of the sound absorption and scattering properties of materials in a controlled environment, which is critical for analyzing their acoustic performance.655 In contrast, impedance tubes are used to determine the acoustic impedance and absorption coefficients of materials, shedding light on sound-surface interactions.656 Anechoic chambers are uniquely designed to suppress reflections, allowing precise measurements of sound propagation and material characteristics without interference from echoes or external noise.657 These approaches are indispensable for advancing the research of acoustic metamaterials, ensuring accurate and consistent measurements that support the creation of materials with custom acoustic properties.

In contrast, impedance tubes offer a quicker and more economical means to assess acoustic characteristics, although they may lack the precision necessary to capture intricate wave behaviors in some metamaterials.658 This contrast emphasizes the need to carefully select measurement methods based on the particular demands of the research or application, striking a balance between the desire for accuracy and the constraints of time and budget.

Recent advances in optimization are shaping acoustic measurement methods. Automated systems and real-time data processing are becoming standard in experimental setups, speeding up data analysis, and minimizing the costs associated with repetitive testing.659 Machine learning algorithms are also being used to improve the interpretation of complex datasets, enabling faster insight derivation.660 In addition, adaptive systems that adjust measurement frequency ranges based on initial results are gaining traction, significantly increasing measurement efficiency in industrial contexts.661 These advances streamline the testing process and enhance the reliability and precision of the results, driving forward the practical implementation of acoustic metamaterials.

Emerging research highlights how innovative measurement methods address practical limitations. For example, 3D printed prototypes have proven effective in assessing acoustic properties quickly, allowing quicker iterations in design and performance analysis.662 This technique accelerates development while offering crucial insight into the acoustic behaviors of novel materials and structures. Furthermore, combining diverse measurement methods has provided a holistic understanding of acoustic properties, helping researchers choose techniques that optimize precision, scalability, and resource efficiency.663 Such examples underscore the importance of flexibility in measurement approaches as researchers tackle the challenges posed by acoustic metamaterials and their wide-ranging applications.

The section provides an overview of the materials used to produce acoustic metamaterials, with an emphasis on those most frequently employed in research-based applications. The selection of these materials varies significantly based on the intended application; specifically, the materials can range from rigid to flexible, particularly in scenarios involving structural–acoustic coupling.

Photosensitive resins, or photopolymers,1 are liquid polymers that solidify when exposed to a specific wavelength of light, typically ultraviolet light. They are commonly used in stereolithography475 or digital light processing 3D printing technologies. These resins offer sufficient precision for acoustic applications and can produce intricate structures with fine details, making them ideal for creating complex geometries.

Metals such as copper,664 brass,14 and aluminum564 have also been used to create AM if we consider multifunctionality. Copper's excellent electrical conductivity and high thermal conductivity make it desirable for AMs applications. Brass and aluminum, due to their relatively high density (compared to polymers), stiffness, and stability over time, are valuable for manipulating sound waves. Thin composite plates, using steel and rubber,665 have also been used due to their insulation power against a wide range of frequencies, exploiting their resistance to substantial underwater pressure.

Polylactic acid264 (PLA), a biodegradable thermoplastic polymer, is commonly used in 3D printing666 and various applications. PLA is one of the most typical materials used for fast prototyping, because of its relatively low cost and good printability. Similarly, other thermoplastic polymers such as polyethylene terephthalate667 (PET), acrylonitrile butadiene styrene668 (ABS), acrylonitrile styrene acrylate575 (ASA), and polymethyl methacrylate114 (PMMA) have been used in certain scenarios due to their unique properties, for instance, PMMA can be used to build waveguides, meanwhile, the others polymers can be selected for their respective mechanical properties like stiffness, impact, and heat resistance.

Another material widely used in AMs prototyping is epoxy resin.482 This type of thermosetting polymer, undergoes a chemical reaction when combined with a hardener to form a strong and rigid material. This material has been explored for use in acoustic metamaterials due to its strength and rigidity.

Polydimethylsiloxane669 (PDMS) and thermoplastic polyurethane670 (TPU) are flexible and versatile materials that can be utilized to create deformable structures. Their flexibility and elasticity enable the creation of AMs that can adapt to different acoustic environments.

Composite structures can be created by combining metal honeycomb frameworks with ethylene vinyl acetate (EVA) copolymer films.504 The metal honeycomb frameworks provide structural support, a high strength-to-weight ratio, and sound transmission control, while EVA copolymer films671 offer flexibility, damping properties, and additional acoustic properties.

Materials such as aluminum nitride672 (AlN), silicon dioxide673 (SiO2), barium titanate674 (BaTiO3), and lithium niobate675 (LiNbO3) have been used for applications that require converting mechanical energy to electrical.

Natural materials like wood have been tested as well to produce AMs. Due to the low density and workability, cylindrical wood676 scatterers have been used in 2D waveguide prototypes without finding substantial differences in terms of acoustic output compared to other materials like iron or aluminum, but are interesting in terms of manufacturing costs due to the relatively easy workability.

Melamine foam,286 known for its high porosity and interconnected open-cell structures, is another material used in acoustic metamaterials. It contributes to sound attenuation and absorption through multiple reflections, diffusion, and conversions of sound energy into thermal energy.

Metal fibers,46 made of various materials such as steel, aluminum, or copper, provide stiffness, structural integrity, and heat resistance; meanwhile, at the same time, the porous matrix contributes to sound control and can be tailored to specific acoustic requirements and applications, like inside mufflers.

Polyurethane foam,193 with an open-cell structure, can be molded, cut, or shaped into various forms, allowing flexibility in the design and manufacturing process, especially used in anechoic chambers, perimeters of 2D waveguides, and impedance tubes.

Flexibility can be granted by nonwoven materials454 made by entangling fibers together (without weaving or knitting), resulting in a porous and flexible structure. These can be manufactured from various fibers, such as polyester and polypropylene, or natural fibers, like cotton or wool. Their porous structure makes them particularly suitable for sound absorption applications.

Finally, polyvinyl chloride677 (PVC) foam can be used as a material to create AMs, providing sound absorption and transmission control properties. PVC offers advantages such as flexibility and lightweight, making it a suitable material for AMs prototyping.

In conclusion, the choice of the material depends on the specific requirements for the application (if prototype or not, for instance), including the desired acoustic properties, fabrication method, and environmental and operational considerations. The materials discussed in this review offer a wide range of possibilities for designing and fabricating acoustic metamaterials, each with unique and sometimes similar advantages and challenges.

The exploration of acoustic metamaterials encompasses a wide array of frequencies, each with distinct properties and potential applications. At the lower end of the spectrum, we find infrasound frequencies, typically below 20 Hz, which are not detectable by the human ear. Despite being imperceptible, these frequencies play a significant role in both natural events, such as earthquakes, and human-induced activities, including specific industrial operations.

Noise manifesting at low frequencies conventionally bracketed within 20–600 Hz, originates from various sources. These may encompass the deep grumble produced by lorry engines, auditory manifestations of distant meteorological phenomena such as thunderstorms, or the persistent hum generated by sizable air conditioning apparatus. Normally, these sound waves with long wavelengths can traverse physical barriers like walls in a relatively easier manner, if compared to their high-frequency counterparts. This exacerbates potential noise pollution issues. Due to the low-frequency spectra involved, stopping them with a thin layer of traditional acoustic materials is difficult. This is one of the most researched subtopics of AMs for sound insulation.1,253,261,449,453,471,497,524,574,576,678 The goal is to induce sound blocking with a reasonable thin layer of material.63,198,234,274,459,461,463,473,484,574,577,668,679,680

Sounds falling within the medium frequency range between approximately 600 and 2 kHz have different sources. These can include conversational exchanges conducted within typical vocal ranges, the operational noise emanating from domestic electrical devices like a vacuum cleaner, or the audible hustle and bustle associated with heavy traffic on populous thoroughfares. Moreover, middle frequencies play a crucial role in facilitating intelligible speech. Thus, the contribution of AMs can potentially be linked to the combined use of foams plus coiled structures to mitigate and modulate sound energy.49,55,57,217,257,460,485,548,579,582

High-frequency noise encompasses the spectrum from 2 kHz upward to 20 kHz. Representative sources include the high-pitched hiss discharged by a pressure cooker under strain, the piercing emission from a blown whistle or the acute shriek of a distressed child. Owing to their comparatively shorter wavelength, these types of sound are often more effectively attenuated or absorbed by conventional acoustic materials. For this frequency range, traditional acoustic technologies like acoustic foams having open cells and Helmholtz resonators are also efficient.449,469,579

Finally, ultrasounds are sound waves with frequencies exceeding the upper limit of human audibility, typically above 20 kHz. Previous studies have discussed the generation of ultrasound within the 20–240 kHz frequency interval. Ultrasounds are widely used in medical imaging and industrial testing because they can penetrate materials and tissues, exposing their internal features or defects.14,45,57,70,114,681

Laboratory tests are essential to evaluate the effects of acoustic metamaterials before developing real-world applications. We report here on the fundamental techniques used in experimental acoustics, categorized by the measured quantities and specific applications of the metamaterials.

Interestingly, most acoustic metamaterials proposed in the literature have not been validated experimentally or are tested only in very controlled settings, like 1D ducts with normal incidence. A few studies explore grazing incidence or flow conditions, but these are not frequent. Additionally, most validations are performed under monomodal configurations—i.e., scenarios that only consider simple geometries and specific angles like 0° and 90°. This means very few acoustic metamaterials have been tested under complex, real-world setups that resemble industrial applications.

There is a clear need for experimental setups that can handle more complicated configurations. This includes the 2D apparatus mentioned later in this study, which is designed to test AMs in conditions that are much closer to what you would find in real-life industrial settings. By using such advanced testing devices, we can ensure that AMs are not just theoretically sound but also practically viable in a variety of real-world applications.

The reverberation chamber,682 or reverberation room, aims to generate a homogeneous sound field. It is designed so that sound waves can reflect uniformly off the encompassing surfaces, including walls, ceilings, and floors.683 This construct's primary objective is to facilitate quantifying the absorption coefficient and the reverberation time of various AMs from several angles of incidence of the acoustic waves.485 For instance, in architectural acoustics, metamaterials are tested to measure the absorbing acoustic capability to limit the echo inside structures. Another significant measure that can be obtained is the diffusion coefficient, which assesses the evenness of sound distribution within an enclosure. This is particularly crucial in designing spaces such as concert halls and recording studios, where a balanced sound field is paramount for an optimal acoustic experience.

An experimental apparatus commonly used to determine the characteristics and effectiveness of acoustic metamaterials is the Kundt tube equipped with generally two684 or four microphones.685 A speaker is placed on one side of the tube. Recently, the three-microphone technique has been gaining popularity due to its advantages in complexity and cost reduction.686 

The two-microphone configuration can extract the acoustic impedance, which is a measure of resistance to sound wave propagation in a medium, and the absorption coefficient, which indicates a percentage of acoustic energy absorbed when the wave hits the acoustic metamaterial sample. Moreover, the reflection coefficient indicates how strong the impedance mismatch is between air and AMs.

The three-microphone method, specifically the three-microphone two-load method, as highlighted in the report “Complement to standard method for measuring normal incidence sound transmission loss with three microphones,” offers a significant modification to the ASTM E2611-09 standard. It proposes a setup that involves fewer transfer function measurements and one less microphone, thereby simplifying the experimental procedure and potentially reducing costs. This method has been validated on both symmetrical homogeneous and nonsymmetrical non-homogeneous specimens. For symmetrical specimens, the process can be further simplified to a three-microphone one-load method.

The four-microphone setup allows us to estimate mainly the transmission loss and the transmission coefficient. With the transmission loss, we quantify the number of decibels that specific AMs can cut. On the other hand, the transmission coefficient specifies the portion of acoustic energy passing through the generic sample, in a specific frequency interval. The measurements taken with four microphone configurations are generally more time-consuming than the two microphone ones since it is necessary to perform a double set of measurements for each sample to get transmission loss and transmission coefficient.

A two-dimensional waveguide286 is a structure that extends primarily across two planes and consists of an anechoic foam encircling a two-dimensional plate, a wave generator, and one or more microphones. Several values are typically measured in these setups, including transmission and reflection coefficients, which provide information about the amount of incident acoustic waves that are either reflected or transmitted by the metamaterial. Stop bands are also important to consider as they represent frequency ranges where sound propagation is heavily reduced or completely blocked. Other values like sound pressure level and pressure field can give data on sound intensity after interacting with the metamaterial. At the same time, measurements of the phase and amplitude of the acoustic wave can provide insights into the wavefront shaping capabilities of the metamaterial. 2D waveguides are especially important to measure effects related to the bending (Fig. 14) of the wavefront,134 which can happen with different angles, and cloaking effects, where a total or partial lack of reflection of the acoustic waves can be observed.

FIG. 14.

Coiled 3D-printed metamaterial that allows different steering angles for the acoustic waves (a).317 FEM results at a specific frequency where the wave bending is more prominent (b).317 Reproduced from Wenqi Wang, Yangbo Xie, Bogdan-Ioan Popa, Steven A. Cummer, “Subwavelength diffractive acoustics and wavefront manipulation with a reflective acoustic metasurface,” J. Appl. Phys. 120(19), 195103 (2016), with the permission of AIP Publishing. Unit cell that can be modified acting on its rotational angle (c).737 3D-printed array of single metamaterial cells having different relative rotations to achieve wave steering (d).737 Simulation of the array lens effect, steering the acoustic field by 7.5° (e).737 Reproduced from Lin Bai, Gang Yong Song, Wei Xiang Jiang, Qiang Cheng, Tie Jun Cui, “Acoustic tunable metamaterials based on anisotropic unit cells,” Appl. Phys. Lett. 115(23), 231902 (2019), with the permission of AIP Publishing. Simulation of a 90° bending of the pressure field, passing through an array of circular acoustic metamaterial (f).738 Circular metamaterial cell, with maze design inside and its respective effective medium (g).738 Pressure field that underlines a dipolar mode inside a single metamaterial cell and effective medium (h).738 Frequency-dependent normalized amplitude of the scattering pressure (i).738 Reproduced from Jun Lan, Yunpeng Liu, Tao Wang, Yifeng Li, Xiaozhou Liu, “Acoustic coding metamaterial based on non-uniform Mie resonators,” Appl. Phys. Lett. 120(16), 163501 (2022), with the permission of AIP Publishing.

FIG. 14.

Coiled 3D-printed metamaterial that allows different steering angles for the acoustic waves (a).317 FEM results at a specific frequency where the wave bending is more prominent (b).317 Reproduced from Wenqi Wang, Yangbo Xie, Bogdan-Ioan Popa, Steven A. Cummer, “Subwavelength diffractive acoustics and wavefront manipulation with a reflective acoustic metasurface,” J. Appl. Phys. 120(19), 195103 (2016), with the permission of AIP Publishing. Unit cell that can be modified acting on its rotational angle (c).737 3D-printed array of single metamaterial cells having different relative rotations to achieve wave steering (d).737 Simulation of the array lens effect, steering the acoustic field by 7.5° (e).737 Reproduced from Lin Bai, Gang Yong Song, Wei Xiang Jiang, Qiang Cheng, Tie Jun Cui, “Acoustic tunable metamaterials based on anisotropic unit cells,” Appl. Phys. Lett. 115(23), 231902 (2019), with the permission of AIP Publishing. Simulation of a 90° bending of the pressure field, passing through an array of circular acoustic metamaterial (f).738 Circular metamaterial cell, with maze design inside and its respective effective medium (g).738 Pressure field that underlines a dipolar mode inside a single metamaterial cell and effective medium (h).738 Frequency-dependent normalized amplitude of the scattering pressure (i).738 Reproduced from Jun Lan, Yunpeng Liu, Tao Wang, Yifeng Li, Xiaozhou Liu, “Acoustic coding metamaterial based on non-uniform Mie resonators,” Appl. Phys. Lett. 120(16), 163501 (2022), with the permission of AIP Publishing.

Close modal

Anechoic chambers,687 or semi-anechoic chambers, are in particular designed rooms that minimize sound wave reflection, resulting in an environment with minimal echo and reverberation. These chambers are often used for various acoustic measurements, including those related to acoustic metamaterials. In an anechoic chamber, we can perform several measurements. For instance, we can measure sound pressure and sound intensity,688 and moreover, the transmission loss, as shown in the work of Wang et al.689 and Wu et al.690 Plus, it can also obtain near and far field measurements of ultrasonic wave beams, generated by AMs.681 

Acoustic metamaterials can revolutionize the way we build anechoic rooms. Normally, these rooms require a lot of space filled with foam wedges to absorb sound. However, metamaterials can do the same job without taking up as much room. They can absorb sound effectively, with an absorption coefficient higher than 0.85 for frequencies above 100 Hz. This makes them a great alternative to traditional methods, as shown in a study by Yang et al.691 

Electroacoustic resonators, comprising a combination of loudspeakers and microphones, are employed for noise reduction in enclosed spaces. Traditionally, these resonators utilize a linear control model, resulting in predictable responses to sound variations. However, recent research indicates the potential to shift to a nonlinear control approach by employing a model-inversion technique. This technique adjusts the loudspeaker's electrical current based on sound pressure measurements, allowing for a more dynamic response.692 A state-space representation model and a control algorithm to achieve a Duffing-like nonlinear response, which has proven to be particularly effective at noise reduction.167 The findings suggest that this advanced nonlinear control technique could lead to more efficient noise reduction devices with broader applications across various domains, including buildings, vehicles, and industrial environments.

Moreover, it is possible to create new cutting-edge acoustic devices such as high-performance lenses, cloaks, and absorbers. These innovations adopt designs from electromagnetic metamaterials, but with the added benefit of the slower propagation speed of acoustic waves, enabling more precise control and enhanced stability.186 For example, the dynamic tunability of AMs makes them ideal for applications like unidirectional sound transmission and acoustic diodes, thanks to their mechanical robustness and the ability to adjust properties electronically.144 Moreover, the capability to change the properties of these materials on the fly, without altering their physical structure, allows for versatile functions such as sharper imaging through nonlinear harmonic responses.176 

The potential applications of these materials are extensive. They include sound insulation, acoustic cloaking, wavefront engineering, and noise reduction across various fields like underwater acoustics, medical ultrasound, and architectural acoustics.166 Despite the progress, practical challenges such as achieving real-time control and maintaining stability across a wide frequency range persist. Nevertheless, research has shown that active acoustic metamaterial cells, which can be controlled in real-time, offer significant advantages over their passive counterparts, setting the stage for next-generation acoustic devices.693 

Additionally, the development of non-reciprocal acoustic metamaterials using nonlinear electronic circuits offers a compact and efficient solution for applications that require unidirectional sound propagation. This includes noise mitigation in aircraft fuselages and underwater vehicles, where controlling the direction of sound is crucial.143 Experimental prototypes and theoretical models continue to validate these designs' robustness and efficiency, suggesting a promising future for active control strategies in advanced acoustic applications.694 

Recent advancements in acoustics have underscored the potential of innovative plasma-based technologies for sound control, as evidenced by two pivotal studies. The first study, titled “Ultrabroadband sound control with deep-subwavelength plasmacoustic metalayers,” explores the utilization of plasmacoustic metalayers for comprehensive sound control across a wide frequency range.695 These metalayers, consisting of small layers of air plasma, achieve perfect sound absorption and tunable acoustic reflection from several hertz to the kilohertz range. This approach effectively overcomes the limitations of traditional noise absorption techniques, such as porous materials and acoustic resonators, which typically underperform below 1 kHz and are inherently narrowband. The technology offers promising applications in noise control, audio engineering, room acoustics, imaging, and metamaterial design.

Complementing this, a second study introduces the creation of a plasma electroacoustic actuator by using corona discharge to generate sound.696 This actuator provides a compact and efficient solution for active noise control. The design features two metallic electrodes separated by an air gap, with one electrode comprising thin wires and the other a coarse grid. Upon the application of high voltage, the system produces positive ions that interact with air particles, functioning as a dipolar acoustic source with minimal inertia. The theoretical and experimental analysis demonstrates the actuator's capability to significantly reduce noise across a wide frequency spectrum. Together, these studies underscore the transformative potential of plasma-based technologies in advancing sound control methodologies

Integrating active control mechanisms in acoustic metamaterials marks a significant advancement in terms of acoustic engineering. By overcoming the limitations of passive designs, these tunable metamaterials provide a versatile and effective means to manipulate acoustic waves, potentially transforming various acoustic technologies and applications.697 However, further research is necessary to address current challenges and fully harness these innovative materials' potential for practical use.698 

Active acoustic metamaterials offer enhanced control and tunability over passive counterparts but present significant disadvantages that must be considered for specific applications. The primary drawbacks include increased complexity and cost due to the integration of external control mechanisms, sensors, actuators, and power supplies.699 These elements lead to higher production and maintenance expenses and increased energy consumption, necessitating a continuous power supply, which can be problematic in power-constrained environments. Additionally, these materials face issues with battery life, reliability, and stability under varying conditions, as well as susceptibility to wear and tear, demanding regular maintenance.399 The complexity of control systems, involving sophisticated algorithms and real-time processing, adds further challenges, including potential latency and response time delays. The risk of malfunction due to numerous electronic and mechanical components, along with environmental constraints and electromagnetic interference, further limits their applicability. Finally, the design and fabrication of active elements require advanced techniques, posing additional hurdles. These factors collectively present substantial challenges that need careful consideration against the benefits of active acoustic metamaterials for their intended applications. However, it is essential to recognize the significant advantages that active acoustic metamaterials bring to the table. Unlike passive systems, they can achieve low-frequency absorption in limited spaces and offer real-time tunability. This adaptive capability means they can adjust to changing conditions, which passive systems simply cannot match. Yes, they are more complex and expensive, which explains why they are not widespread, but in some specialized cases, they can be game-changers.

Another important issue to address is their frequency range performance. Active acoustic metamaterials typically perform well only over a limited frequency range, especially at low frequencies. When they do manage to cover low frequencies, it is often at the cost of a very narrow bandwidth due to resonance or requiring much space. This is a significant limitation that needs to be discussed more prominently.

It's also worth noting that the benefits of active control are not limited to piezoelectric materials. Electroactive transducers, like loudspeakers, can achieve similar effects. In practical applications, energy from the system is often dissipated into an electric circuit to optimize target impedance, similar to what is done with distributed cells. This highlights the versatility and potential of active acoustic metamaterials beyond just piezoelectric systems.

Active acoustic metamaterials mark a substantial improvement over their passive counterparts, offering dynamic capabilities for sound control, including noise suppression, adaptable acoustic devices, and on-the-fly sound adjustment. These materials incorporate active elements to respond to environmental variations, improving their functionality in fields such as medical technology and the automotive sector.700,701

Modern design strategies emphasize the integration of microactuators and piezoelectric components to instantly modify acoustic properties.212,701 Advanced materials such as shape memory alloys and magnetorheological materials further enhance adjustability through external stimuli.212 Additive manufacturing methods, especially multimaterial 3D printing, enable the construction of intricate designs that were previously unattainable by conventional approaches.701 

In engineering contexts, active metamaterials surpass passive solutions in soundproofing and adaptive noise barriers by actively tuning acoustic properties for optimal performance. However, issues such as energy consumption and the complexity of embedding active components persist.212,701 Future advancements might use machine learning tools to refine design settings for greater adaptability.701 

Traditional electromechanical devices, including loudspeakers, play a key role in active acoustic metamaterials by efficiently transforming electrical inputs into mechanical vibrations, allowing precise control of sound waves for applications such as noise reduction and adaptive acoustic environments.702 Cutting-edge innovations in lightweight designs, such as membrane-based loudspeakers, leverage thin membranes to reduce weight and size, improving portability.276 Furthermore, plasma-based acoustic sources provide ultralight and efficient options that could revolutionize optimized active metamaterial configurations.703 Incorporating multiple distributed sensors and actuators poses considerable challenges in managing signal processing. The handling of associated data requires rapid and adaptive algorithms capable of real-time adjustments to fluctuating environmental conditions.704,705 Using sophisticated signal processing methods, particularly those enhanced by machine learning, can greatly enhance computational performance and flexibility, critical for the advancement of active and tunable acoustic metamaterials.150 

Passive acoustic metamaterials are an emerging field that promises to revolutionize acoustics and noise control technologies. However, several complex challenges in this exciting and dynamic field of study should be addressed to enable the real-world implementation of AMs. These challenges span multiple domains, ranging from design constraints to manufacturing complications and inherent physical limitations. A significant concern in the domain of acoustic metamaterials is the broadband behavior and tunability issue. Most AMs are designed to operate efficiently within a targeted frequency range, which essentially limits their application in scenarios requiring broadband noise reduction from the low to the high-frequency range. Moreover, some applications require acoustic tailorability, like in the case of biomedical applications where ultrasonic beam precision is fundamental. Thus, designing acoustic metamaterials with adaptable tunability and broadband behavior may require both theoretical advances and innovative material design.

The potential for energy harvesting in acoustic metamaterials is a tantalizing prospect but poses unique challenges. The amount of energy that can be harvested from sound waves is relatively small compared to the amount of sonic energy hitting a generic piezoelectric metamaterial. This requires the development of metamaterials with the ability to harvest a higher amount of energy efficiently, exploiting, for instance, resonance phenomena. Currently, the integration of AMs, with piezoelectric patches is a good starting point, exhibiting promising performances for the future in terms of acoustic energy exploitation.

The directionality problem also poses a significant obstacle in developing acoustic metamaterials. Unlike electromagnetic waves, sound waves spread out in all directions when they encounter a medium. This omnidirectional characteristic of sound poses challenges in designing metamaterials that can precisely guide sound propagation in a specific direction. The need for directionality is imperative in many applications, such as medical imaging and acoustic antennas.

Another challenge faced is the lack of ready-to-use design equations for acoustic metamaterials, which allow engineers to design and use this relatively new technology more efficiently. Furthermore, the manufacturing difficulties and associated costs also pose substantial challenges in developing acoustic metamaterials. These materials often involve the use of unconventional materials and intricate geometric designs that are not easy to produce using standard techniques. Furthermore, the processes involved are often time-consuming and resource-intensive, making the production of AMs potentially too expensive. High production costs and manufacturing complications may limit the widespread adoption of these materials unless new and more effective solutions are found to streamline production on an industrial scale.

Multifunctionality, or lack thereof, is another pressing issue in acoustic metamaterials. While these materials demonstrate remarkable properties such as a negative refractive index or superabsorption, their single-function nature may limit their applicability. There is a potential growing demand for metamaterials with multiple functionalities, such as simultaneous sound absorption and energy harvesting or sound absorption with airflow and/or heat resistance. The challenge lies in the design of such multifunctional materials, which must strike a balance between competing design requirements and material properties.

Finally, the thickness of acoustic metamaterials also constitutes a significant impediment to their applicability. The thickness of these materials often needs to be proportional to the wavelength of sound for effective operation, which results in a bulky apparatus for low-frequency sound waves. These size constraints may limit the use of acoustic metamaterials in space-sensitive applications. However, the attempt to miniaturize acoustic metamaterials is complex, requiring a careful balance between reducing size and maintaining performance. It involves theoretical considerations and experimental campaigns. These structures can significantly reduce the thickness of the material while maintaining its ability to control sound propagation. Figure 15, accompanied by Table IV, which provides explanatory details, and Table V, showcase a variety of representative works published on the subject of layer or metamaterial thickness. In Fig. 15, on the y-axis, a series of coefficients C, when multiplied by the wavelength, determine the necessary thickness of the AM for the geometry used. In Table V, we have the AMs layer thickness, independent from the wavelength, as in Fig. 15. Here, the thickness layer is displayed directly in millimeters (Table V). Interestingly, it is worth noting that the five examples involving the use of fractal geometries,1,453,548,577,582 which are discussed in the context of acoustic performance, require a comparatively thinner metamaterial layer compared to the other ones. The other internal geometries reported include the coiled, helicoidal, maze, and honeycomb configurations. Among these, fractal geometry appears to be one of the most effective solutions for the internal structure of the metamaterial layer. However, searching for multifunctional acoustic metamaterials inspires and challenges interdisciplinary collaborations, combining acoustics, materials science and engineering. Because of that, multidisciplinary knowledge is needed to address multiphysics challenges.

TABLE V.

Thickness in mm of the acoustic metamaterial layers, independent from λ.

Thickness 72 50 36 40 30 20 60 113 13 43.5 28 80 80
Reference #  585   198   580   234   217   583   259   256   1   581   579   253   720  
Thickness 72 50 36 40 30 20 60 113 13 43.5 28 80 80
Reference #  585   198   580   234   217   583   259   256   1   581   579   253   720  
FIG. 15.

The coefficient C multiplied by the wavelength λ provides the thickness of acoustic metamaterial types described in open literature (see Table IV for the corresponding research papers). The colored circles indicate the type of internal geometry of the metamaterials. The x-axis represents the journal paper number from which the data were extracted. This arrangement highlights (on the y-axes) the thickness of each metamaterial layer as a function of the frequency of the incident acoustic wave. The figure demonstrates how various internal geometries correlate with different frequencies, affecting the effectiveness of the metamaterial. Table IV lists the corresponding research papers and geometries. G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

FIG. 15.

The coefficient C multiplied by the wavelength λ provides the thickness of acoustic metamaterial types described in open literature (see Table IV for the corresponding research papers). The colored circles indicate the type of internal geometry of the metamaterials. The x-axis represents the journal paper number from which the data were extracted. This arrangement highlights (on the y-axes) the thickness of each metamaterial layer as a function of the frequency of the incident acoustic wave. The figure demonstrates how various internal geometries correlate with different frequencies, affecting the effectiveness of the metamaterial. Table IV lists the corresponding research papers and geometries. G. Comandini, Hilbert Fractal Acoustic Metamaterials (University of Bristol, 2024); licensed under a Creative Commons Attribution (CC BY) license.7 

Close modal

Acoustic metamaterials encounter various structural difficulties that influence their multifunctional capabilities, geometric constraints, and fabrication challenges. A primary concern is directional control, where the omnidirectional nature of sound waves complicates their use in domains such as medical imaging and spatial audio systems.710 Furthermore, these materials are often optimized for specific frequency ranges, limiting their effectiveness in low-frequency applications such as underwater acoustics, as their design typically sacrifices bandwidth to achieve reduced spatial dimensions.211,538

In addition, elaborate structures needed for precise sound manipulation pose significant challenges for manufacturing and scalability. The reliance on advanced fabrication methods, such as additive manufacturing, to achieve the necessary structural accuracy makes production complex and expensive, limiting widespread application.645 However, advances in multifunctional metamaterials are promising, especially in the integration of sound absorption, energy harvesting, and thermal insulation, which have great potential for use in aerospace and industrial machinery.711 

Future work in the field of advanced material innovation should emphasize utilizing the development of intelligent and adaptive materials capable of adjusting their properties in real-time to adapt to changing environmental conditions. These materials can utilize machine learning for customizable designs, expanding their use in various domains, including acoustic metamaterials, which benefit from precise production methods such as multi-material 3D printing and nanoscale lithography.163,712 Furthermore, studying topological and nonreciprocal metamaterials is imperative, as these materials enable reliable sound manipulation and directional wave propagation, critical for use in complex settings.713,714

Collaboration between disciplines is essential to progress in these areas, merging knowledge from materials science, engineering, and artificial intelligence to improve material capabilities and utility.324,715–717 The promising role of smart materials in cutting-edge applications, such as monitoring of structural integrity and energy-efficient systems, highlights the importance of continued investigation and innovation within this rapidly evolving field.718,719

This comprehensive review has summarized various discoveries and insights into acoustic metamaterials, providing an overview of the materials and manufacturing methodologies underpinning this field. Moreover, the smart blending of various geometric configurations in the creation of hybrid metamaterials further illustrates the complexity and potential of this area.

The synthesis of this literature review points out that the performance of acoustic metamaterials is greatly enhanced by employing intricate fractal formations and different geometric configurations. This recognized variety has necessitated a new classification system, complementary to the existing ones, focused on the quantity and variety of channels inherent in the geometry of metamaterials. Further exploration of combining various geometric configurations to synthesize more intricate or hybrid acoustic metamaterials revealed interesting design intersections, such as combining geometries with and without acoustic apparatuses, such as acoustic foams or resonators. Furthermore, this study also describes the materials and machines used in manufacturing, underlining achievable precision and applications.

The principal test rigs and testing rooms used in research with the relative measurable quantities to get their characterization and performance evaluation are outlined for the acoustic measurements.

However, acoustic metamaterials present many opportunities but are not without challenges. This review identified complexities that may hinder their successful application, including their broadband behavior, tunability, and directionality for the wave entering and leaving the metamaterial cell, plus energy harvesting efficiency and multi-functionality. A critical challenge is that acoustic metamaterials often exhibit effects in a relatively narrow bandwidth spectrum, which poses difficulties in fine-tuning or translating the same wanted metamaterial effects to other frequencies. Furthermore, the directionality angle of an acoustic wave entering the metamaterial cell can significantly alter the effectiveness of the AMs. Achieving accuracy in directing the acoustic wavefront at a predetermined angle can also be problematic. Furthermore, the thickness of the metamaterial layer can have a significant impact on phenomena such as sound attenuation, particularly within thin metamaterial layers. This effect arises from the direct correlation between the volume occupied by the metamaterial and the frequency spectra that are affected. Although this challenge might be addressed with the use of active acoustic metamaterials, precise tuning remains critical for broadband performance.

Another challenge lies in the limited energy harvesting of acoustic metamaterials, even when resonance phenomena are strategically employed to enhance the collected vibrations. A further consideration is a move toward multifunctionality in AMs, to solve more than one issue within the same metamaterial layer, for instance, vibroacoustic solutions for industrial machinery.

Finally, clarifying the differences between acoustic and elastic metamaterials is essential for advancing research and development in wave manipulation technologies, ensuring that each type is effectively utilized in its specific application domain.

G.C. acknowledges the support of UK EPSRC through the EPSRC Centre for Doctoral Training in Advanced Composites for Innovation and Science (No. EP/L016028/1) and Charles P. Macleod for the technical assistance. F.S. and G.C. acknowledge the support of ERC-2020-AdG-NEUROMETA (No. 101020715). M.O. acknowledges the support of EIPHI (No. ANR-17-EURE-0002). V.T. acknowledges funding from the EPSRC (No. EP/R01650X/1).

The authors declare no competing interest.

G. Comandini: Conceptualization (lead); Data curation (lead); Formal analysis (lead); Investigation (lead); Visualization (lead); Writing - original draft (lead); Review & editing (equal). M. Ouisse: Review & editing (equal); Supervision (supporting); Conceptualization (supporting). V. P. Ting: Review & editing (equal); Supervision (supporting); Conceptualization (supporting). F. Scarpa: Funding acquisition (lead); Review & editing (lead); Conceptualization (equal); Supervision (lead).

The data that support the findings of this study are available from the corresponding author upon reasonable request.

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