Christian architecture was distinguished among its various types by a set of unique design characteristics at the level of spatial organization, facades, and mass configuration. These characteristics vary within the different functional types of Christian architecture, such as churches, cathedrals, and monasteries. Variation also appeared within its different models and throughout history, from the appearance of its early prototypes to the contemporary period; among these characteristics is the type of joints and hinges within the spatial organization at the level of the horizontal and vertical dimensions and at the level of the third dimension as well. This came through linking or separating the parts, achieving the feature of homogeneity, flexibility, and coherence of the composition, whether the articulated parts are similar or asymmetrical in type, shape, and purpose. Most of the previous knowledge focused on the study of ecclesiastical architecture in general; a need arose to clarify the relationship of this to the architecture of the traditional local church rather than the contemporary one. Therefore, it was determined that the research problem is "the lack of clarity in the nature of the visual articulation in the architecture of the traditional local churches from the contemporary." The quantitative approach was adopted in the research and included building a theoretical framework on the levels of visual articulation and practical study and analyzing the data, recording the results, and determining the conclusions, as it was found that there is a disparity in the density of the visible articulations in terms of the number of elements at the total level, where the complexity appeared in the traditional matched by contemporary simplicity of the contemporary (at the levels of formation beginning, middle, ends and end), while This disparity between the two types did not appear in terms of the strength of the articulations within a certain area, as it was shown the balanced and homogeneous spread of these elements in general with some distinction of traditionalism at the detailed level.

2.
R.
Guenther
, and
W.
Claus
,
The Dictionary: Contemporary Arabic Language
,
2021
.
3.
Rosenthal
and
Yudin
,
The Philosophical Encyclopedia. Beirut
,
1981
, p.
482
.
4.
S.
Hiba
, “
Plant Morphology and Environmental Design (Back to Nature
),”
Journal of Arts and Natural Sciences
, pp.
240
,
2015
.
5.
H.
Bob
, "
Disarticulation of Berberis Leaves: Leaflets and Rachis Internodes
." [Online]. Available: http://w3.biosci.utexas.edu/prc/DigFlora/BERB/BERB-absciss.html.
6.
Admin
, “
What You Need to Know About Articulation in Music and Its Function
,”
Phamox Music
,
2021
. https://phamoxmusic.com/articulation-in-music/, (accessed Jon1 2021).
7.
H.
Tilo
and
B.
Axel
,
Expressive Articulation for Synthetic Music Performances, no. Name. Sydney, Australia
, p.
277
282
,
2010
.
8.
G.
Elif
, “
Cognitive levels regarding articulation marks among violin students in the Department of Music Education in Gazi University
,”
Educ. Res. Rev.
, vol.
11
, no.
8
, p.
537
552
,
2016
, doi: .
9.
V.
Luc
and
Z.
Alexei
, “
A ‘missing’ family of classical orthogonal polynomials
,”
Journal of Physics A: Mathematical and Theoretical
, vol.
44
, pp.
1
8
,
2011
.
10.
T.
Musical
, “
Articulation Terminology.
https://www.nhme.org/nhme20.html, (accessed Jon1 2021).
11.
M.
Al-Fatehi
, “
The Regularity of Language Levels in Structural Linguistics
,”
The Journal of Contrast
, vol. Issue
11
/
3
, p.
70
72
,
2015
.
12.
S.
Resimli
,
İstanbul: Arkın Yayınevi.
1991
, p
344
.
13.
Martini
, “
music
”,
1995
, p.
24
.
14.
Ö.
Çelik
,
Konuþmayý Etkileyen
Öðeler
.
Eskiþehir: Anadolu Üniversitesi Açýköðretim Yayýnlarý
,
1991
, pp
59
71
.
15.
F.
Marco
,
theorizing a new agenda for architecture: an anthology of architectural theory, 1965-1995
, First edit., vol.
34
, no.
02
.
New York
:
Princeton Architectural Press
,
1996
, p
501
.
16.
L.
Neil
,
CALCULATING VISUAL COMPLEXITY IN PETER EISENMAN’S ARCHITECTURE
.
Routledge Publisher
,
1997
.
17.
A.
Al moqram
, “
Formal characteristics of portable emergency shelters
,”
Iraqi J. Archit. Plan.
, p.
14
20
,
2019
.
18.
Ch.
Francis
,
architecture (form. space and order), Third.
2007
, pp
81
-
190
-225.
19.
N.
Reza
,
Analysis on the concept of articulate (joint) in architectural matrix organization
.
Yazd University
:
autumn& winter
, pp.
206
246
,
2012
, ID: 199425138.
20.
H.
Eunice
and
Annie
G.
,
Daniel
,
boyatzis
,
Richard
,
Mckee
,
Algorithmic Architecture
, vol.
53
, no.
9
, pp.
1689
1699
,
2019
. ISBN: 9788578110796.
22.
P.
Patrick
,
How designers think
, vol.
2
, no.
1
.
1981
, p
174
.
23.
H.
Janson
,
Ailce
D.
, and
Graves
M.
,
The Art of Color and Design
, vol.
13
, no.
5
.
The Maple press company
,
York
,
1941
, PP.
62
-
149
-292.
24.
M.
Al-Jabali
, “
The Visible and the Invisible at Marloponte
,”
Al-Sada Net
,
2018
. http://elsada.net/79163/.
25.
A.
Gasim
, “
Architecture.V isual Text.Insights into Form, Meaning and Function
,”
2015
. http://archifia.blogspot.com/2015/05/blog-post.html
26.
C.
Robert
,
THE CLASSICAL ORDERS OF ARCHITECTURE, SECOND.
2005
, p.
21
.
27.
I. J. K.
Al-yousif
,
Architecture that can see Behind Hings … It is seen and Being Readable
, no.
January
, PP.
7
8
,
2020
.
28.
H.
Arnold
,
The Social History of Art: From Prehistoric Times to the Middle Ages
, vol.
1
.
1999
, PP.
15
22
. ISBN: 041519945X.
29.
P. B.
Juan
,
Notes for a Theory of Meaning in Design.
1980
, p.
284
.
30.
C.
Phoebe
, “
(Form
),”
University of Virginia School of Architecture
,
2004
. http://WBGForm-Files.com. (accessed in 2021).
31.
V.
Timothy
, “
Bramante and early Christian spatial articulation
.”
Published By: Vita e Pensiero - Pubblicazioni dell’Università Cattolica del Sacro, Bramante a Milano
, pp.
180
186
,
1988
, [Online]. https://www.jstor.org/stable/43132688%0A.
32.
F.
Paul
,
Gothic architecture
, vol.
s1-I
.
2000
, p.
7
.
33.
A.
Park
, “
The Language of Architecture.
New American Library
,
1961
, p.
7
.
34.
S.
Panjikaran
and
R.
Vedamuthu
, “
An Evaluation of Spatial Organization of the Church Architecture of Kerala during the Sixteenth to Seventeenth Centuries, Journal of The Institution of Engineers (India): Series A
,”
J. Inst. Eng. Ser. A
, p.
123
130
,
2012
. DOI: .
35.
Martini
A.
, "
Principles of Linguistics in General by Andre Martini
,"
Science and Knowledge Series. Casablanca - Morocco: Dar Al Afaq
,
1995
, p.
266
.
36.
S.
Norberg
, “
Intentions in Architecture Christian Norberg
,”
MIT Press
,
1968
, pp.
75
294
.
37.
H.
Peter
, “
Towards a Church Architecture
,”
Archit. Press
,
1962
, p.
287
.
38.
B.
Mara
and
R.
Norma
, “
Interacting images. Analysis of rock-art paintings and engravings in western Tinogasta from 2500 to 1300 BP (province of Catamarca, Argentina
),”
Fundamentos
, vol.
IX (4
), no.
January
, p.
1269
1283
,
2009
.
39.
O.
Michael
and
V.
Josephine
, “
Calculating Visual Complexity in Peter
,”
Complexity
, no.
January 2009
.
40.
A.M.
Khafaji
, “
Tectonic in Architecture
,”
Iraqi J. Archit. Plan.
, p.
125
136
,
2015
.
41.
S. Father
John
,
psychological Allala in explaining the rituals of the church
.
Egypt: George’s Library
,
1999
, p.
22
.
42.
R.
Grand
, “
E.W. Bullinger: Figures of Speech used in the Bible
,”
Bak. B. House, Michigan
,
1995
, p.
75
.
43.
M.
Robert
, “
Christianity in History
,”
The Expository Times
,
1918
.
44.
Z.
Bruno
,
Architecture as Space
.
New York
:
Horizon press 2nd
,
1974
, p.
85
.
45.
Y. M. Father
Tadros
,
Studies in ecclesiastical tradition and iconography in the Church of God’s House. Egypt.
1979
, pp.
54
5
.
This content is only available via PDF.
You do not currently have access to this content.