Mother worship is one of the characteristics of the spiritual life of Asian residents in general and Vietnam in particular. Like other faiths, the Mother’s worship custom brings many values in people’s cultural and artistic life. Over time, the remaining ancient traces are few, many temples of the Mother Temple have been destroyed by time, by war and by human influence. Currently, these works have not been researched and systematized as for communal houses and pagodas. Therefore, in this study, it is mentioned about the general characteristics and style of the interior decoration art of the Mothers’ temples in the North for the purpose of systematic characteristics, art, and layout. church interior space. By describing and describing the various types of altar decorations, the system of worshiping statues, the paintings, to the decorative system of trusses, countermeasures, diaphragm, horses (antlers, layered hats, horses ,…) The attire, color, ceremony and especially the sense of a virtual space gives practitioners and participants of copper prices in that space. Thereby, we can see the aesthetic values in the interior space of the Mother Churches in the North are very rich and vivid, expressing thoughts, philosophies, desires and aspirations about the lives of the people…

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