In our “Physics of Music” class for non‐science majors, we have developed a laboratory exercise in which students experiment with Chladni sand patterns on drumheads. Chladni patterns provide a kinesthetic, visual, and entertaining way to illustrate standing waves on flat surfaces and are very helpful when making the transition from one‐dimensional systems, such as string and wind instruments, to the two‐dimensional membranes and plates of the percussion family. Although the sand patterns attributed to Ernst Florens Friedrich Chladni1 (1756–1827) are often demonstrated for this purpose using metal plates,2–4 the use of drumheads offers several pedagogical and practical advantages in the lab.

1.
M. W. Jackson, Harmonious Triads (MIT Press, Cambridge, MA, 2006), Chap. 2.
2.
Boris M.
Valiyov
and
Vladimer D.
Yegorenkov
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Circles in the sand: Methods for reproducing Chladni's figures
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John M.
Pitre
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Chladni plates: How big can they be?
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).
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Thomas D.
Rossing
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Chladni's law for vibrating plates
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5.
T. D. Rossing, F. R. Moore, and P. A. Wheeler, The Science of Sound, 3rd ed. (Addison‐Wesley, San Francisco, 2002), pp. 283–292.
6.
R. E. Berg and D. G. Stork, The Physics of Sound, 3rd ed. (Pearson, Upper Saddle River, NJ, 2005), pp. 357–362.
7.
Remo Tunable Series 7200 Frame Drums (www.remo.com), available in 8‐, 10‐, 12‐, 14‐, 16‐, and 22‐in diameters. Prices range from about $40–100.
8.
We have had good luck with both the Fiberskyn and Coated Ambassador heads from Remo.
9.
Krylon 1602 ultra flat black spray paint from the Krylon Industrial line, available online from Grainger; www.grainger.com.
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LaDawn
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Resonating blow‐pipe drum
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